Art inspired by The Right Hand of God Protecting the Faithful against the Demons, ca. 1452–1460, Tempera and gold leaf on parchment, leaf: 7 5/8 x 5 3/4 in. (19.4 x 14.6 cm), Manuscripts and Illuminations, Jean Fouquet (French, Tours ca. 1425–ca. 1478 Tours), The 'Hours of Étienne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-right-hand-of-god-protecting-the-faithful-against-the-demons-ca-14521460-tempera-and-gold-leaf-on-parchment-leaf-7-58-x-5-34-in-194-x-146-cm-manuscripts-and-illuminations-jean-fouquet-french-tours-ca-1425ca-1478-tours-the-hours-of-tienne-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463030053.html
RF2HW8RFH–Art inspired by The Right Hand of God Protecting the Faithful against the Demons, ca. 1452–1460, Tempera and gold leaf on parchment, leaf: 7 5/8 x 5 3/4 in. (19.4 x 14.6 cm), Manuscripts and Illuminations, Jean Fouquet (French, Tours ca. 1425–ca. 1478 Tours), The 'Hours of Étienne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Petrecino, (artist), Ferrarese, active 1460, Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452, 1460, lead, overall (diameter): 9.67 cm (3 13/16 in.), gross weight: 322.57 gr (0.711 lb.), axis: 12:00 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/petrecino-artist-ferrarese-active-1460-borso-deste-1413-1471-marquess-of-ferrara-1450-duke-of-modena-and-reggio-1452-1460-lead-overall-diameter-967-cm-3-1316-in-gross-weight-32257-gr-0711-lb-axis-1200-image386330411.html
RM2DCETAK–Petrecino, (artist), Ferrarese, active 1460, Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452, 1460, lead, overall (diameter): 9.67 cm (3 13/16 in.), gross weight: 322.57 gr (0.711 lb.), axis: 12:00
Français : Sainte Marie Madeleine essuyant les pieds du Christ, miniature extraite des Heures d’Étienne Chevalier circa 1452-1460. 1086 Sainte-marie Madeleine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-sainte-marie-madeleine-essuyant-les-pieds-du-christ-miniature-extraite-des-heures-dtienne-chevalier-circa-1452-1460-1086-sainte-marie-madeleine-image185583172.html
RMMNX16C–Français : Sainte Marie Madeleine essuyant les pieds du Christ, miniature extraite des Heures d’Étienne Chevalier circa 1452-1460. 1086 Sainte-marie Madeleine
The Annunciation from the Hours of Étienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-annunciation-from-the-hours-of-tienne-chevalier-illuminated-manuscript-on-parchment-by-jean-fouquet-1452-1460-image558305693.html
RM2RC90H1–The Annunciation from the Hours of Étienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460
The Right Hand of God Protecting the Faithful against the Demons. Artist: Jean Fouquet (French, Tours ca. 1425-ca. 1478 Tours). Dimensions: leaf: 7 5/8 x 5 3/4 in. (19.4 x 14.6 cm). Date: ca. 1452-1460. The 'Hours of Étienne Chevalier' is one of the most famous and lavishly illuminated manuscripts of the fifteenth century. It was painted for the treasurer of France by Jean Fouquet, court artist to kings Charles VII and Louis XI, who worked not only as a miniaturist but also as a panel painter. The Lehman miniature decorates the page that contains the opening words of the evening prayer (vesp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-right-hand-of-god-protecting-the-faithful-against-the-demons-artist-jean-fouquet-french-tours-ca-1425-ca-1478-tours-dimensions-leaf-7-58-x-5-34-in-194-x-146-cm-date-ca-1452-1460-the-hours-of-tienne-chevalier-is-one-of-the-most-famous-and-lavishly-illuminated-manuscripts-of-the-fifteenth-century-it-was-painted-for-the-treasurer-of-france-by-jean-fouquet-court-artist-to-kings-charles-vii-and-louis-xi-who-worked-not-only-as-a-miniaturist-but-also-as-a-panel-painter-the-lehman-miniature-decorates-the-page-that-contains-the-opening-words-of-the-evening-prayer-vesp-image213416473.html
RMPB5XTW–The Right Hand of God Protecting the Faithful against the Demons. Artist: Jean Fouquet (French, Tours ca. 1425-ca. 1478 Tours). Dimensions: leaf: 7 5/8 x 5 3/4 in. (19.4 x 14.6 cm). Date: ca. 1452-1460. The 'Hours of Étienne Chevalier' is one of the most famous and lavishly illuminated manuscripts of the fifteenth century. It was painted for the treasurer of France by Jean Fouquet, court artist to kings Charles VII and Louis XI, who worked not only as a miniaturist but also as a panel painter. The Lehman miniature decorates the page that contains the opening words of the evening prayer (vesp
HAND OF GOD PROTECTING THE FAITHFUL AGAINST DEMONS, by Jean Fouquet, 1452-1460, French painting. This is a topographically accurate depiction of medieval Paris, in which the Cathedral of Notre Dame, the spire of Saint-Chapelle, the Pont Saint-Michel, and other monuments of the Île de la Cite. In the foreground, figures kneel as they look up to the hand of God, scattering the demons. Miniature from the Hours of Étienne Chevalier. (BSLOC 2017 16 109) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hand-of-god-protecting-the-faithful-against-demons-by-jean-fouquet-170559638.html
RMKWDJFJ–HAND OF GOD PROTECTING THE FAITHFUL AGAINST DEMONS, by Jean Fouquet, 1452-1460, French painting. This is a topographically accurate depiction of medieval Paris, in which the Cathedral of Notre Dame, the spire of Saint-Chapelle, the Pont Saint-Michel, and other monuments of the Île de la Cite. In the foreground, figures kneel as they look up to the hand of God, scattering the demons. Miniature from the Hours of Étienne Chevalier. (BSLOC 2017 16 109)
St Veran exorcising the possessed - Jean Fouquet, Hours of %%C3%%89tienne Chevalier (c.1452-1460) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-veran-exorcising-the-possessed-jean-fouquet-hours-of-c389tienne-73520234.html
RME7H3PJ–St Veran exorcising the possessed - Jean Fouquet, Hours of %%C3%%89tienne Chevalier (c.1452-1460)
St Veran exorcising the possessed - Jean Fouquet, Hours of Étienne Chevalier (c.1452-1460) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-veran-exorcising-the-possessed-jean-fouquet-hours-of-tienne-chevalier-171137789.html
RMKXBYYW–St Veran exorcising the possessed - Jean Fouquet, Hours of Étienne Chevalier (c.1452-1460)
JEAN FOUQUET (c1420-1478/81) THE MELUN DIPTYCH (1452/1460) GEMALDEGALERIE KULTURFORUM BERLIN GERMANY Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-fouquet-c1420-147881-the-melun-diptych-14521460-gemaldegalerie-kulturforum-berlin-germany-image212928985.html
RMPABN2H–JEAN FOUQUET (c1420-1478/81) THE MELUN DIPTYCH (1452/1460) GEMALDEGALERIE KULTURFORUM BERLIN GERMANY
