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Genssblum, Fig. 84, LXXXI, Capitel LI-C., Leonhart Fuchs: New Kreuterbuch, in welchem nit allein die gantz histori, das ist, namen, gestalt, statt und zeit der wachsung [...] des meysten theyls der Kreuter so in Teutschen und andern Landen wachsen, [...] beschriben, sonder auch aller derselben wurtzel, stengel, [...] abgebildet und contrafayt ist. Basell: Isingrin 1563 Stock Photo
RM2A2RPRT–Genssblum, Fig. 84, LXXXI, Capitel LI-C., Leonhart Fuchs: New Kreuterbuch, in welchem nit allein die gantz histori, das ist, namen, gestalt, statt und zeit der wachsung [...] des meysten theyls der Kreuter so in Teutschen und andern Landen wachsen, [...] beschriben, sonder auch aller derselben wurtzel, stengel, [...] abgebildet und contrafayt ist. Basell: Isingrin 1563
Allegory of Prato. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFCB5W–Allegory of Prato. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
. Brockhaus' Konversations-Lexikon. 7. Rathaus zu Sevilla (TeU der Fa^ade, 16. Jahrb.). 8. Escorial, 1563—84 von J Brockbaug Koaversations-Lexikon. 14. Aufl. ] KUKST. II. Stock Photo
RM2AG3BRC–. Brockhaus' Konversations-Lexikon. 7. Rathaus zu Sevilla (TeU der Fa^ade, 16. Jahrb.). 8. Escorial, 1563—84 von J Brockbaug Koaversations-Lexikon. 14. Aufl. ] KUKST. II.
H Franciscus Xaverius Portret van de jezuïeten missionaris Francis Xaverius. In de hoeken medaillons met scènes uit zijn leven. In de marge een tweeregelig onderschrift in het Latijn. Manufacturer : prentmaker: Hieronymus Wie: rix (vermeld op object)Plaats manufacture: Antwerpen Dating: 1563 - voor 1619 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 84 mm × b 61 mm Subject: the Jesuit missionary Francis Xavier; possible attributes: cross, crucifix, flaming heart, Indian, lily, torchWieFrancis Xavier Stock Photo
RM2B6T0R2–H Franciscus Xaverius Portret van de jezuïeten missionaris Francis Xaverius. In de hoeken medaillons met scènes uit zijn leven. In de marge een tweeregelig onderschrift in het Latijn. Manufacturer : prentmaker: Hieronymus Wie: rix (vermeld op object)Plaats manufacture: Antwerpen Dating: 1563 - voor 1619 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 84 mm × b 61 mm Subject: the Jesuit missionary Francis Xavier; possible attributes: cross, crucifix, flaming heart, Indian, lily, torchWieFrancis Xavier
Monastery of El Escorial, 1899 Stock Photo
RMCPJG51–Monastery of El Escorial, 1899
Virgin and Child with Saint Anne and John the Baptist. Artist: Francesco Salviati (Francesco de´ Rossi) (Italian, Florence 1510-1563 Rome); Date: ca. Stock Photo
RMKNM86N–Virgin and Child with Saint Anne and John the Baptist. Artist: Francesco Salviati (Francesco de´ Rossi) (Italian, Florence 1510-1563 Rome); Date: ca.
