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RF2HWA9CH–Art inspired by Drawings and Prints, Print, Madonna and Child, Artist, Jan Muller, Netherlandish, Amsterdam 1571–1628 Amsterdam, Muller, Jan, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HK4BAY–Inspired by Isabella Clara Eugenia, Infanta of Spain, Jan Muller, Dutch, 1571-1628, Engraving on laid paper, 1615, 16 7/16 x 11 9/16 in., 41.8 x 29.4 cm, elite, historic person, historical painting, royal, ruler, wealth, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMNXNC8–The fight between Ulysses and Irus . English: Irus is a beggar who challenges Odysseus to a fight in Odyssey Book 18. Though signed with the names Cornelis van Haarlem and Hendrik Goltzius, this is certainly the work of Muller, who also often signed his works with his father's name (Harman Mullerus). . 1589. Jan Harmensz. Muller (1571–1628) Alternative names Jan Muller, Joannes Muller, Joannes Harmensz. Muller Description Dutch painter, draughtsman, printmaker and publisher Date of birth/death 1 July 1571 (baptised) 18 April 1628 (buried) Location of birth/death Amsterdam Amsterdam
RM2BJM2KR–Author: Jan Harmensz. Muller. Mercury - Attributed to Jan Harmensz Muller (Dutch, 1571-1628) or Peeter de the younger Jode (Dutch, 1606-1674) or an
RMPAAB9P–Minerva. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague). Dimensions: 50.8 x 23 cm. Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA.
RMG15E84–A drawing by Jan Harmensz Muller (1571-1628) of Neptune with his trident and horses. Neptune was the Roman god of freshwater and the sea in Roman religion. He is the counterpart of the Greek god Poseidon. In the Greco-Roman mythology, he was the brother o
RMF7P5JE–Don Juan de Mendoza y Luna, 3rd Marquis of Montesclaros (Spanish: Juan de Mendoza y Luna, Marqués de Montesclaros (1571—1628), Spanish nobleman, man of letters, and the tenth viceroy of New Spain. 1603 to 1607. viceroy of Peru 1607 to 1615.
RM2A5YXMT–Don Juan de Mendoza y Luna, 3rd Marquis of Montesclaros (Spanish: Juan de Mendoza y Luna, Marqués de Montesclaros (1571—1628), Spanish nobleman, man of letters, and the tenth viceroy of New Spain. 1603 to 1607. viceroy of Peru 1607 to 1615.
RM2HXP8BY–London UK 14 March 2022 Jam Harmenz.Muller (1571-1628) after Bartholome Spranger , Sine Cerere et Baccho Friget Venus c , 1597, engraving ,This illustrates an epigram derived from the ancient Roman poet Terence : without Ceres and Bacchus , Venus will freeze, or in other words ,wine and food are prerequisites for Love .Muller based this print on large scale panels painted by bartholomeus Spranger for Rudolf II at Prague Castle.Paul Quezada-Neiman/Alamy Live News
RM2B6CTNA–Siege of Stralsund, 1628 Series 11 Miscellaneous External Events, 1571-1631 (series title) siege of Stralsund by the troops of Wallenstein, 1628. View of the city from the positions of the besieging imperial troops. With signature of 6 lines in German and two lines in Frisian. The bottom left of a key A-D. Bottom right numbered pen: 424. The print is part of a album. Manufacturer : printmaker French High Mountain (workshop) Place manufacture: Cologne Date: 1628 - 1630 Physical features: etching material: paper Technique: etching Dimensions: plate edge: H 202 mm × W 260 mm Subject: siege, war o
RMMPWGD8–God creates heaven and earth from a sphere representing unformed chaos. From the series The Creatio
RM2DN06RY–The Banquet of Belshazzar, Jan Harmensz Muller, Dutch, 1571 - 1628, etching and engraving, Netherlands, ca. 1590–1620, Print
RF2HK689X–Inspired by The Apotheosis of the Arts, Bartholomeus Spranger, Dutch, 1546–c.1611, Jan Harmensz Muller, Dutch, 1571–1628, 1597, Engraving, Antwerp, Belgium, Europe, Prague, Czech Republic, Europe, Prints, plate: 26 15/16 x 19 11/16 in. (68.5 x 50 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMRY4MW2–Portrait of Bernard Knipperdolling. Jan Muller (Dutch, 1571-1628), after Heinrich Aldegrever (German, 1502-1555/61). Engraving
RMMP9MD7–Lot and His Daughters.. Though signed above right C.v.Harlem P., indicating Cornelis van Haarlem, and sold as such as recently as 1965, this work has since been attributed to Jan Harmensz. Muller, who often signed his works with the signature of other painters, including his own father. circa 1600. Jan Harmensz. Muller (1571–1628) Alternative names Jan Muller, Joannes Muller, Joannes Harmensz. Muller Description Dutch painter, draughtsman, printmaker and publisher Date of birth/death 1 July 1571 (baptised) 18 April 1628 (buried) Location of birth/death Amsterdam Amsterdam Work period
RMEDT6BY–Jan Muller after Abraham Bloemaert (Dutch, 1571 - 1628), The Raising of Lazarus, c. 1600, engraving with pen and ink and wash
RM2BJM1A2–Author: Jan Harmensz. Muller. Mercury - Attributed to Jan Harmensz Muller (Dutch, 1571-1628) or Peeter de the younger Jode (Dutch, 1606-1674) or an
RMPA8PFX–Joannes Neyen, general of the order of Franciscan friars, ambassador in Trier. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Michiel Jansz. van Mierevelt (Netherlandish, Delft 1567-1641 Delft). Sitter: Portrait of Joannes Neyen. Date: 1608. Museum: Metropolitan Museum of Art, New York, USA.
