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RM2DCFKNB–Aegidius Sadeler II, (artist), Flemish, c. 1570 - 1629, Bartholomaeus Spranger, (artist after), Flemish, 1546 - 1611, Pieter Brueghel, the Younger, 1606, engraving
RF2HWA1TB–Art inspired by Drawings and Prints, Print, Penitent Mary Magdalen, Artist, After, Bartholomeus Spranger, Netherlandish, Antwerp 1546–1611, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DMDHW4–Portrait of Pieter Brughel the Younger, Bartholomaeus Spranger, Flemish, 1546 - 1611, Aegidius Sadeler II, Flemish, 1570 - 1629, Marco Sadeler, engraving on laid paper, Netherlands, 1606, Print
RMRY2M20–Peter Bruegel, 1606. Aegidius Sadeler (Flemish, c. 1570-1629), after Bartholomaeus Spranger (Flemish, 1546-1611). Engraving; sheet: 30.1 x 20.4 cm (11 7/8 x 8 1/16 in
RM2CWBF0F–Flight into Egypt', c1566-1611. Artist: Bartholomeus Spranger. Bartholomeus Spranger (1546-1611) was a Flemish Mannerist painter, draughtsman, sculptor and designer of prints.
RM2A2K7N1–Saint Dominic Reading, c. 1573, Bartholomaeus Spranger, Flemish, 1546-1611, Flanders, Pen and brown ink and brush and brown wash, with touches of opaque white watercolor, over traces of black chalk, on cream laid paper, 306 × 186 mm
RMPAAB9P–Minerva. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague). Dimensions: 50.8 x 23 cm. Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA.
RMPRX9RA–Venus and Mercury 1595 Bartholomeus Spranger 1546-1611 Flemish Belgian Belgium Greek, Roman, mythology, (myths often consist of sacred narratives about gods),
RMKYGK5W–Rytec Jacob Matham 1571-1631 ; inventor tvurce predlohy Bartholomeus Spranger 1546-1611 - Zkouska cistoty vestalky Tuscie
RM2G12RWC–Bartholomaeus Spranger. Entombment - Attributed to Bartholomaeus Spranger Flemish, 1546-1611. Pen and brown ink with brush and brown wash, heightened
RMJFX8AC–Bartholomeus Spranger (1546-1611) Aanbidding van de koningen - National Gallery Londen 5-3-2015 11-16-58
RMT16MG6–Portrait of Bartholomeus Spranger, Flemish painter, draftsman, sculptor and etcher, 1546-1611. Barthelemi Spranger. Copperplate engraving after a portrait by Jan Harmenz Muller from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762.
RM2B2B0B7–'''Judith with the head of Holofernes'', Bartholomeus Spranger (1546-1611), oil on canvas.
RF2HTXJAR–Art inspired by Minerva, ca. 1632, Engraving, 50.8 x 23 cm, Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMB2J6J5–Venus, Roman goddess of love and beauty, 'The Toilet of Venus', copper engraving by Egidius Sadeler (1570 - 1629) after painting by Bartholomaeus Sprenger (1546 - 1611), private collection, , Artist's Copyright has not to be cleared
RMRKT81X–Entombment - Attributed to Bartholomaeus Spranger Flemish, 1546-1611 - Artist: Bartholomaeus Spranger, Origin: Flanders, Date: 1566–1611, Medium: Pen
RM2A2KPPN–Venus Receiving Gifts, c. 1588, Aegidius Sadeler (Flemish, 1570-1629), after Bartholomaeus Spranger (Flemish, 1546-1611), Flanders, Engraving in black on ivory laid paper, 278 × 186 mm (image/sheet, sight), cut within platemark
RMPAJP1D–Venus and Cupid. Artist: Sadeler, after Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague). Dimensions: H. 7-3/8 x W. 5-3/16 in. (18.7 x 13.3 cm.). Date: 1571-1650. Museum: Metropolitan Museum of Art, New York, USA.
RMPRX9PR–Self Portrait 1580-1585 Bartholomeus Spranger 1546-1611 Flemish Belgian Belgium Greek, Roman, mythology, (myths often consist of sacred narratives about gods),
RM2HJCK7D–Famous astronomers in history, a colorization of a frontispiece engraving from Jan Luyts‚Äô Astronomica Institutio, 1692. The figure at center may be the ancient Greek astronomer Hipparchus, or a figure of Luyts himself. In background are depicted, from left to right: Galileo Galilei (1564-1642), Johannes Hevelius (1611-1687), Tycho Brahe (1546-1601), Nicolaus Copernicus (1473-1543) and Ptolemy (100-c.‚Äâ170). Frontispiece engraving by J. Mulder after G. Hoet, from Jan Luyts‚Äôs Astronomica Institutio, 1692.