Virgin in Majesty nursing Christ, from the Hours of Etienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-in-majesty-nursing-christ-from-the-hours-of-etienne-chevalier-illuminated-manuscript-on-parchment-by-jean-fouquet-1452-1460-image597814228.html
RF2WMGP44–Virgin in Majesty nursing Christ, from the Hours of Etienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460
HAND OF GOD PROTECTING THE FAITHFUL AGAINST DEMONS, by Jean Fouquet, 1452-1460, French painting. This is a topographically accurate depiction of medieval Paris, in which the Cathedral of Notre Dame, the spire of Saint-Chapelle, the Pont Saint-Michel, and other monuments of the Île de la Cite. In the foreground, figures kneel as they look up to the hand of God, scattering the demons. Miniature from the Hours of Étienne Chevalier. (BSLOC 2017 16 109) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hand-of-god-protecting-the-faithful-against-demons-by-jean-fouquet-170560949.html
RMKWDM6D–HAND OF GOD PROTECTING THE FAITHFUL AGAINST DEMONS, by Jean Fouquet, 1452-1460, French painting. This is a topographically accurate depiction of medieval Paris, in which the Cathedral of Notre Dame, the spire of Saint-Chapelle, the Pont Saint-Michel, and other monuments of the Île de la Cite. In the foreground, figures kneel as they look up to the hand of God, scattering the demons. Miniature from the Hours of Étienne Chevalier. (BSLOC 2017 16 109)
St Veran exorcising the possessed - Jean Fouquet, Hours of Étienne Chevalier (c.1452-1460). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-veran-exorcising-the-possessed-jean-fouquet-hours-of-tienne-chevalier-c1452-1460-image458221801.html
RM2HHDPG9–St Veran exorcising the possessed - Jean Fouquet, Hours of Étienne Chevalier (c.1452-1460).
heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-wadysaw-ii-ksi-cieszyski-1452-1460-ruler-przemysaw-ii-ksi-cieszyski-1452-1460-ruler-cieszyn-issuer-image480381892.html
RM2JWF804–heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer
David, in armour, kneeling in penitence before the Almighty with his army. In the foreground, a corpse with devils torturing souls. Hours of Etienne Chevalier. France [Tours]; circa 1452-1460. Source: Add. 37421. Language: Latin. Author: FOUQUET, JEAN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-in-armour-kneeling-in-penitence-before-the-almighty-with-his-army-in-the-foreground-a-corpse-with-devils-torturing-souls-hours-of-etienne-chevalier-france-tours-circa-1452-1460-source-add-37421-language-latin-author-fouquet-jean-image227166752.html
RMR5G9E8–David, in armour, kneeling in penitence before the Almighty with his army. In the foreground, a corpse with devils torturing souls. Hours of Etienne Chevalier. France [Tours]; circa 1452-1460. Source: Add. 37421. Language: Latin. Author: FOUQUET, JEAN.
The Right Hand of God Protecting the Faithful against the Demons, ca. 1452-1460. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-right-hand-of-god-protecting-the-faithful-against-the-demons-ca-1452-1460-image343002459.html
RM2AX133R–The Right Hand of God Protecting the Faithful against the Demons, ca. 1452-1460.
The Marriage of the VirginFrançais : miniature tirée des Heures d'Étienne Chevalier between circa 1452 and circa 1460 by Jean Fouquet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-marriage-of-the-virginfranais-miniature-tire-des-heures-dtienne-chevalier-between-circa-1452-and-circa-1460-by-jean-fouquet-image545386960.html
RM2PK8EHM–The Marriage of the VirginFrançais : miniature tirée des Heures d'Étienne Chevalier between circa 1452 and circa 1460 by Jean Fouquet
The surrender of Granda, Spain by Muhammad XII to Ferdinand II in 1492. Abu `Abdallah Muhammad XII, c. 1460 – c. 1533, aka Boabdil. Twenty-second and last Nasrid ruler of Granada in Iberia. Ferdinand II, 1452 – 1516, aka Ferdinand the Catholic. King of Castile and León. From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-surrender-of-granda-spain-by-muhammad-xii-to-ferdinand-ii-in-1492-139133454.html
RMJ2A23X–The surrender of Granda, Spain by Muhammad XII to Ferdinand II in 1492. Abu `Abdallah Muhammad XII, c. 1460 – c. 1533, aka Boabdil. Twenty-second and last Nasrid ruler of Granada in Iberia. Ferdinand II, 1452 – 1516, aka Ferdinand the Catholic. King of Castile and León. From Hutchinson's History of the Nations, published 1915.
The capitulation of Granada, 1492, Muhammad XII (Boabdil) surrenders to Ferdinand and Isabella. Abu Abdallah Muhammad XII, c. 1460–1533, aka Boabdil. 22nd and last Nasrid ruler of the Emirate of Granada in Iberia. Isabella I, 1451 – 1504. Queen of Castile and Leon. Ferdinand II, 1452 – 1516. King of Aragon, Castile and Leon, Valencia, Majorca and Count of Barcelona. From The Wonderland of Knowledge, published c.1930 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-capitulation-of-granada-1492-muhammad-xii-boabdil-surrenders-to-ferdinand-and-isabella-abu-abdallah-muhammad-xii-c-14601533-aka-boabdil-22nd-and-last-nasrid-ruler-of-the-emirate-of-granada-in-iberia-isabella-i-1451-1504-queen-of-castile-and-leon-ferdinand-ii-1452-1516-king-of-aragon-castile-and-leon-valencia-majorca-and-count-of-barcelona-from-the-wonderland-of-knowledge-published-c1930-image463939103.html
RM2HXP71K–The capitulation of Granada, 1492, Muhammad XII (Boabdil) surrenders to Ferdinand and Isabella. Abu Abdallah Muhammad XII, c. 1460–1533, aka Boabdil. 22nd and last Nasrid ruler of the Emirate of Granada in Iberia. Isabella I, 1451 – 1504. Queen of Castile and Leon. Ferdinand II, 1452 – 1516. King of Aragon, Castile and Leon, Valencia, Majorca and Count of Barcelona. From The Wonderland of Knowledge, published c.1930
KIng Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour, John Dowding, London, 1842. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-richard-iii-of-england-duke-of-gloucester-1452-1485-or-his-father-richard-third-duke-of-york-1411-1460-he-wears-a-crown-a-suit-of-armour-with-a-globular-breastplate-and-engraved-plates-fingered-gauntlets-and-holds-a-two-handed-sword-from-a-stained-glass-window-in-trinity-hall-cambridge-handcoloured-lithograph-by-maddocks-after-an-illustration-by-sr-meyrick-from-sir-samuel-rush-meyricks-a-critical-inquiry-into-antient-armour-john-dowding-london-1842-image180774263.html
RMME2YBK–KIng Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour, John Dowding, London, 1842.