RM2HXP8BP–London UK 14 March 2022 Jam Harmenz.Muller (1571-1628) after Bartholome Spranger , Sine Cerere et Baccho Friget Venus c , 1597, engraving ,This illustrates an epigram derived from the ancient Roman poet Terence : without Ceres and Bacchus , Venus will freeze, or in other words ,wine and food are prerequisites for Love .Muller based this print on large scale panels painted by bartholomeus Spranger for Rudolf II at Prague Castle.Paul Quezada-Neiman/Alamy Live News
RM2A50JKD–Cupid and Psyche, c. 1600. Müller adopted Goltzius's engraving style of a dense network of swelling and tapering lines. He sometimes made prints after works by Bartholomeus Spranger (1546-about 1611), another exponent of the Mannerist style and court painter to the Holy Roman Emperor Rudolph II (1576-1612) in Prague.
RF2HKJTD7–Art inspired by Isabella Clara Eugenia, Infanta of Spain, Jan Muller, Dutch, 1571-1628, Engraving on laid paper, 1615, 16 7/16 x 11 9/16 in., 41.8 x 29.4 cm, elite, historic person, historical painting, royal, ruler, wealth, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMP5WN75–N/A. Cleopatra by Jan Muller, after Adriaen de Vries, c. 1598. Engraving on laid paper, 40.6 x 28 cm (16 x 11 in.). National Gallery of Art, Washington . circa 1598. Jan Harmensz. Muller (1571–1628) Alternative names Jan Muller, Joannes Muller, Joannes Harmensz. Muller Description Dutch painter, draughtsman, printmaker and publisher Date of birth/death 1 July 1571 (baptised) 18 April 1628 (buried) Location of birth/death Amsterdam Amsterdam Work period between circa 1591 and circa 1628 Work location Amsterdam (circa 1591-1628), Antwerp (1595), Italy (1595) Authority control : Q272
RMH4N589–Jan Muller after Abraham Bloemaert (Dutch, 1571 - 1628), The Raising of Lazarus, c. 1600, engraving with pen and ink and wash
RMMP9MDR–. Juan de Mendoza y Luna, Marqués de Montesclaros (1571-1628), virrey de Nueva España y del Perú. 17th century. 903 Montesclaros1
RM2DCF7BK–Jan Muller, (artist), Dutch, 1571 - 1628, Abraham Bloemaert, (artist after), Dutch, 1566 - 1651, The Raising of Lazarus, c. 1600, engraving with pen and ink and wash
RMPB6PHX–Portrait of Everhard van Reyd, Councillor of William, Prince of Orange. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam). Dimensions: 8 7/8 × 5 1/2 in. (22.5 × 14 cm). Date: 1602. Museum: Metropolitan Museum of Art, New York, USA.
RM2F6T900–Author: Harmen Jansz. Muller. Portrait of Hendrick Goltzius - c. 1617 - Jan Harmensz Muller (Dutch, 1571-1628) after Hendrick Goltzius (Dutch,
RMMNXPPA–Русский: Семь вещей, которые нужно преодолеть (неполная работа) Français : Les sept vices à combattre (copie incomplète) English: The Seven Things to Overcome (Incomplete) 中文: 七克 Português: As sete coisas a serem superadas (incompleto) العربية: سبع خصال وكيف تتغلب عليها (غير مكتمل) Español: Las siete cosas por superar (incompleto) . Русский: Эта работа входила в книгу 'Тянь сюэ чу хань' ('Первый сборник священных наук'), напечатанную в 1629 году. Ее автором является Пан Диво (китайское имя Диего де Пантохи, 1571–1618 гг.), один из ближайших соратников итальянского иезуита Маттео Риччи. После
RM2K5T4TM–Portrait of the organist and composer Jan Pieterszoon Sweelinck (1561-1621), 1624. Private Collection.
