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RMCWC1YK–Execution of David van der Leyen and Levina Ghyselins Dutch Anabaptists or Mennonites by Catholic authorities in Ghent in 1554.
RM2A2J12H–Fall of the Giants, 1550s, After Guglielmo della Porta, Italian, 1500/10-1577, Italy, Pen and brown ink, over traces of black chalk, on cream laid paper, 211 x 355 mm (max
RF2HW6087–Art inspired by Lamentation over the Dead Christ, 1550s, Woodcut, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 21, bottom, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW8MB9–Art inspired by The Seven Sleepers of Ephesus Discovered by Alexander the Great', Folio from a Falnama (Book of Omens), 1550s, Attributed to Iran, Qazvin, Ink, opaque watercolor, and gold on paper, Painting: H. 23 in. (58.4 cm), Codices, This folio depicts seven Christian men, also, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW6157–Art inspired by Venus and Vulcan at the Forge, mid-1550s, Engraving, plate: 7 1/2 x 12 5/16 in. (19 x 31.3 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW8MKW–Art inspired by Coffin of Imam 'Ali', Folio from a Falnama (The Book of Omens) of Ja'far al-Sadiq, mid-1550s–early 1560s, Attributed to Iran, Qazvin, Ink, opaque watercolor, and gold on paper, Painting: H. 22 5/16 in. (56.7 cm), Codices, This folio is from a manuscript of the Falnama (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKK6FFY–Printer’s device used by Gualtiro Scotto printers in Venice between 1550 to 1555. Hermes is shown holding the caduceus and stood on a die surrounded in an ornate frame of fruit, cherubs and angels. See more information below.
RMCWBW2K–The Phlegmatic personality was calm and thought to be caused by the dominance of the humor phlegm. It is personified by a
RMCERC38–Lindisfarne Castle, built in the 1550s from stones from the demolished priory after the dissolution of the monasteries by Henry
RM2B0KMPW–Jacopo Tintoretto (Jacopo Robusti), Portrait of a Man, Jacopo Tintoretto (Jacopo Robusti) (Italian, Venice 1518/19–1594 Venice), 1550s, Oil on canvas, 44 3/8 x 35 in. (112.7 x 88.9 cm), Paintings
![The 1906 caption reads” HIGH PRIEST PHILIP REBUKING IVAN THE TERRIBLE.—Ivan IV [died 1584] was the most bloody of Russia's many tyrants. He always pretended to deep religious feeling, yet he is said to have put to death more than sixty thousand of his subjects. His high priest, or 'Metropolitan,' though knowing that the act meant death, finally felt compelled to rebuke and condemn the monster. Ivan, pretending great horror that any one should find fault with so holy a man as he, tried to compel Philip to retract his words, and, failing, had the priest cruelly executed. Stock Photo](https://c8.alamy.com/comp/2JGAXPT/the-1906-caption-reads-high-priest-philip-rebuking-ivan-the-terribleivan-iv-died-1584-was-the-most-bloody-of-russias-many-tyrants-he-always-pretended-to-deep-religious-feeling-yet-he-is-said-to-have-put-to-death-more-than-sixty-thousand-of-his-subjects-his-high-priest-or-metropolitan-though-knowing-that-the-act-meant-death-finally-felt-compelled-to-rebuke-and-condemn-the-monster-ivan-pretending-great-horror-that-any-one-should-find-fault-with-so-holy-a-man-as-he-tried-to-compel-philip-to-retract-his-words-and-failing-had-the-priest-cruelly-executed-2JGAXPT.jpg "The 1906 caption reads” HIGH PRIEST PHILIP REBUKING IVAN THE TERRIBLE.—Ivan IV [died 1584] was the most bloody of Russia's many tyrants. He always pretended to deep religious feeling, yet he is said to have put to death more than sixty thousand of his subjects. His high priest, or 'Metropolitan,' though knowing that the act meant death, finally felt compelled to rebuke and condemn the monster. Ivan, pretending great horror that any one should find fault with so holy a man as he, tried to compel Philip to retract his words, and, failing, had the priest cruelly executed. Stock Photo")
RF2JGAXPT–The 1906 caption reads” HIGH PRIEST PHILIP REBUKING IVAN THE TERRIBLE.—Ivan IV [died 1584] was the most bloody of Russia's many tyrants. He always pretended to deep religious feeling, yet he is said to have put to death more than sixty thousand of his subjects. His high priest, or 'Metropolitan,' though knowing that the act meant death, finally felt compelled to rebuke and condemn the monster. Ivan, pretending great horror that any one should find fault with so holy a man as he, tried to compel Philip to retract his words, and, failing, had the priest cruelly executed.