Monastery of El Escorial, 1929 Stock Photo
RMCPJG4R–Monastery of El Escorial, 1929
Speculum Romanae Magnificentiae: Naval Battle. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Master of the Die (Italian, active Rome, Stock Photo
RMKNRXE5–Speculum Romanae Magnificentiae: Naval Battle. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Master of the Die (Italian, active Rome,
Interior view of the Basilica in El Escorial, 1902 Stock Photo
RMCPJGF7–Interior view of the Basilica in El Escorial, 1902
Speculum Romanae Magnificentiae: The Great Hall within the Farnese Palace. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Anonymous; Stock Photo
RMKNF4TA–Speculum Romanae Magnificentiae: The Great Hall within the Farnese Palace. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Anonymous;
Library in the monastery of El Escorial, 1909 Stock Photo
RMCPJG4G–Library in the monastery of El Escorial, 1909
Speculum Romanae Magnificentiae: Baths of Agrippa. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Giovanni Ambrogio Brambilla (Italian, Stock Photo
RMKNF4P6–Speculum Romanae Magnificentiae: Baths of Agrippa. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Giovanni Ambrogio Brambilla (Italian,
Library in the monastery of El Escorial, 1902 Stock Photo
RMCPJG4M–Library in the monastery of El Escorial, 1902
Speculum Romanae Magnificentiae: Column of Trajan. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Anonymous; Publisher: Paolo Graziani Stock Photo
RMKNF4PG–Speculum Romanae Magnificentiae: Column of Trajan. Series/Portfolio: Speculum Romanae Magnificentiae; Artist: Anonymous; Publisher: Paolo Graziani
Burial place of the Spanish kings in the monastery of El Escorial, 1899 Stock Photo
RMCPJG4J–Burial place of the Spanish kings in the monastery of El Escorial, 1899
. Fig. 6. A. Menipea patagonica Busk. 99.7.1.715 (Eaton Collection), Kerguelen. Young colony with ancestrula, drawn from a dry specimen seen by' reflected light. B. M. flagellifera Busk. St. WS 84, Falkland Islands. To show musculature of frontal avicularium. C. M. flagellifera Busk. St. 1563, Marion Island. Ancestrula and first zooecium. b. bud, cm. condyles of mandible, r. rootlet, 5. seta, t.d. tendon of divaricator muscle, t.o. tendon of occlusor muscle. Busk (1879, p. 194) recorded specimens of this species as Cellularia cirrata (see p. 332). Hasenbank's description and figure of Menipea Stock Photo
RMMCRE5G–. Fig. 6. A. Menipea patagonica Busk. 99.7.1.715 (Eaton Collection), Kerguelen. Young colony with ancestrula, drawn from a dry specimen seen by' reflected light. B. M. flagellifera Busk. St. WS 84, Falkland Islands. To show musculature of frontal avicularium. C. M. flagellifera Busk. St. 1563, Marion Island. Ancestrula and first zooecium. b. bud, cm. condyles of mandible, r. rootlet, 5. seta, t.d. tendon of divaricator muscle, t.o. tendon of occlusor muscle. Busk (1879, p. 194) recorded specimens of this species as Cellularia cirrata (see p. 332). Hasenbank's description and figure of Menipea
The pensive Christ sits huddled on a stone beside the cross, awaiting his crucifixion. At his feet are the instruments of the passion. In the background a view of Jerusalem. In the margin a caption in Latin. Numbered at lower right: 78., Christ on the Cold Stone, print maker: Wierix, (mentioned on object), publisher: Wierix, (mentioned on object), Antwerp, 1563 - before 1619 and/or 1800 - 1900, paper, engraving, h 84 mm × w 56 mm Stock Photo
RM2JC6Y4M–The pensive Christ sits huddled on a stone beside the cross, awaiting his crucifixion. At his feet are the instruments of the passion. In the background a view of Jerusalem. In the margin a caption in Latin. Numbered at lower right: 78., Christ on the Cold Stone, print maker: Wierix, (mentioned on object), publisher: Wierix, (mentioned on object), Antwerp, 1563 - before 1619 and/or 1800 - 1900, paper, engraving, h 84 mm × w 56 mm
Allegory of Fiesole. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFAP1Y–Allegory of Fiesole. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
. Brockhaus' Konversations-Lexikon. 1. Inneres der Katheilrale za Toledo(13. nnd 14. Jahrb.). 2. Königliolies Schlofs za Madrid CWestansiflit1737—64 nach Plänen Juvaras von Saoohetti erbaut, nach dem Bran. 7. Rathaus zu Sevilla (TeU der Fa^ade, 16. Jahrb.). 8. Escorial, 1563—84 von J Brockbaug Koaversations-Lexikon. 14. Aufl. ] KUKST. II Stock Photo
RM2AG3C69–. Brockhaus' Konversations-Lexikon. 1. Inneres der Katheilrale za Toledo(13. nnd 14. Jahrb.). 2. Königliolies Schlofs za Madrid CWestansiflit1737—64 nach Plänen Juvaras von Saoohetti erbaut, nach dem Bran. 7. Rathaus zu Sevilla (TeU der Fa^ade, 16. Jahrb.). 8. Escorial, 1563—84 von J Brockbaug Koaversations-Lexikon. 14. Aufl. ] KUKST. II