RMMX1X46–. Svenska: Bartolomeus Spranger, 1546-1611 . Unknown date 73 Bartolomeus Spranger, 1546-1611 - Nationalmuseum - 31898
RMRFA4D0–. Catalogue of the First Four thousand samples in the soil collection of the Division of soils... 78 SAMPLES, NOS. 1525-1776. List of the soil samjjles, arranijed serially from 1 to 4000âContinued. No. of sample.. 1525-1532 1533-1534 1535-1541 1.''.42 1543-1546 1547-1550 1551-1560 1561-1566 1567-1568 1569-1571 1572-1579 1580-1581 1582-1587 1588-1591 1592 1593-1601 1602-1603 1604 1605 1606-1608 1609 1610 1611 1612 1613 1614 1615-1616 1617 1618 1619-1620 1621-1622 1623-1624 1625-1620 1627-1632 1633-1634 1635-1636 1637-1638 1639 1640 1641-1650 1651-1652 1653 1654 1655-1656 1657-1658 1659-1660 166
RF2HW61R4–Art inspired by Saint John the Evangelist, ca. 1596, Etching, Sheet: 5 15/16 x 8 in. (15.1 x 20.3 cm), Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2G13155–Bartholomaeus Spranger. Apollo and the Muses - c. 1700 - Possibly Bartholomaeus Spranger (Flemish, 1546-1611) or Jacob de Wit (Dutch, 1695-1754) or
RM2B0GN59–Jan Sadeler I, Flemish, 1550–1600, After Bartholomaeus Spranger, (Flemish, 1546–1611), Saint Francis, 1580, Engraving on laid paper, image: 4 3/4 x 3 7/8 in. (12.1 x 9.8 cm
RMR2K346–Wisdom Conquers Ignorance. Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Aegidius Sadeler II (Netherlandish, Antwerp 1568-1629 Prague). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Author: Aegidius Sadeler II. Bartholomeus Spranger. Aegidius Sadeler II, after Bartholomaeus Spranger.
RMPRX9R2–Hercules, Deianeira and the Centaur Nessus 1580-1585 Bartholomeus Spranger 1546-1611 Flemish Belgian Belgium Greek, Roman, mythology, (myths often consist of sacred narratives about gods),
RMKNR6CH–Apotheosis of the Arts. Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Artist: Jan Muller (Netherlandish, Amsterdam
RMMMKTG4–Svenska: Bartolomeus Spranger, 1546-1611 . Unknown date. 73 Bartolomeus Spranger, 1546-1611 - Nationalmuseum - 31898
RMKNN78M–Minerva and Mercury Arming Perseus. Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Artist: Jan Muller (Netherlandish,
RM2HJCK7P–Famous astronomers in history, a colorization of a frontispiece engraving from Jan Luyts‚Äôs Astronomica Institutio, 1692. The figure at center may be the ancient Greek astronomer Hipparchus, or a figure of Luyts himself. In background are depicted, from left to right: Galileo Galilei (1564-1642), Johannes Hevelius (1611-1687), Tycho Brahe (1546-1601), Nicolaus Copernicus (1473-1543) and Ptolemy (100-c.‚Äâ170). Frontispiece engraving by J. Mulder after G. Hoet, from Jan Luyts‚Äôs Astronomica Institutio, 1692.