Petrecino, Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 (obverse), 1460 Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse]; 1460date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/petrecino-borso-deste-1413-1471-marquess-of-ferrara-1450-duke-of-modena-and-reggio-1452-obverse-1460-borso-deste-1413-1471-marquess-of-ferrara-1450-duke-of-modena-and-reggio-1452-obverse-1460date-image336042185.html
RM2AEM16H–Petrecino, Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 (obverse), 1460 Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse]; 1460date
Jacopo Lixignolo, (artist), Italian, active 1460, Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452, 1460, lead, overall (diameter): 8.21 cm (3 1/4 in.), gross weight: 198.04 gr (0.437 lb.), axis: 12:00 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacopo-lixignolo-artist-italian-active-1460-borso-deste-1413-1471-marquess-of-ferrara-1450-duke-of-modena-and-reggio-1452-1460-lead-overall-diameter-821-cm-3-14-in-gross-weight-19804-gr-0437-lb-axis-1200-image386330409.html
RM2DCETAH–Jacopo Lixignolo, (artist), Italian, active 1460, Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452, 1460, lead, overall (diameter): 8.21 cm (3 1/4 in.), gross weight: 198.04 gr (0.437 lb.), axis: 12:00
Français : Saint Paul sur la route de Damas, miniature extraite des Heures d’Étienne Chevalier . Français : Représentation de la Bastille et de Paris au loin, à l'arrière plan. . circa 1452-1460. 1085 Saint Paul Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-saint-paul-sur-la-route-de-damas-miniature-extraite-des-heures-dtienne-chevalier-franais-reprsentation-de-la-bastille-et-de-paris-au-loin-larrire-plan-circa-1452-1460-1085-saint-paul-image185583021.html
RMMNX111–Français : Saint Paul sur la route de Damas, miniature extraite des Heures d’Étienne Chevalier . Français : Représentation de la Bastille et de Paris au loin, à l'arrière plan. . circa 1452-1460. 1085 Saint Paul
Virgin in Majesty nursing Christ, from the Hours of Etienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-in-majesty-nursing-christ-from-the-hours-of-etienne-chevalier-illuminated-manuscript-on-parchment-by-jean-fouquet-1452-1460-image558305033.html
RM2RC8YND–Virgin in Majesty nursing Christ, from the Hours of Etienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460
The Right Hand of God Protecting the Faithful against the Demons, Jean Fouquet, ca. 1452–1460 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-right-hand-of-god-protecting-the-faithful-against-the-demons-jean-162560874.html
RMKCD81E–The Right Hand of God Protecting the Faithful against the Demons, Jean Fouquet, ca. 1452–1460
Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse]. Dated: 1460. Dimensions: overall (diameter): 9.6 cm (3 3/4 in.). Medium: lead. Museum: National Gallery of Art, Washington DC. Author: Petrecino. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/borso-deste-1413-1471-marquess-of-ferrara-1450-duke-of-modena-and-reggio-1452-obverse-dated-1460-dimensions-overall-diameter-96-cm-3-34-in-medium-lead-museum-national-gallery-of-art-washington-dc-author-petrecino-image225655175.html
RMR33DDB–Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse]. Dated: 1460. Dimensions: overall (diameter): 9.6 cm (3 3/4 in.). Medium: lead. Museum: National Gallery of Art, Washington DC. Author: Petrecino.
David kneeling in penitence - Hours of Etienne Chevalier (c.1452-1460) - BL Add MS 37421 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-david-kneeling-in-penitence-hours-of-etienne-chevalier-c1452-1460-73512769.html
RME7GP81–David kneeling in penitence - Hours of Etienne Chevalier (c.1452-1460) - BL Add MS 37421
heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-wadysaw-ii-ksi-cieszyski-1452-1460-ruler-przemysaw-ii-ksi-cieszyski-1452-1460-ruler-cieszyn-issuer-image480381889.html
RM2JWF801–heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer
heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-wadysaw-ii-ksi-cieszyski-1452-1460-ruler-przemysaw-ii-ksi-cieszyski-1452-1460-ruler-cieszyn-issuer-image480381898.html
RM2JWF80A–heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer
Français : L'Annonciation, miniature tirée des Heures d'Étienne Chevalier. Office du Saint-Esprit, matines between circa 1452 and circa 1460 by Jean Fouquet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-lannonciation-miniature-tire-des-heures-dtienne-chevalier-office-du-saint-esprit-matines-between-circa-1452-and-circa-1460-by-jean-fouquet-image545386965.html
RM2PK8EHW–Français : L'Annonciation, miniature tirée des Heures d'Étienne Chevalier. Office du Saint-Esprit, matines between circa 1452 and circa 1460 by Jean Fouquet
Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse], 1460. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/borso-deste-1413-1471-marquess-of-ferrara-1450-duke-of-modena-and-reggio-1452-obverse-1460-image418801981.html
RM2F9A25H–Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse], 1460.