Christ Child surrounded by virgins Ten virgins form a circle around the Christ child. Mary sits on the edge of a garden, surrounded by angels in the background. The trees musical angels. In the margin a prayer, in three columns in the Latijn. Manufacturer : printmaker: Jerome Who: rixuitgever: Hieronymus Wierix (listed property) Place manufacture: Antwerp Date: 1563 - for 1619 Physical features: car material: paper Technique: engra (printing process) dimensions: sheet: h 128 mm × W 84 mm Subject: Christ-child together with other Stock Photo
RM2B6H0X0–Christ Child surrounded by virgins Ten virgins form a circle around the Christ child. Mary sits on the edge of a garden, surrounded by angels in the background. The trees musical angels. In the margin a prayer, in three columns in the Latijn. Manufacturer : printmaker: Jerome Who: rixuitgever: Hieronymus Wierix (listed property) Place manufacture: Antwerp Date: 1563 - for 1619 Physical features: car material: paper Technique: engra (printing process) dimensions: sheet: h 128 mm × W 84 mm Subject: Christ-child together with other
Allegory of Chianti. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFANYH–Allegory of Chianti. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
. Discovery reports. Discovery (Ship); Scientific expeditions; Ocean; Antarctica; Falkland Islands. 334 DISCOVERY REPORTS exceedingly rare, while empty ovisacs and embryos showing larval structure are present in considerable numbers.. Fig. 6. A. Menipea patagonica Busk. 99.7.1.715 (Eaton Collection), Kerguelen. Young colony with ancestrula, drawn from a dry specimen seen by' reflected light. B. M. flagellifera Busk. St. WS 84, Falkland Islands. To show musculature of frontal avicularium. C. M. flagellifera Busk. St. 1563, Marion Island. Ancestrula and first zooecium. b. bud, cm. condyles of ma Stock Photo
RMRCDW6D–. Discovery reports. Discovery (Ship); Scientific expeditions; Ocean; Antarctica; Falkland Islands. 334 DISCOVERY REPORTS exceedingly rare, while empty ovisacs and embryos showing larval structure are present in considerable numbers.. Fig. 6. A. Menipea patagonica Busk. 99.7.1.715 (Eaton Collection), Kerguelen. Young colony with ancestrula, drawn from a dry specimen seen by' reflected light. B. M. flagellifera Busk. St. WS 84, Falkland Islands. To show musculature of frontal avicularium. C. M. flagellifera Busk. St. 1563, Marion Island. Ancestrula and first zooecium. b. bud, cm. condyles of ma
Christ and his cross Christus draagt zijn kruis op zijn schouder. Uit de wond in zijn zijde stroomt het bloed in een kelk. In de marge een tweeregelig onderschrift in het Latijn. Manufacturer : prentmaker: Hieronymus Wie: rix (vermeld op object)uitgever: Hieronymus Wierix (vermeld op object)Plaats manufacture: Antwerpen Dating: 1563 - voor 1619 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: plaatrand: h 84 mm × b 64 mm Subject: types of adult Christ (alone)blood spouting from Christ's wounds Stock Photo
RM2B6GNX9–Christ and his cross Christus draagt zijn kruis op zijn schouder. Uit de wond in zijn zijde stroomt het bloed in een kelk. In de marge een tweeregelig onderschrift in het Latijn. Manufacturer : prentmaker: Hieronymus Wie: rix (vermeld op object)uitgever: Hieronymus Wierix (vermeld op object)Plaats manufacture: Antwerpen Dating: 1563 - voor 1619 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: plaatrand: h 84 mm × b 64 mm Subject: types of adult Christ (alone)blood spouting from Christ's wounds
Storming of Monteriggioni. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFCA39–Storming of Monteriggioni. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
The ropes shackled Christ after his crowning with thorns, mocked by two Jews. On the pillar behind him to be bound to the lashes. In the margin of a six-line signature, in two columns, in the Latijn. Manufacturer : print maker: Hieronymus Who: rix (indicated on object) to a design of: Hieronymus Wierix (indicated on object) Editor: Hans Liefrinck (I) (shown on object ) Place manufacture: Antwerp Date: 1563 - for 1573 Physical features: car material: paper Technique: engra (printing process) Dimensions: sheet: h 125 mm × W 84 mm Subject: in Caiaphas' palace Christ is mocked by Jews (Matthew 26: Stock Photo
RM2B6DFPX–The ropes shackled Christ after his crowning with thorns, mocked by two Jews. On the pillar behind him to be bound to the lashes. In the margin of a six-line signature, in two columns, in the Latijn. Manufacturer : print maker: Hieronymus Who: rix (indicated on object) to a design of: Hieronymus Wierix (indicated on object) Editor: Hans Liefrinck (I) (shown on object ) Place manufacture: Antwerp Date: 1563 - for 1573 Physical features: car material: paper Technique: engra (printing process) Dimensions: sheet: h 125 mm × W 84 mm Subject: in Caiaphas' palace Christ is mocked by Jews (Matthew 26:
Defeat of Radagasio below Fiesole. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari. Stock Photo
RMRFCNFE–Defeat of Radagasio below Fiesole. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari.