RF2HKMFR5–Art inspired by The Apotheosis of the Arts, Bartholomeus Spranger, Dutch, 1546-c.1611, Jan Harmensz Muller, Dutch, 1571-1628, 1597, Engraving, Antwerp, Belgium, Europe, Prague, Czech Republic, Europe, Prints, plate: 26 15/16 x 19 11/16 in. (68.5 x 50 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTXJAK–Art inspired by The Adoration of the Magi, ca. 1626, Engraving; fourth state of four, 34.7 x 43.3 cm, Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DCAY4D–Jan Muller, (artist), Dutch, 1571 - 1628, Heinrich Aldegrever, (artist after), German, 1502 - 1555/1561, Johan van Leyden (Jan Beukels), c. 1615, engraving
RMR2JEJ6–Harpocrates, Philosopher. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam). Dimensions: 19 × 14 5/8 in. (48.2 × 37.2 cm). Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Date: ca. 1611. Museum: Metropolitan Museum of Art, New York, USA.
RM2G135BB–Author: Jan Harmensz. Muller. Jupiter and Semele - Jan Harmensz Muller (Dutch, 1571-1628) or possibly John Hamilton Mortimer (English, 1740-1779) or
RM2EKPKJA–Jan Harmensz. Muller (1571-1628); Bartholomeus rampers (1546-1611), Venus and Mercury, About 1600
RM2GMY6FC–The Entombment (copy). Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam) probable; Artist: After Lucas van Leyden (Netherlandish,
RM2F6TY30–Author: Jan Harmensz. Muller. Adoration of the Shepherds - Jan Harmensz Muller Dutch, 1571-1628. Pen and brown ink, with brush and brown wash, over
RF2HTXJAR–Art inspired by Minerva, ca. 1632, Engraving, 50.8 x 23 cm, Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DC9J75–Jan Muller, (artist), Dutch, 1571 - 1628, Harpocrates, 1593, engraving, sheet: 47.9 x 37.7 cm (18 7/8 x 14 13/16 in
RMPB3WXW–Bacchus, Ceres, and Venus. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague). Dimensions: sheet: 20 x 14 1/8 in. (50.8 x 35.8 cm). Date: 1591-92. Museum: Metropolitan Museum of Art, New York, USA.
RM2DT3WD5–Artist: Jan Harmensz. Muller, Dutch, 1571–1628, After: Heinrich Aldegrever, Germany, 1502–1555/61, Bernhard Knipperdolling, ca. 1615, Engraving, Made in The Netherlands, Dutch, 17th century, Works on Paper - Prints
RM2EKPKM1–Jan Harmensz. Muller (1571-1628); Bartholomeus Spring (1546-1611), Perseus equipped by Minerva and Merkur, 1604
RM2A2J2AG–Mercury, n.d., Attributed to Jan Harmensz Muller (Dutch, 1571-1628), or Peeter de the younger Jode (Dutch, 1606-1674), or an unknown artist (Netherlandish, 16th century), Holland, Pen and brown ink, over black chalk, on buff laid paper, 245 × 173 mm
RM2A50972–Bellona Leading the Armies of the Emperor against the Turks, 1600. The central, striding figure, Bellona (the Roman goddess of war), is said to be either the sister or the wife of Mars, god of war. The double-headed eagle of the Hapsburgs appears on the flag behind her. Born in Amsterdam, Jan Muller probably learned engraving from his father, Harman Muller, a printmaker and publisher. He traveled to Italy in the 1590s and presumably stopped in Prague along the way. There he made prints based on designs by artists employed at the Hapsburg court, including Bartholomeaus Spranger (1546-1611).
RMRKRN98–Adoration of the Shepherds - Jan Harmensz Muller Dutch, 1571-1628 - Artist: Jan Harmensz. Muller, Origin: Netherlands, Date: 1591-1628, Medium: Pen
RM2GMY6BW–The Flaggelation (copy). Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Artist: After Lucas van Leyden (Netherlandish, Leiden ca.
RF2HTXJ9J–Art inspired by Cleopatra, ca. 1623, 38.1 x 25.5 cm, Prints, Adriaen de Vries (Netherlandish, The Hague ca. 1545–1626 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR2KF13–Lot and His Daughters. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam). Dimensions: Sheet: 15 3/4 × 17 13/16 in. (40 × 45.2 cm). Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Date: ca. 1630. Museum: Metropolitan Museum of Art, New York, USA.