Jacopo Lixignolo, Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 (obverse), 1460 Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse]; 1460date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacopo-lixignolo-borso-deste-1413-1471-marquess-of-ferrara-1450-duke-of-modena-and-reggio-1452-obverse-1460-borso-deste-1413-1471-marquess-of-ferrara-1450-duke-of-modena-and-reggio-1452-obverse-1460date-image335921884.html
RM2AEEFP4–Jacopo Lixignolo, Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 (obverse), 1460 Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse]; 1460date
Français : Le Couronnement de la Vierge. Heures d'Étienne Chevalier. Français : La Vierge est couronnée par le Christ et bénie par deux autres personnages identiques symbolisant la Trinité. Ils sont assis sur un trône à trois places et décoré d'une architecture dans le goût de la Renaissance italienne et entourés d'anges disposés sur trois rangées. Cette miniature illustrait les complies des heures de la Vierge. . circa 1452-1460. 797 Le Couronnement de la Vierge Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-le-couronnement-de-la-vierge-heures-dtienne-chevalier-franais-la-vierge-est-couronne-par-le-christ-et-bnie-par-deux-autres-personnages-identiques-symbolisant-la-trinit-ils-sont-assis-sur-un-trne-trois-places-et-dcor-dune-architecture-dans-le-got-de-la-renaissance-italienne-et-entours-danges-disposs-sur-trois-ranges-cette-miniature-illustrait-les-complies-des-heures-de-la-vierge-circa-1452-1460-797-le-couronnement-de-la-vierge-image185824915.html
RMMP91G3–Français : Le Couronnement de la Vierge. Heures d'Étienne Chevalier. Français : La Vierge est couronnée par le Christ et bénie par deux autres personnages identiques symbolisant la Trinité. Ils sont assis sur un trône à trois places et décoré d'une architecture dans le goût de la Renaissance italienne et entourés d'anges disposés sur trois rangées. Cette miniature illustrait les complies des heures de la Vierge. . circa 1452-1460. 797 Le Couronnement de la Vierge
Étienne Chevalier, and, Saint Étienne, his, patron saint, from the, Hours of Étienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tienne-chevalier-and-saint-tienne-his-patron-saint-from-the-hours-of-tienne-chevalier-illuminated-manuscript-on-parchment-by-jean-fouquet-1452-1460-image558305710.html
RM2RC90HJ–Étienne Chevalier, and, Saint Étienne, his, patron saint, from the, Hours of Étienne Chevalier, illuminated manuscript on parchment by Jean Fouquet, 1452-1460
James III of Scotland (1451/1452-1488), King of Scots 1460-1488, portrait painting in oil on panel, circa 1579 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-iii-of-scotland-14511452-1488-king-of-scots-1460-1488-portrait-painting-in-oil-on-panel-circa-1579-image599617104.html
RM2WREWMG–James III of Scotland (1451/1452-1488), King of Scots 1460-1488, portrait painting in oil on panel, circa 1579
St Veran exorcising the possessed - Jean Fouquet, Hours of Étienne Chevalier (c.1452-1460) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-veran-exorcising-the-possessed-jean-fouquet-hours-of-tienne-chevalier-137912966.html
RMJ0ADB2–St Veran exorcising the possessed - Jean Fouquet, Hours of Étienne Chevalier (c.1452-1460)
Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse]. Dated: 1460. Dimensions: overall (diameter): 8.2 cm (3 1/4 in.). Medium: lead. Museum: National Gallery of Art, Washington DC. Author: Jacopo Lixignolo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/borso-deste-1413-1471-marquess-of-ferrara-1450-duke-of-modena-and-reggio-1452-obverse-dated-1460-dimensions-overall-diameter-82-cm-3-14-in-medium-lead-museum-national-gallery-of-art-washington-dc-author-jacopo-lixignolo-image225639848.html
RMR32NX0–Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse]. Dated: 1460. Dimensions: overall (diameter): 8.2 cm (3 1/4 in.). Medium: lead. Museum: National Gallery of Art, Washington DC. Author: Jacopo Lixignolo.
. 20th century catalogue of supplies for watchmakers, jewelers and kindred trades. ENGRAVERS SUPPLIES. Xo. 1451. Engravers Marker and Rule Nos. 1452 to 1457, Kngravers Loups.No. 1452. First Quality Lens, Hard Rubb l^i in 1453. Diameter l?i in 14.54. ? Is ? 1455. 2i) 145G. Double Lens, diameter IM in ,. j^g- .. .. .. 2 Nos. 1458 to 14C0, Engravers Boxw No. 1458. 2x3in ? 1469. 2y2X34 in 1460. 3x4 in Other sizes to order.No. H<;i. Engravers Transfer Wax, 3 colo•? 1402. • •? Roll. Inripv i Emery and Carboruiiiucx . f Engravers Gravers Nos. 1463 to 14f.9, Coppe-!!x4 i 1466. 3x4 ill 1467 each, $0 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/20th-century-catalogue-of-supplies-for-watchmakers-jewelers-and-kindred-trades-engravers-supplies-xo-1451-engravers-marker-and-rule-nos-1452-to-1457-kngravers-loupsno-1452-first-quality-lens-hard-rubb-li-in-1453-diameter-li-in-1454-is-1455-2i-145g-double-lens-diameter-im-in-jg-2-nos-1458-to-14c0-engravers-boxw-no-1458-2x3in-1469-2y2x34-in-1460-3x4-in-other-sizes-to-orderno-hlti-engravers-transfer-wax-3-colo-1402-roll-inripv-i-emery-and-carboruiiiucx-f-engravers-gravers-nos-1463-to-14f9-coppe-!!x4-i-1466-3x4-ill-1467-each-0-image337135733.html
RM2AGDT1W–. 20th century catalogue of supplies for watchmakers, jewelers and kindred trades. ENGRAVERS SUPPLIES. Xo. 1451. Engravers Marker and Rule Nos. 1452 to 1457, Kngravers Loups.No. 1452. First Quality Lens, Hard Rubb l^i in 1453. Diameter l?i in 14.54. ? Is ? 1455. 2i) 145G. Double Lens, diameter IM in ,. j^g- .. .. .. 2 Nos. 1458 to 14C0, Engravers Boxw No. 1458. 2x3in ? 1469. 2y2X34 in 1460. 3x4 in Other sizes to order.No. H<;i. Engravers Transfer Wax, 3 colo•? 1402. • •? Roll. Inripv i Emery and Carboruiiiucx . f Engravers Gravers Nos. 1463 to 14f.9, Coppe-!!x4 i 1466. 3x4 ill 1467 each, $0
heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-wadysaw-ii-ksi-cieszyski-1452-1460-ruler-przemysaw-ii-ksi-cieszyski-1452-1460-ruler-cieszyn-issuer-image480381846.html
RM2JWF7XE–heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer
Français : Étienne Chevalier et saint Étienne son saint patron, miniature tirée des Heures d'Étienne Chevalier between circa 1452 and circa 1460 by Jean Fouquet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-tienne-chevalier-et-saint-tienne-son-saint-patron-miniature-tire-des-heures-dtienne-chevalier-between-circa-1452-and-circa-1460-by-jean-fouquet-image545386963.html
RM2PK8EHR–Français : Étienne Chevalier et saint Étienne son saint patron, miniature tirée des Heures d'Étienne Chevalier between circa 1452 and circa 1460 by Jean Fouquet
Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse], 1460. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/borso-deste-1413-1471-marquess-of-ferrara-1450-duke-of-modena-and-reggio-1452-obverse-1460-image418796389.html
RM2F99R1W–Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse], 1460.