RMKNR6D6–Minerva. Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam);
RMRF29X2–. Catalogue of the First Four thousand samples in the soil collection of the Division of soils... 78 SAMPLES, NOS. 1525-1776. List of the soil samjjles, arranijed serially from 1 to 4000âContinued. No. of sample.. 1525-1532 1533-1534 1535-1541 1.''.42 1543-1546 1547-1550 1551-1560 1561-1566 1567-1568 1569-1571 1572-1579 1580-1581 1582-1587 1588-1591 1592 1593-1601 1602-1603 1604 1605 1606-1608 1609 1610 1611 1612 1613 1614 1615-1616 1617 1618 1619-1620 1621-1622 1623-1624 1625-1620 1627-1632 1633-1634 1635-1636 1637-1638 1639 1640 1641-1650 1651-1652 1653 1654 1655-1656 1657-1658 1659-1660 166
RMKNWKCJ–Venus and Cupid. Artist: Sadeler, after Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Date: 1571-1650; Medium: Engraving;
RF2HTXJB2–Art inspired by Cupid & Psyche, ca. 1631, Engraving; third state of four, 38.7 x 52.9 cm, Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRKRT8J–Saint Dominic Reading - c. 1573 - Bartholomaeus Spranger Flemish, 1546-1611 - Artist: Bartholomaeus Spranger, Origin: Flanders, Date: 1568-1578,
RM2A2KXW6–The Holy Family, c. 1589, Hendrick Goltzius (Dutch, 1558-1617), after Bartholomaeus Spranger (Flemish, 1546–1611), Netherlands, Engraving in black on laid paper, 271 × 210 mm (image), 286 × 215 mm (plate), 304 × 229 mm (sheet
RMDE665J–Epitaph of Goldsmith Nicolas Müller of Prague, 1593. Artist: Spranger, Bartholomeus (1546-1611)
RMPB3WXW–Bacchus, Ceres, and Venus. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague). Dimensions: sheet: 20 x 14 1/8 in. (50.8 x 35.8 cm). Date: 1591-92. Museum: Metropolitan Museum of Art, New York, USA.
RMPRX9RF–Glaucus and Scylla (Glaucus, a fisherman turned sea god, spots the beautiful nymph, Scylla,) 1580-1582 Bartholomeus Spranger 1546-1611 Flemish Belgian Belgium Greek, Roman, mythology, (myths often consist of sacred narratives about gods),
RM2EKPKJA–Jan Harmensz. Muller (1571-1628); Bartholomeus rampers (1546-1611), Venus and Mercury, About 1600
RM2GF38FK–The Body of Christ Supported by Angels, 1587 Oil Painting 1546-1611 Flemish Belgian Belgium * Man of Sorrows . The angel holds a basket containing attributes associated with the passion, such as the crown of thorns and the nails used to crucify Christ. Background the three Marys are shown making their way to the grave that they will find empty, )
RMMW5B6D–. Svenska: Bartolomeus Spranger, 1546-1611 . Unknown date 73 Bartolomeus Spranger, 1546-1611 - Nationalmuseum - 31898
RMP5F4H9–173 Bartholomeus Spranger (1546–1611) Aanbidding van de koningen - National Gallery Londen 5-3-2015 11-16-58
RMMXE61T–. English: Oreads Removing a Thorn from a Satyr's Foot Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague) Date: ca. 1602 . 1 October 2012, 15:06:23. Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague) 458 Oreads Removing a Thorn by Bartholomeus Spranger
RF2HW66FP–Art inspired by Minerva & Mercury Arming Perseus, 1604, Engraving; third state of three, 56.5 x 39.8cm, Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F6W330–Author: Bartholomaeus Spranger. Saint Dominic Reading - c. 1573 - Bartholomaeus Spranger Flemish, 1546-1611. Pen and brown ink and brush and brown
RF2HW8XGT–Art inspired by Venus and Cupid, 1571–1650, Engraving, H. 7-3/8 x W. 5-3/16 in. (18.7 x 13.3 cm.), Prints, Sadeler, after Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW66EM–Art inspired by Apotheosis of the Arts, ca. 1619, Engraving complete on two sheets; third state of three, 67.8 x 50.1 cm, Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DCF6BA–Hendrick Goltzius, (artist), Dutch, 1558 - 1617, Bartholomaeus Spranger, (artist after), Flemish, 1546 - 1611, The Holy Family, 1585, engraving on laid paper, sheet (trimmed within plate mark): 16.7 x 11.8 cm (6 9/16 x 4 5/8 in
RM2DCFME8–Johann Gottlieb Prestel, (artist), German, 1739 - 1808, Bartholomaeus Spranger, (artist after), Flemish, 1546 - 1611, Sculpture, Painting, Architecture, Dessins des meilleurs Peintres d'Italie, d'Allemagne et des Pay-Bas Tirés de divers célebres Cabinets (plate 13), (series), published 1782, etching
RMRFD6XD–Holy Family with Saint John. Artist: After Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Lucas Kilian (German, Augsburg 1579-1637 Augsburg). Dimensions: Sheet: 11 7/16 × 12 15/16 in. (29 × 32.8 cm). Date: 1605. Museum: Metropolitan Museum of Art, New York, USA.