Christ on the cold stone Pensive Christ sits huddled on a rock next to the cross in anticipation of his crucifixion. At his feet lie the Arma Christi. In the background a view of Jerusalem. In the margin of a caption in Latin. Bottom right numbered 78. Manufacturer : printmaker Who: rix (listed building) publisher: Wierix (listed property) Place manufacture: Antwerp Date: 1563 - for 1619 and / or 1800 - 1900 Physical features: car material: paper Technique: engra (printing process ) Measurements: plate edge: h 84 mm × 56 b mm Subject: Christ in agony waiting to be crucified; he is sitting on o Stock Photo
RM2B6GPA6–Christ on the cold stone Pensive Christ sits huddled on a rock next to the cross in anticipation of his crucifixion. At his feet lie the Arma Christi. In the background a view of Jerusalem. In the margin of a caption in Latin. Bottom right numbered 78. Manufacturer : printmaker Who: rix (listed building) publisher: Wierix (listed property) Place manufacture: Antwerp Date: 1563 - for 1619 and / or 1800 - 1900 Physical features: car material: paper Technique: engra (printing process ) Measurements: plate edge: h 84 mm × 56 b mm Subject: Christ in agony waiting to be crucified; he is sitting on o
Capture of Casole. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFCAM7–Capture of Casole. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Christ as Salvator Mundi Christus houdt een rijksappel in de ene hand, en maakt een zegenend gebaar met de ander hand. In de marge een tweeregelig onderschrift in het Latijn. Manufacturer : prentmaker: Hieronymus Wie: rix (vermeld op object)uitgever: Hieronymus Wierix (vermeld op object)verlener van privilege: Joachim de Buschere (vermeld op object)Plaats manufacture: Antwerpen Dating: 1563 - voor 1619 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 84 mm × b 55 mm Subject: 'Salvator Mundi', making a blessing gesture; an orb in his hand or at h Stock Photo
RM2B6GENX–Christ as Salvator Mundi Christus houdt een rijksappel in de ene hand, en maakt een zegenend gebaar met de ander hand. In de marge een tweeregelig onderschrift in het Latijn. Manufacturer : prentmaker: Hieronymus Wie: rix (vermeld op object)uitgever: Hieronymus Wierix (vermeld op object)verlener van privilege: Joachim de Buschere (vermeld op object)Plaats manufacture: Antwerpen Dating: 1563 - voor 1619 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 84 mm × b 55 mm Subject: 'Salvator Mundi', making a blessing gesture; an orb in his hand or at h
Capture of Cascina. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFC5CP–Capture of Cascina. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Blood of Christ flowing in chalice Christus staat naast het kruis. Het bloed stroomt uit de wond in zijn zijde in een miskelk. Links op de achtergrond een wijnpers. In de marge een tweeregelig Bijbelcitaat uit Heb. 12 in het Latijn. Manufacturer : prentmaker: Hieronymus Wie: rix (vermeld op object)uitgever: Hieronymus Wierix (vermeld op object)verlener van privilege: Joachim de Buschere (vermeld op object)Plaats manufacture: Antwerpen Dating: 1563 - voor 1619 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 84 mm × b 53 mm Subject: blood spoutin Stock Photo
RM2B6E1N8–Blood of Christ flowing in chalice Christus staat naast het kruis. Het bloed stroomt uit de wond in zijn zijde in een miskelk. Links op de achtergrond een wijnpers. In de marge een tweeregelig Bijbelcitaat uit Heb. 12 in het Latijn. Manufacturer : prentmaker: Hieronymus Wie: rix (vermeld op object)uitgever: Hieronymus Wierix (vermeld op object)verlener van privilege: Joachim de Buschere (vermeld op object)Plaats manufacture: Antwerpen Dating: 1563 - voor 1619 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 84 mm × b 53 mm Subject: blood spoutin
Allegory of Pescia. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFCNHR–Allegory of Pescia. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
The Penitent Mary Magdalene Maria Magdalena ligt, met een crucifix in haar armen, voor een grot. Ze leest in de Bijbel. Voor haar een schedel, een gesel en haar zalfpot. In de marge een tweeregelig onderschrift in het Latijn. Manufacturer : prentmaker: Hieronymus Wie: rix (vermeld op object)uitgever: Hieronymus Wierix (vermeld op object)Plaats manufacture: Antwerpen Dating: 1563 - voor 1619 en/of 1700 - 1799 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: plaatrand: h 84 mm × b 64 mm Subject: the penitent St. Mary Magdalene (often before a cave, possib Stock Photo