Français : La Crucifixion, miniature des Heures d’Étienne Chevalier . Français : Le Christ est en croix, à qui l'ont tend l'éponge et entouré des deux larrons. A ses pieds, des soldats, Pilate et le grand prêtre à cheval sont tournés vers lui. Un groupe de soldats jouent aux dés le manteau du Christ en bas à droite. En bas à gauche, la Vierge est effondrée dans les bras de saint Jean. . circa 1452-1460. 783 La Crucifixion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-la-crucifixion-miniature-des-heures-dtienne-chevalier-franais-le-christ-est-en-croix-qui-lont-tend-lponge-et-entour-des-deux-larrons-a-ses-pieds-des-soldats-pilate-et-le-grand-prtre-cheval-sont-tourns-vers-lui-un-groupe-de-soldats-jouent-aux-ds-le-manteau-du-christ-en-bas-droite-en-bas-gauche-la-vierge-est-effondre-dans-les-bras-de-saint-jean-circa-1452-1460-783-la-crucifixion-image185822804.html
RMMP8XTM–Français : La Crucifixion, miniature des Heures d’Étienne Chevalier . Français : Le Christ est en croix, à qui l'ont tend l'éponge et entouré des deux larrons. A ses pieds, des soldats, Pilate et le grand prêtre à cheval sont tournés vers lui. Un groupe de soldats jouent aux dés le manteau du Christ en bas à droite. En bas à gauche, la Vierge est effondrée dans les bras de saint Jean. . circa 1452-1460. 783 La Crucifixion
James III of Scotland (1451/1452-1488), King of Scots 1460-1488, portrait painting in oil on panel by Hugo van der Goes, 1478 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-iii-of-scotland-14511452-1488-king-of-scots-1460-1488-portrait-painting-in-oil-on-panel-by-hugo-van-der-goes-1478-image599617484.html
RM2WREX64–James III of Scotland (1451/1452-1488), King of Scots 1460-1488, portrait painting in oil on panel by Hugo van der Goes, 1478
The Marriage of the Virgin miniature tirée des Heures d'Étienne Chevalier. Date/Period: Between ca. 1452 and ca. 1460. Illumination. Illumination on parchment. Height: 16.5 cm (6.4 in); Width: 12 cm (4.7 in). Author: JEAN FOUQUET. FOUQUET, JEAN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-marriage-of-the-virgin-miniature-tire-des-heures-dtienne-chevalier-dateperiod-between-ca-1452-and-ca-1460-illumination-illumination-on-parchment-height-165-cm-64-in-width-12-cm-47-in-author-jean-fouquet-fouquet-jean-image220378346.html
RMPPF2R6–The Marriage of the Virgin miniature tirée des Heures d'Étienne Chevalier. Date/Period: Between ca. 1452 and ca. 1460. Illumination. Illumination on parchment. Height: 16.5 cm (6.4 in); Width: 12 cm (4.7 in). Author: JEAN FOUQUET. FOUQUET, JEAN.
heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-wadysaw-ii-ksi-cieszyski-1452-1460-ruler-przemysaw-ii-ksi-cieszyski-1452-1460-ruler-cieszyn-issuer-image480381845.html
RM2JWF7XD–heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer
Portrait of a Youth as Saint Sebastian, late 1480s. Sebastian, a bodyguard for the Roman emperor Diocletian, was shot with arrows and was eventually drowned for his commitment to Christianity. While the arrow alludes to Saint Sebastian, the young man’s clothing dates to the late 1400s, indicating that this is a contemporary portrait, rather than an image of the historical saint. This haunting image was influenced by the paintings of Leonardo da Vinci (1452-1519), particularly in the artist’s use of smoky shadows (called sfumato) to model the flesh. It was probably painted by Marc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-youth-as-saint-sebastian-late-1480s-sebastian-a-bodyguard-for-the-roman-emperor-diocletian-was-shot-with-arrows-and-was-eventually-drowned-for-his-commitment-to-christianity-while-the-arrow-alludes-to-saint-sebastian-the-young-manx2019s-clothing-dates-to-the-late-1400s-indicating-that-this-is-a-contemporary-portrait-rather-than-an-image-of-the-historical-saint-this-haunting-image-was-influenced-by-the-paintings-of-leonardo-da-vinci-1452-1519-particularly-in-the-artistx2019s-use-of-smoky-shadows-called-sfumato-to-model-the-flesh-it-was-probably-painted-by-marc-image330113542.html
RM2A51Y5A–Portrait of a Youth as Saint Sebastian, late 1480s. Sebastian, a bodyguard for the Roman emperor Diocletian, was shot with arrows and was eventually drowned for his commitment to Christianity. While the arrow alludes to Saint Sebastian, the young man’s clothing dates to the late 1400s, indicating that this is a contemporary portrait, rather than an image of the historical saint. This haunting image was influenced by the paintings of Leonardo da Vinci (1452-1519), particularly in the artist’s use of smoky shadows (called sfumato) to model the flesh. It was probably painted by Marc
Français : La mort de la Vierge, miniature extraite des Heures d’Étienne Chevalier . Français : La Vierge, allongée dans un lit est entourée par les apôtres dont saint Pierre, debout, qui l'asperge et saint Jean qui tient un cierge et une palme. Dans un halo entouré de séraphins, au-dessus d'eux, le Christ porte un jeune enfant symbolisant l'âme de la Vierge. Ils sont eux-même entourés d'un chœurs d'anges accompagné de prophètes : Job, Moïse, Jean Baptiste, David. . circa 1452-1460. 785 La Mort de la Vierge Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-la-mort-de-la-vierge-miniature-extraite-des-heures-dtienne-chevalier-franais-la-vierge-allonge-dans-un-lit-est-entoure-par-les-aptres-dont-saint-pierre-debout-qui-lasperge-et-saint-jean-qui-tient-un-cierge-et-une-palme-dans-un-halo-entour-de-sraphins-au-dessus-deux-le-christ-porte-un-jeune-enfant-symbolisant-lme-de-la-vierge-ils-sont-eux-mme-entours-dun-churs-danges-accompagn-de-prophtes-job-mose-jean-baptiste-david-circa-1452-1460-785-la-mort-de-la-vierge-image185823083.html