RF2J1MA1R–The 1906 caption reads: “Flight of Charles V. The Emperor Charles V the mightiest monarch of his time in Europe, had to flee from a sudden and unexpected German rebellion. Suffering severely from the gout, he was jolted in frantic haste over the Alpine passes to a safer land. His enemies could, perhaps, have captured him, but purposely delayed pursuit, saying they had “no cage for so large a bird.” This was the Second Schmalkaldic War, also known as the Princes' Revolt, an uprising of German Protestant princes led by elector Maurice of Saxony against the Catholic emperor Charles V that broke o
RF2AJPJ7Y–Shown here is Mary Stuart as Queen of France, when she married the Dauphin of France in 1558 and became queen at the age of 16. It was painted by an unknown master in the employ of the Duke of Devonshire in England.
RMC13GEX–British Royalty. Queen Elizabeth I of England during her coronation, London, England, November 17, 1558.
RF2HW8MJF–Art inspired by Muhammad Revives the Sick Boy', Folio from a Falnama (Book of Omens) of Ja'far al-Sadiq, 1550s, Attributed to Iran, Qazvin, Ink, opaque watercolor, and gold on paper, Painting: H. 23 1/16 in. (58.6 cm), Codices, This illustration belonged to a Falnama, or book of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPBTNC3–The Bastille in 1647, illustrating the bastion, the stone abutment linking to the fortress and the new southern entrance built during the 1550s
RMHFAC42–‘Die neuwen Inseln, so hinder Hispanien gegen Orient bey dem land India ligen.’ Hand coloured map of the New World by German cartography Sebastian Münster (1488-1552). From his edition of Ptolemy's ‘Cosmographia’ the earliest German description of the world featuring the earliest reference to the Pacific Ocean and Japan.
RMCWBW2M–The Sanguine personality was optimistic and thought to be caused by the dominance of the humor blood. It is personified by a
RMG3BNT1–The Dudley family crest carved into the wall of the Beauchamp Tower by John Dudley, Earl of Warwick who was imprisoned there circa 1550s Date: circa 1550s
RMG2P33W–Decorative plate 'God Accepts Noah's Burnt Sacrifices'. Tin-enamelled earthenware, either maiolica or faience. From Lyon, mid-16th century. A scene from Genesis 8:20-22. Based on a woodcut by Bernard Salomon which was created for the vernacular Bibles published in Lyon in the 1550's.
RMR2PE05–Christ Crowned with Thorns. Dated: 1550s. Dimensions: sheet: 32.6 x 22.2 cm (12 13/16 x 8 3/4 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Andrea Meldolla, called Schiavone, after Titian.
RM2DC7B5P–Jacopo Tintoretto, (artist), Venetian, 1518 or 1519 - 1594, A Kneeling Man Holding a Staff, mid 1550s, charcoal heightened with white on blue laid paper, overall: 23.6 × 34.8 cm (9 5/16 × 13 11/16 in
RMFXT551–Fontainbleau School. Middle-second half of the 16th century. Pageant Shield. Steel. Chased. Made in the 1550s for King Henry II of France (1547-1559). His initials and those of his mistress, Diane de Poitiers, are in the shield's border. The chased composition depicts the Medusa surrounded by fantastical beasts. Sketch by the French engraver Etienne Delaune (1518-1583). Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia.