RM2EKPKJH–Jan Harmensz. Muller (1571-1628); Cornelis Cornelisz. of Haarlem (1562-1638), Odysseus and Irus' camp, 1589
RM2A2JB8R–Portrait of Hendrick Goltzius, c. 1617, Jan Harmensz Muller (Dutch, 1571-1628), after Hendrick Goltzius (Dutch, 1558-1617), Holland, Engraving in black on buff laid paper, 577 x 421 mm (image), 580 x 429 mm (plate), 600 x 440 mm (sheet
RM2GMY6F6–The Dentist (reverse copy). Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Artist: After Lucas van Leyden (Netherlandish, Leiden
RF2HTXJ9Y–Art inspired by Harpocrates, Philosopher, ca. 1611, Engraving; first state of two, 19 × 14 5/8 in. (48.2 × 37.2 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB1AN4–Mercury Abducting Psyche. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Adriaen de Vries (Netherlandish, The Hague ca. 1545-1626 Prague). Dimensions: 44.5 x 25.0 cm. Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Date: ca. 1622. Museum: Metropolitan Museum of Art, New York, USA.
RM2EKPKME–Jan Harmensz. Muller (1571-1628); Bartholomeus rampers (1546-1611), the Holy Family and two Musicling Angel, About 1590
RM2B0GT3M–Jan Harmensz Muller, Dutch, 1571–1628, After Bartholomaeus Spranger, (Flemish, 1546–1611), A Satyr Pulling a Thorn out of the Foot of a Faun, Engraving on paper, image: 10 7/16 x 8 3/16 in. (26.5 x 20.8 cm
RM2GMY6G1–The Resurrection (copy). Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Artist: After Lucas van Leyden (Netherlandish, Leiden ca.
RF2HW66AM–Art inspired by Cain Killing Abel, ca. 1591, Engraving, 33.3 x 41.5 cm, Prints, Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562–1638 Haarlem), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPARAE8–Mercury Abducting Psyche. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Adriaen de Vries (Netherlandish, The Hague ca. 1545-1626 Prague). Dimensions: 44.5 x 24.6 cm. Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Date: ca. 1621. Museum: Metropolitan Museum of Art, New York, USA.
RM2EKPKK3–Jan Harmensz. Muller (1571-1628); Adriaen de Vries (1559-1626), Sabiner Ends ROV, 1571-1628
RM2A2JPY6–The Last Supper, 1615/1620, Jan Harmensz Muller (Dutch, 1571-1628), after Lucas van Leyden (Netherlandish, c. 1494-1533), Holland, Engraving in black on ivory laid paper, 117 x 77 mm (image), 118 x 80 mm (plate/sheet, trimmed to plate mark
RM2GMY6BA–Christ Crowned with Thorns (copy). Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Artist: After Lucas van Leyden (Netherlandish,
RMRKXEY4–Jupiter and Semele - Jan Harmensz Muller (Dutch, 1571-1628) or possibly John Hamilton Mortimer (English, 1740-1779) or possibly Hendrick Goltzius
RM2GMY6FG–Group of Armed Men (copy). Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Artist: After Lucas van Leyden (Netherlandish, Leiden
RMKNR6D1–The Adoration of the Magi. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Publisher: Harmen Jansz. Muller (Netherlandish,
RF2HTXJAY–Art inspired by Raising of Lazarus, ca. 1600, Engraving; second state of two, 36.4 x 48.0 cm, Prints, Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFCH7K–Dead Christ Lamented by an Angel. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Jacopo Ligozzi (Italian, Verona 1547-1627 Florence). Dimensions: 21.8 x 18.0 cm. Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Date: ca. 1614. Museum: Metropolitan Museum of Art, New York, USA.
RM2EKPKJF–Jan Harmensz. Muller (1571-1628); Adriaen de Vries (1559-1626), Sabiner Ends ROV, 1571-1628
RM2A2P9ER–Jan Muller, Dutch, 1571-1628, after Michiel Janszoon van Mierevelt, Netherlandish, 1567-1641, Ambrosius Spinola, between 1571 and 1628, engraving printed in black ink on laid paper, Plate: 16 1/2 × 11 3/4 inches (41.9 × 29.8 cm
RMKNR6C2–Harpocrates, Philosopher. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Publisher: Harmen Jansz. Muller (Netherlandish,
RF2HW66EF–Art inspired by Mercury Abducting Psyche, ca. 1620, Engraving, 43.8 x 25.9 cm, Prints, Adriaen de Vries (Netherlandish, The Hague ca. 1545–1626 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAAX0H–The Three Fates. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562-1638 Haarlem). Dimensions: 30.0 x 25.0 cm. Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Date: ca. 1589. Museum: Metropolitan Museum of Art, New York, USA.