RMMP8Y6K–Français : La mort de la Vierge, miniature extraite des Heures d’Étienne Chevalier . Français : La Vierge, allongée dans un lit est entourée par les apôtres dont saint Pierre, debout, qui l'asperge et saint Jean qui tient un cierge et une palme. Dans un halo entouré de séraphins, au-dessus d'eux, le Christ porte un jeune enfant symbolisant l'âme de la Vierge. Ils sont eux-même entourés d'un chœurs d'anges accompagné de prophètes : Job, Moïse, Jean Baptiste, David. . circa 1452-1460. 785 La Mort de la Vierge
James III of Scotland (1451/1452-1488), King of Scots 1460-1488 and his wife Margaret of Denmark (1456-1486), Queen Consort of Scotland 1469-1486, illuminated manuscript portrait painting, circa 1562 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-iii-of-scotland-14511452-1488-king-of-scots-1460-1488-and-his-wife-margaret-of-denmark-1456-1486-queen-consort-of-scotland-1469-1486-illuminated-manuscript-portrait-painting-circa-1562-image599616928.html
RM2WREWE8–James III of Scotland (1451/1452-1488), King of Scots 1460-1488 and his wife Margaret of Denmark (1456-1486), Queen Consort of Scotland 1469-1486, illuminated manuscript portrait painting, circa 1562
L'Annonciation, miniature tirée des Heures d'Étienne Chevalier. Office du Saint-Esprit, matines. Date/Period: Between ca. 1452 and ca. 1460. Illumination. Illumination on parchment. Height: 16.5 cm (6.4 in); Width: 12 cm (4.7 in). Author: JEAN FOUQUET. FOUQUET, JEAN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lannonciation-miniature-tire-des-heures-dtienne-chevalier-office-du-saint-esprit-matines-dateperiod-between-ca-1452-and-ca-1460-illumination-illumination-on-parchment-height-165-cm-64-in-width-12-cm-47-in-author-jean-fouquet-fouquet-jean-image219749745.html
RMPNED15–L'Annonciation, miniature tirée des Heures d'Étienne Chevalier. Office du Saint-Esprit, matines. Date/Period: Between ca. 1452 and ca. 1460. Illumination. Illumination on parchment. Height: 16.5 cm (6.4 in); Width: 12 cm (4.7 in). Author: JEAN FOUQUET. FOUQUET, JEAN.
. Monetario americano (ilustrado) clasificado. N 1460—Como el número 1452, siendo de 5 Centesimos. Año. 1857 . Cobre: Peso 4 ^ gramos.. N 1461—Como el número 1452, de 4 Centesimos. Ano •1869»Cobre: Peso 19 gram. 8 decíg. m — Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monetario-americano-ilustrado-clasificado-n-1460como-el-nmero-1452-siendo-de-5-centesimos-ao-1857-cobre-peso-4-gramos-n-1461como-el-nmero-1452-de-4-centesimos-ano-1869cobre-peso-19-gram-8-decg-m-image370730293.html
RM2CF467H–. Monetario americano (ilustrado) clasificado. N 1460—Como el número 1452, siendo de 5 Centesimos. Año. 1857 . Cobre: Peso 4 ^ gramos.. N 1461—Como el número 1452, de 4 Centesimos. Ano •1869»Cobre: Peso 19 gram. 8 decíg. m —
heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-wadysaw-ii-ksi-cieszyski-1452-1460-ruler-przemysaw-ii-ksi-cieszyski-1452-1460-ruler-cieszyn-issuer-image480381885.html
RM2JWF7YW–heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer
. Saint Étienne Saint Étienne est empli du Saint-Esprit et élève son visage angélique vers la vision du Père et du Fils. Devant une foule impassible, les deux faux témoins se préparent à jeter les premières pierres. À gauche, Saül approuve la meurtre. En contrebas, les tonnelles de roses et de raisins font peut-être allusion à saint Étienne (le panier de roses symbolisant son tombeau et martyre) et à Catherine Budé, la femme défunte d'Étienne Chevalier (les trois grappes de raisins de ses armoiries). 1452 — 1460. J.Fouquet 285 Hours of Etienne Chevalier - Saint Stephan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-tienne-saint-tienne-est-empli-du-saint-esprit-et-lve-son-visage-anglique-vers-la-vision-du-pre-et-du-fils-devant-une-foule-impassible-les-deux-faux-tmoins-se-prparent-jeter-les-premires-pierres-gauche-sal-approuve-la-meurtre-en-contrebas-les-tonnelles-de-roses-et-de-raisins-font-peut-tre-allusion-saint-tienne-le-panier-de-roses-symbolisant-son-tombeau-et-martyre-et-catherine-bud-la-femme-dfunte-dtienne-chevalier-les-trois-grappes-de-raisins-de-ses-armoiries-1452-1460-jfouquet-285-hours-of-etienne-chevalier-saint-stephan-image187764654.html
RMMWDBME–. Saint Étienne Saint Étienne est empli du Saint-Esprit et élève son visage angélique vers la vision du Père et du Fils. Devant une foule impassible, les deux faux témoins se préparent à jeter les premières pierres. À gauche, Saül approuve la meurtre. En contrebas, les tonnelles de roses et de raisins font peut-être allusion à saint Étienne (le panier de roses symbolisant son tombeau et martyre) et à Catherine Budé, la femme défunte d'Étienne Chevalier (les trois grappes de raisins de ses armoiries). 1452 — 1460. J.Fouquet 285 Hours of Etienne Chevalier - Saint Stephan
Étienne Chevalier et saint Étienne son saint patron, miniature tirée des Heures d'Étienne Chevalier. Date/Period: Between ca. 1452 and ca. 1460. Illumination. Illumination on parchment. Height: 16.5 cm (6.4 in); Width: 12 cm (4.7 in). Author: JEAN FOUQUET. FOUQUET, JEAN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tienne-chevalier-et-saint-tienne-son-saint-patron-miniature-tire-des-heures-dtienne-chevalier-dateperiod-between-ca-1452-and-ca-1460-illumination-illumination-on-parchment-height-165-cm-64-in-width-12-cm-47-in-author-jean-fouquet-fouquet-jean-image219698346.html
RMPNC3DE–Étienne Chevalier et saint Étienne son saint patron, miniature tirée des Heures d'Étienne Chevalier. Date/Period: Between ca. 1452 and ca. 1460. Illumination. Illumination on parchment. Height: 16.5 cm (6.4 in); Width: 12 cm (4.7 in). Author: JEAN FOUQUET. FOUQUET, JEAN.