RM2B0GT3M–Jan Harmensz Muller, Dutch, 1571–1628, After Bartholomaeus Spranger, (Flemish, 1546–1611), A Satyr Pulling a Thorn out of the Foot of a Faun, Engraving on paper, image: 10 7/16 x 8 3/16 in. (26.5 x 20.8 cm
RM2DT22TC–Artist: Bartholomaeus Spranger, Flemish, 1546–1611, Venus and Mercury, ca. 1600, Pen and brown ink and gray wash, heightened with white, sheet: 37 × 25.4 cm (14 9/16 × 10 in.), Made in Flanders, Flemish, 16th century, Works on Paper - Drawings and Watercolors
RM2GF38H2–Venus en Adonis, Bartholomeus Spranger 1546-1611 Flemish Belgian Belgium ( Venus, the goddess of love, does not want to let her lover Adonis go hunting. She is afraid that something will happen to him. Her fear comes true: a wild boar kills Adonis. The tall slender figures with small heads are characteristic of Spranger's elegant Mannerist style. The landscape is remarkably old-fashioned: it has been copied from an early 16th-century painting. )
RMDKMYPK–Beweinung Christ - Lamentation of Christ by Bartholomeus Spranger 1546-1611 Flemish Belgian Belgium
RMMTX8R5–. English: Oreads Removing a Thorn from a Satyr's Foot Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague) Date: ca. 1602 . 1 October 2012, 15:06:23. Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague) 457 Oreads Removing a Thorn by Bartholomeus Spranger
RMRKXJ2W–The Holy Family - c. 1589 - Hendrick Goltzius (Dutch, 1558-1617) after Bartholomaeus Spranger (Flemish, 1546–1611) - Artist: Hendrick Goltzius,
RMKNPE0Y–Saint John the Evangelist. Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Date: ca. 1596; Medium: Etching; Dimensions:
RF2HTXGEW–Art inspired by Bacchus, Ceres, and Venus, 1591–92, Engraving, sheet: 20 x 14 1/8 in. (50.8 x 35.8 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKNR6D5–Cupid & Psyche. Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628
RMDE6658–Hercules, Deianira and the Centaur Nessus, c. 1580. Artist: Spranger, Bartholomeus (1546-1611)
RMRKTAXN–Venus in Vulcan's Forge (recto); Geometry (verso) - c. 1607 - Hermann Weyer (German, c. 1596-1621) Bartholomaeus Spranger (Flemish, 1546-1611) -
RMPB9PG3–St Dominic Reading. Artist: Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome); After Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague). Dimensions: Sheet: 13 11/16 × 8 1/2 in. (34.7 × 21.6 cm). Date: 1573. Museum: Metropolitan Museum of Art, New York, USA.
RMKNXYD0–Neptune and Amphitrite. Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Date: mid-16th-early 17th century; Medium: Pen and
RM2EKPYCX–Hendrick Goltzius (1558-1617); Bartholomeus rides (1546-1611), amor and psyches' wedding, 1587
RM2DRMGYD–Artist: Aegidius Sadeler II, Flemish, 1570-1629, After: Bartholomaeus Spranger, Flemish, 1546–1611, Portrait of Peter Brueghel the Younger, Engraving, sheet: 30.3 × 20.7 cm (11 15/16 × 8 1/8 in.), Made in Flanders, Flemish, 16th century, Works on Paper - Prints
RMKNFWK4–Venus and Amor. Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Date: ca. 1585; Medium: Pen and brown ink, light and dark
RMKNR6BR–Oreads Removing a Thorn from a Satyr´s Foot. Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Artist: Jan Muller
RMKNM6RR–Diana and Actaeon. Artist: Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Date: ca. 1580-1585; Medium: Pen and brown ink, brush and
RMMYN4P7–. English: Oreads Removing a Thorn from a Satyr's Foot Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague) Date: ca. 1602 . 1 October 2012, 15:06:23. Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague) 399 Oreads Removing a Thorn by Bartholomeus Spranger
RMRKY7YK–Venus and Mercury - c. 1600 - Jan Harmensz Muller (Flemish, 1540-1617) after Bartholomeus Spranger (Flemish, 1546-1611) - Artist: Jan Harmensz.
RF2HTXJAM–Art inspired by Venus and Mercury, ca. 1600, Engraving, Sheet: 14 13/16 × 10 13/16 in. (37.6 × 27.5 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for 1546 1611 Stock Photos and Images (248)
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