RM2A2P4JT–Jan Muller, Dutch, 1571-1628, Johannes Secundus Everard of The Hague, between 16th and 17th century, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 4 3/8 × 2 1/2 inches (11.1 × 6.4 cm
RM2DRJF79–Engraver: Jan Harmensz. Muller, Dutch, 1571–1628, After: Michiel van Miereveld, Dutch, 1567–1641, Portrait of Spinola, Engraving, sheet: 41.6 × 29.4 cm (16 3/8 × 11 9/16 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Prints
RM2HYYYKC–Harpocrates. Jan Harmensz. Muller (Holland, Amsterdam, 1571-1628). Holland, 1593. Prints; engravings. Engraving
RMKNR6D0–The Adoration of the Magi. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Publisher: Harmen Jansz. Muller (Netherlandish,
RF2HW66F6–Art inspired by Mercury Abducting Psyche, ca. 1621, Engraving, 44.5 x 24.6 cm, Prints, Adriaen de Vries (Netherlandish, The Hague ca. 1545–1626 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR2JF52–Raising of Lazarus. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Abraham Bloemaert (Netherlandish, Gorinchem 1566-1651 Utrecht). Dimensions: 36.4 x 48.0 cm. Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Date: ca. 1600. Museum: Metropolitan Museum of Art, New York, USA.
RM2DT20BY–Artist: Jan Harmensz. Muller, Dutch, 1571–1628, After: Hans von Aachen, German, 1552–1615, Martyrdom of Saint Sebastian, Engraving, sheet: 44.5 × 33.3 cm (17 1/2 × 13 1/8 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Prints
RM2HYYYFT–Chilon. Jan Harmensz. Muller (Holland, Amsterdam, 1571-1628). Holland, 1596. Prints; engravings. Engraving
RM2DCG1XE–Jan Muller, (artist), Dutch, 1571 - 1628, Belshazzar's Feast, c. 1598, engraving on laid paper, plate: 35.9 x 40.3 cm (14 1/8 x 15 7/8 in.), sheet: 36.2 x 41.2 cm (14 1/4 x 16 1/4 in
RM2DTCBJC–Artist: Jan Harmensz. Muller, Dutch, 1571–1628, After: Michiel van Miereveld, Dutch, 1567–1641, Ambrogio, Marquis of Spinola (1569-1630), Engraving, 43.5 × 31.4 cm (17 1/8 × 12 3/8 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Prints
RMKNR6D4–Lot and His Daughters. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam
RF2HW66GA–Art inspired by Mercury Abducting Psyche, ca. 1622, Engraving, 44.5 x 25.0 cm, Prints, Adriaen de Vries (Netherlandish, The Hague ca. 1545–1626 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKNPCGH–Bacchus, Ceres, and Venus. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Artist: Bartholomeus Spranger (Netherlandish, Antwerp
RMKNR6D6–Minerva. Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam);
RMPAC0AG–Portrait of Christian IV, King of Denmark, in Decorated Oval. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Remmert Petersen. Dimensions: 7 5/16 × 4 13/16 in. (18.6 × 12.2 cm). Date: ca. 1606. Museum: Metropolitan Museum of Art, New York, USA.
RM2HYYYJK–The Adoration of the Magi. Jan Harmensz. Muller (Holland, Amsterdam, 1571-1628). Holland, 1598. Prints; engravings. Engraving
RM2DT2AYX–Engraver: Jan Harmensz. Muller, Dutch, 1571–1628, After: Adriaen de Vries, Dutch, 1545–1626, Hercules Killing the Hydra, ca. 1602, Engraving, sheet: 51.5 × 36.8 cm (20 1/4 × 14 1/2 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Prints
RF2HW66BH–Art inspired by Hagar in the Desert Consoled by an Angel, ca. 1609, Engraving; first state of three, 17.5 x 21.0 cm, Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKNR6BX–Hagar in the Desert Consoled by an Angel. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Artist: Jan Muller (Netherlandish,
RMR2K4X2–Rest on the Flight into Egypt. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam). Dimensions: 8 3/4 × 7 11/16 in. (22.3 × 19.5 cm). Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Date: ca. 1613. Museum: Metropolitan Museum of Art, New York, USA.
Search Results for 1571 1628 Stock Photos and Images (350)
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