. Monetario americano (ilustrado) clasificado. N 1457—Como el número 1452, pero de 20 Centesimos. Año.1855. Cobre: Peso 18 gram. 4 decíg. — 470 — N 1458—Como el número 1452, pero de 40 Centesimos. Año.1857 . Cobre: Peso 34 gram. 3 decíg. N» 1459—Como el número 1452, pero de 20 Centesimos. Año.1857 . Cobre: Peso 16 gram. 9 declg.. N 1460—Como el número 1452, siendo de 5 Centesimos. Año. 1857 . Cobre: Peso 4 ^ gramos. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monetario-americano-ilustrado-clasificado-n-1457como-el-nmero-1452-pero-de-20-centesimos-ao1855-cobre-peso-18-gram-4-decg-470-n-1458como-el-nmero-1452-pero-de-40-centesimos-ao1857-cobre-peso-34-gram-3-decg-n-1459como-el-nmero-1452-pero-de-20-centesimos-ao1857-cobre-peso-16-gram-9-declg-n-1460como-el-nmero-1452-siendo-de-5-centesimos-ao-1857-cobre-peso-4-gramos-image370730517.html
RM2CF46FH–. Monetario americano (ilustrado) clasificado. N 1457—Como el número 1452, pero de 20 Centesimos. Año.1855. Cobre: Peso 18 gram. 4 decíg. — 470 — N 1458—Como el número 1452, pero de 40 Centesimos. Año.1857 . Cobre: Peso 34 gram. 3 decíg. N» 1459—Como el número 1452, pero de 20 Centesimos. Año.1857 . Cobre: Peso 16 gram. 9 declg.. N 1460—Como el número 1452, siendo de 5 Centesimos. Año. 1857 . Cobre: Peso 4 ^ gramos.
heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-wadysaw-ii-ksi-cieszyski-1452-1460-ruler-przemysaw-ii-ksi-cieszyski-1452-1460-ruler-cieszyn-issuer-image480381841.html
RM2JWF7X9–heller. Władysław II (książę cieszyński ; 1452-1460), ruler, Przemysław II (książę cieszyński ; 1452-1460), ruler, Cieszyn, issuer
heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Litera T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, shields, united Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-w-adys-1452-1460-1452-00-00-1460-00-00litera-t-letters-city-coins-silesian-eagle-iconogr-eagles-herb-shield-shields-united-image598706299.html
RM2WP1BYR–heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Litera T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, shields, united
. Saint Étienne Saint Étienne est empli du Saint-Esprit et élève son visage angélique vers la vision du Père et du Fils. Devant une foule impassible, les deux faux témoins se préparent à jeter les premières pierres. À gauche, Saül approuve la meurtre. En contrebas, les tonnelles de roses et de raisins font peut-être allusion à saint Étienne (le panier de roses symbolisant son tombeau et martyre) et à Catherine Budé, la femme défunte d'Étienne Chevalier (les trois grappes de raisins de ses armoiries). 1452 — 1460. J.Fouquet 286 Hours of Etienne Chevalier - Saint Stephan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-tienne-saint-tienne-est-empli-du-saint-esprit-et-lve-son-visage-anglique-vers-la-vision-du-pre-et-du-fils-devant-une-foule-impassible-les-deux-faux-tmoins-se-prparent-jeter-les-premires-pierres-gauche-sal-approuve-la-meurtre-en-contrebas-les-tonnelles-de-roses-et-de-raisins-font-peut-tre-allusion-saint-tienne-le-panier-de-roses-symbolisant-son-tombeau-et-martyre-et-catherine-bud-la-femme-dfunte-dtienne-chevalier-les-trois-grappes-de-raisins-de-ses-armoiries-1452-1460-jfouquet-286-hours-of-etienne-chevalier-saint-stephan-image188307776.html
RMMXA4DM–. Saint Étienne Saint Étienne est empli du Saint-Esprit et élève son visage angélique vers la vision du Père et du Fils. Devant une foule impassible, les deux faux témoins se préparent à jeter les premières pierres. À gauche, Saül approuve la meurtre. En contrebas, les tonnelles de roses et de raisins font peut-être allusion à saint Étienne (le panier de roses symbolisant son tombeau et martyre) et à Catherine Budé, la femme défunte d'Étienne Chevalier (les trois grappes de raisins de ses armoiries). 1452 — 1460. J.Fouquet 286 Hours of Etienne Chevalier - Saint Stephan
KIng Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour, John Dowding, London, 1842. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-richard-iii-of-england-duke-of-gloucester-1452-1485-or-his-father-richard-third-duke-of-york-1411-1460-he-wears-a-crown-a-suit-of-armour-with-a-globular-breastplate-and-engraved-plates-fingered-gauntlets-and-holds-a-two-handed-sword-from-a-stained-glass-window-in-trinity-hall-cambridge-handcoloured-lithograph-by-maddocks-after-an-illustration-by-sr-meyrick-from-sir-samuel-rush-meyricks-a-critical-inquiry-into-antient-armour-john-dowding-london-1842-image359073966.html
RM2BT56E6–KIng Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour, John Dowding, London, 1842.