RMRY433A–Victorious Soldiers with Trophy, 1550s. Pellegrino Tibaldi (Italian, 1527-1596). Pen and brown ink and brush and brown wash; framing lines in brown ink; sheet: 13.7 x 20.2 cm (5 3/8 x 7 15/16 in.); secondary support: 13.7 x 20.2 cm (5 3/8 x 7 15/16 in.); tertiary support: 21.8 x 27.7 cm (8 9/16 x 10 7/8 in
RMP052G4–The Nativity, Jacopo Tintoretto, 1550's, Museum of Fine Arts, Boston, Mass, USA, North America
RMG91MME–5 million at Christie's in London on Thursday. The work, which was begun in the 1550s, but never completed, has an extraordinary history. See PA Story SALE Titian. PRESS ASSOCIATION Photo. Photo credit should read: Fiona Hanson/PA
RMC13JM4–The Sanguine personality was optimistic and thought to be caused by the dominance of the humor blood. It is personified by a young woman ridings in the clouds with various attributes of the sanguine temperament such as the horse Pegasus, a peacock, a lute and a music book. Engraving by Virgil Solis (German, 1514-1562).
RF2HW8JXN–Art inspired by Filippo Archinto (born about 1500, died 1558), Archbishop of Milan, mid-1550s, Oil on canvas, 46 1/2 x 37 in. (118.1 x 94 cm), Paintings, Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576 Venice), The Milanese Filippo Archinto was a remarkable, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW3DJG–Art inspired by 竹林七聖図, Seven Sages of the Bamboo Grove, Muromachi period (1392–1573), 1550s, Japan, Hanging scroll; ink and color on paper, Image: 40 5/16 × 20 3/8 in. (102.4 × 51.7 cm), Paintings, Sesson Shūkei (ca. 1504–ca. 1589), During the turbulent years of the beginning of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW6156–Art inspired by Venus and Vulcan Seated on a Bed and Three Putti, mid-1550s, Engraving, plate: 11 1/4 x 8 1/8 in. (28.6 x 20.7 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMCWBW2H–The Melancholic personality was depressed and thought to be caused by the dominance of the humor yellow bile. It is personified
RFRA8HGY–Andrea Schiavone after Titian (Italian, c. 1500 - 1563), Christ Crowned with Thorns, 1550s, woodcut on laid paper reimagined
RM2HHH1EE–Tintoretto. Painting entitled 'The Birth of St John the Baptist' by Jacopo Tintoretto (c.1518-1594), oil on canvas, 1550s
RMPP86TP–Fontainbleau School. Middle-second half of the 16th century. Pageant Shield. Steel. Chased. Made in the 1550s for King Henry II of France (1547-1559). His initials and those of his mistress, Diane de Poitiers, are in the shield's border. The chased composition depicts the Medusa surrounded by fantastical beasts. Sketch by the French engraver Etienne Delaune (1518-1583). Detail. Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia.
RMFXT552–Fontainbleau School. Middle-second half of the 16th century. Pageant Shield. Steel. Chased. Made in the 1550s for King Henry II of France (1547-1559). His initials and those of his mistress, Diane de Poitiers, are in the shield's border. The chased composition depicts the Medusa surrounded by fantastical beasts. Sketch by the French engraver Etienne Delaune (1518-1583). Detail. Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia.
RMTXDFXC–Venus and Vulcan at the Forge; Italy, mid-1550s Prints; engravings Engraving Mary Stansbury Ruiz Bequest (M.88.91.189) Prints and Drawings; Mid-1550s;
RMJ2RMF8–Abd al-Aziz and Aqa Mirek (attr.),The Seven Sleepers of Ephesus Discovered by Alexander the Great, Folio from a Falnama (Book of Omens) 1550s Qazvin, Metmuseum
RMS0DKPT–A wall clock with a neon sign saying 'caffe espresso' above Bar Italia, a famous old 24 hour coffee bar dating from the 1950s in Soho, London, England
RMC13JKY–The Choleric personality was impatient and thought to be caused by the dominance of the humor black bile. It is personified by a young woman, with and eagle and a lion, is surrounded by flames. She holds a torch and a heart pierced by an arrow. Engraving by Virgil Solis (German, 1514-1562).
RM2B1C31Y–Funeral of Fatima, Folio from a Falnama (Book of Divination) mid-1550s–early 1560s Iran, Tabriz. Metropolitan Mus. N-Y.