RM2B6HWFX–The Penitent Mary Magdalene Maria Magdalena ligt, met een crucifix in haar armen, voor een grot. Ze leest in de Bijbel. Voor haar een schedel, een gesel en haar zalfpot. In de marge een tweeregelig onderschrift in het Latijn. Manufacturer : prentmaker: Hieronymus Wie: rix (vermeld op object)uitgever: Hieronymus Wierix (vermeld op object)Plaats manufacture: Antwerpen Dating: 1563 - voor 1619 en/of 1700 - 1799 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: plaatrand: h 84 mm × b 64 mm Subject: the penitent St. Mary Magdalene (often before a cave, possib
Allegory of Pistoia. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFBKER–Allegory of Pistoia. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Allegory of Romagna. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFC56W–Allegory of Romagna. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Allegory of Certaldo. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFCBNB–Allegory of Certaldo. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Puttoes with scroll and writing. Date/Period: 1563 - 1565. Oil painting on wood. Height: 160 mm (6.29 in); Width: 250 mm (9.84 in). Author: Giovanni Battista Naldini. Stock Photo
RMPNEAN3–Puttoes with scroll and writing. Date/Period: 1563 - 1565. Oil painting on wood. Height: 160 mm (6.29 in); Width: 250 mm (9.84 in). Author: Giovanni Battista Naldini.
Allegory of Mugello. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFCBEM–Allegory of Mugello. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Capture of Vicopisano. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFCNDN–Capture of Vicopisano. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Portraits of Vasari's collaborators. Date/Period: 1563 - 1565. Oil painting on wood. Height: 130 mm (5.11 in); Width: 250 mm (9.84 in). Author: Giovanni Battista Naldini. Stock Photo
RMPNC3JD–Portraits of Vasari's collaborators. Date/Period: 1563 - 1565. Oil painting on wood. Height: 130 mm (5.11 in); Width: 250 mm (9.84 in). Author: Giovanni Battista Naldini.
Allegory of Volterra. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFC7NA–Allegory of Volterra. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Allegory of Arezzo. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFAPAE–Allegory of Arezzo. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Allegory of Casentino. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFAP85–Allegory of Casentino. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Rout of the Turks at Piombino. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFBJKM–Rout of the Turks at Piombino. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Allegory of Cortona and Montepulciano. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFC8EH–Allegory of Cortona and Montepulciano. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Union of Florence and Fiesole. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFAP9R–Union of Florence and Fiesole. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Storming of Monastero's fortress. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFC857–Storming of Monastero's fortress. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Allegory of San Giovanni Valdarno. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFBHNY–Allegory of San Giovanni Valdarno. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Battle of Barbagianni, nearby Pisa. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFC7N3–Battle of Barbagianni, nearby Pisa. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Sea battle between Florentines and Pisans. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFC54F–Sea battle between Florentines and Pisans. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Allegory of Borgo San Sepolcro and Anghiari. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFAMYB–Allegory of Borgo San Sepolcro and Anghiari. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Allegory of Colle val d'Elsa and San Gimignano. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFAP9H–Allegory of Colle val d'Elsa and San Gimignano. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Allegory of San Miniato in lower Valdarno. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFC64F–Allegory of San Miniato in lower Valdarno. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Clemente IV hands his insigna to the captains of the Guelph Part. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFCAC8–Clemente IV hands his insigna to the captains of the Guelph Part. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari. VASARI, GIORGIO.
Eugenio IV disembarks at Leghorn to take refuge in Florence. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari. VASARI, GIORGIO. Stock Photo
RMRFC7XR–Eugenio IV disembarks at Leghorn to take refuge in Florence. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari. VASARI, GIORGIO.
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