RMHKG6B9–Abd al Aziz and Aqa Mirek (attr.),The Seven Sleepers of Ephesus Discovered by Alexander the Great, Folio from a Falnama (Book of Omens) 1550s Qazvin, Metmuseum
RMCWBW2G–The Choleric personality was impatient and thought to be caused by the dominance of the humor black bile. It is personified by
RMBXKTJC–The north gate and Bocardo prison, Oxford, England where Latimer, Ridley and Cranmer were held in the 1550s
RM2F2G1JW–STRÖMSHOLM PALACE in Västmanland is a Swedish Royal palace.The Baroque palace is located on an island in Kolbäcksån River.its on a fortress from 1550s established by King Gustav Vasa
RMPP86R8–Fontainbleau School. Middle-second half of the 16th century. Pageant Shield. Steel. Chased. Made in the 1550s for King Henry II of France (1547-1559). His initials and those of his mistress, Diane de Poitiers, are in the shield's border. The chased composition depicts the Medusa surrounded by fantastical beasts. Sketch by the French engraver Etienne Delaune (1518-1583). Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia.
RME1GHCH–Plate: God accepts Noah's burnt sacrifices. Tin-enameled earthenware (maiolica or faience) Lyon, mid-16th century. This scene from Genesis, created for the vernacular bibles published in Lyon in the 1550's.
RMTXDFY1–Venus and Vulcan Seated on a Bed; Italy, mid-1550s Prints; engravings Engraving Mary Stansbury Ruiz Bequest (M.88.91.145) Prints and Drawings; Mid-1550s;
RMJG1CC2–Funeral of Fatima, Folio from a Falnama (Book of Divination) mid-1550s-early 1560s Iran, Tabriz. Metropolitan Mus. N-Y
![Plan of the Villa Giulia Author LafreÃÅry, Antoine 81.66.a. Place of publication: [Rome] Publisher: [Antoine LafreÃÅry] Date of publication: [1550s] Item type: 1 print Medium: etching Dimensions: sheet 41.3 x 29.9 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FNDP/plan-of-the-villa-giulia-author-lafrery-antoine-8166a-place-of-publication-rome-publisher-antoine-lafrery-date-of-publication-1550s-item-type-1-print-medium-etching-dimensions-sheet-413-x-299-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FNDP.jpg "Plan of the Villa Giulia Author LafreÃÅry, Antoine 81.66.a. Place of publication: [Rome] Publisher: [Antoine LafreÃÅry] Date of publication: [1550s] Item type: 1 print Medium: etching Dimensions: sheet 41.3 x 29.9 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9FNDP–Plan of the Villa Giulia Author LafreÃÅry, Antoine 81.66.a. Place of publication: [Rome] Publisher: [Antoine LafreÃÅry] Date of publication: [1550s] Item type: 1 print Medium: etching Dimensions: sheet 41.3 x 29.9 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
RMC13JM1–The Melancholic personality was depressed and thought to be caused by the dominance of the humor yellow bile. It is personified
RMHWY7A6–Abd al Aziz and Aqa Mirek (attr.),The Seven Sleepers of Ephesus Discovered by Alexander the Great, Folio from a Falnama (Book of Omens) 1550s Qazvin, Metmuseum
RMKWDJKE–PLAYING THE ZITHER FOR A CRANE, 1540-50s, Chinese painting, Ming dynasty, ink, color on silk. A man plays music for his pet crane beneath a massive paulownia tree. His house is set in a garden-like landscape, with decorative rocks, flowers, and footbridge over a stream (BSLOC 2017 16 7)
RMPBMNR8–Abd al-Aziz and Aqa Mirek (attr.),The Seven Sleepers of Ephesus Discovered by Alexander the Great, Folio from a Falnama (Book of Omens) 1550s Qazvin,
RM2F2G1JR–STRÖMSHOLM PALACE in Västmanland is a Swedish Royal palace.The Baroque palace is located on an island in Kolbäcksån River.its on a fortress from 1550s established by King Gustav Vasa
RMR2HMPG–Venus and Vulcan at the Forge. Artist: After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: plate: 7 1/2 x 12 5/16 in. (19 x 31.3 cm) sheet: 8 1/16 x 12 7/8 in. (20.5 x 32.7 cm). Date: mid-1550s. Museum: Metropolitan Museum of Art, New York, USA.
Search Results for 1550s Stock Photos and Images (859)
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