. B.K. Bliss' spring catalogue and amateur's guide to the flower and kitchen garden, containing a descriptive list of nearly two thousand varieties of flower and vegetable seeds, with explicit directions for their culture, and other useful information upon the subject of gardening generally ; to which is added a list of french hybrid gladiolus, new plants and small fruits. 58 B. K. BLISS' CATALOGUE OF SEEDS. No. POPULAR OR SCIENTIFIC NAME, WITH DESCRIPTION. TA6ETES, (Continued.) 1449 1450 1451 1452 1453 1454 1455 1456 145' 1468 1460 14C1 1462 Elegant, profuse-blooming plants, with prettily cut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bk-bliss-spring-catalogue-and-amateurs-guide-to-the-flower-and-kitchen-garden-containing-a-descriptive-list-of-nearly-two-thousand-varieties-of-flower-and-vegetable-seeds-with-explicit-directions-for-their-culture-and-other-useful-information-upon-the-subject-of-gardening-generally-to-which-is-added-a-list-of-french-hybrid-gladiolus-new-plants-and-small-fruits-58-b-k-bliss-catalogue-of-seeds-no-popular-or-scientific-name-with-description-ta6etes-continued-1449-1450-1451-1452-1453-1454-1455-1456-145-1468-1460-14c1-1462-elegant-profuse-blooming-plants-with-prettily-cut-image234586248.html
RMRHJ948–. B.K. Bliss' spring catalogue and amateur's guide to the flower and kitchen garden, containing a descriptive list of nearly two thousand varieties of flower and vegetable seeds, with explicit directions for their culture, and other useful information upon the subject of gardening generally ; to which is added a list of french hybrid gladiolus, new plants and small fruits. 58 B. K. BLISS' CATALOGUE OF SEEDS. No. POPULAR OR SCIENTIFIC NAME, WITH DESCRIPTION. TA6ETES, (Continued.) 1449 1450 1451 1452 1453 1454 1455 1456 145' 1468 1460 14C1 1462 Elegant, profuse-blooming plants, with prettily cut
heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Litera T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, shields, united Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-w-adys-1452-1460-1452-00-00-1460-00-00litera-t-letters-city-coins-silesian-eagle-iconogr-eagles-herb-shield-shields-united-image598706119.html
RM2WP1BNB–heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Litera T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, shields, united
heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Litera T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, shields, united Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-w-adys-1452-1460-1452-00-00-1460-00-00litera-t-letters-city-coins-silesian-eagle-iconogr-eagles-herb-shield-shields-united-image598706118.html
RM2WP1BNA–heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Litera T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, shields, united
. Saint Étienne Saint Étienne est empli du Saint-Esprit et élève son visage angélique vers la vision du Père et du Fils. Devant une foule impassible, les deux faux témoins se préparent à jeter les premières pierres. À gauche, Saül approuve la meurtre. En contrebas, les tonnelles de roses et de raisins font peut-être allusion à saint Étienne (le panier de roses symbolisant son tombeau et martyre) et à Catherine Budé, la femme défunte d'Étienne Chevalier (les trois grappes de raisins de ses armoiries). 1452 — 1460. J.Fouquet 247 Hours of Etienne Chevalier - Saint Stephan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-tienne-saint-tienne-est-empli-du-saint-esprit-et-lve-son-visage-anglique-vers-la-vision-du-pre-et-du-fils-devant-une-foule-impassible-les-deux-faux-tmoins-se-prparent-jeter-les-premires-pierres-gauche-sal-approuve-la-meurtre-en-contrebas-les-tonnelles-de-roses-et-de-raisins-font-peut-tre-allusion-saint-tienne-le-panier-de-roses-symbolisant-son-tombeau-et-martyre-et-catherine-bud-la-femme-dfunte-dtienne-chevalier-les-trois-grappes-de-raisins-de-ses-armoiries-1452-1460-jfouquet-247-hours-of-etienne-chevalier-saint-stephan-image189058556.html
RMMYGA38–. Saint Étienne Saint Étienne est empli du Saint-Esprit et élève son visage angélique vers la vision du Père et du Fils. Devant une foule impassible, les deux faux témoins se préparent à jeter les premières pierres. À gauche, Saül approuve la meurtre. En contrebas, les tonnelles de roses et de raisins font peut-être allusion à saint Étienne (le panier de roses symbolisant son tombeau et martyre) et à Catherine Budé, la femme défunte d'Étienne Chevalier (les trois grappes de raisins de ses armoiries). 1452 — 1460. J.Fouquet 247 Hours of Etienne Chevalier - Saint Stephan
heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Litera T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, shields, united Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-w-adys-1452-1460-1452-00-00-1460-00-00litera-t-letters-city-coins-silesian-eagle-iconogr-eagles-herb-shield-shields-united-image598706361.html
RM2WP1C21–heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Litera T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, shields, united
Français : L'Adoration des mages. Heures d'Étienne Chevalier. Français : Les trois rois mages s'approchent de la crèche où se trouvent Joseph et la Vierge tenant le Christ sur ses genoux. Devant eux est agenouillé l'un des rois représenté sous les traits de Charles VII, sur un tapis fleurdelysé, un chapeau à ses pieds et entouré de gardes armés. En arrière plan est représentée une bataille proche d'un château, surplombée par une étoile. Cette miniature illustrait le début de l'extrait de l'évangile selon saint Matthieu du livre d'heures. . circa 1452-1460. 780 L Adoration des Mages Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-ladoration-des-mages-heures-dtienne-chevalier-franais-les-trois-rois-mages-sapprochent-de-la-crche-o-se-trouvent-joseph-et-la-vierge-tenant-le-christ-sur-ses-genoux-devant-eux-est-agenouill-lun-des-rois-reprsent-sous-les-traits-de-charles-vii-sur-un-tapis-fleurdelys-un-chapeau-ses-pieds-et-entour-de-gardes-arms-en-arrire-plan-est-reprsente-une-bataille-proche-dun-chteau-surplombe-par-une-toile-cette-miniature-illustrait-le-dbut-de-lextrait-de-lvangile-selon-saint-matthieu-du-livre-dheures-circa-1452-1460-780-l-adoration-des-mages-image185822460.html
RMMP8XCC–Français : L'Adoration des mages. Heures d'Étienne Chevalier. Français : Les trois rois mages s'approchent de la crèche où se trouvent Joseph et la Vierge tenant le Christ sur ses genoux. Devant eux est agenouillé l'un des rois représenté sous les traits de Charles VII, sur un tapis fleurdelysé, un chapeau à ses pieds et entouré de gardes armés. En arrière plan est représentée une bataille proche d'un château, surplombée par une étoile. Cette miniature illustrait le début de l'extrait de l'évangile selon saint Matthieu du livre d'heures. . circa 1452-1460. 780 L Adoration des Mages
heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Litera T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, shields, united Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-w-adys-1452-1460-1452-00-00-1460-00-00litera-t-letters-city-coins-silesian-eagle-iconogr-eagles-herb-shield-shields-united-image598706339.html
RM2WP1C17–heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Litera T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, shields, united
83 St Veran exorcising the possessed - Jean Fouquet, Hours of Étienne Chevalier (c.1452-1460) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/83-st-veran-exorcising-the-possessed-jean-fouquet-hours-of-tienne-chevalier-c1452-1460-image214057891.html
RMPC750K–83 St Veran exorcising the possessed - Jean Fouquet, Hours of Étienne Chevalier (c.1452-1460)
heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Letter T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, unpread T. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-w-adys-1452-1460-1452-00-00-1460-00-00letter-t-letters-city-coins-silesian-eagle-iconogr-eagles-herb-shield-unpread-t-image598706086.html
RM2WP1BM6–heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Letter T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, unpread T.
. Français : Deux hommes montés sur deux échelles posées contre la croix, dont l'une est tenue par saint Jean, font descendre le corps du Christ recueilli dans un linceul par Joseph d'Arimathie et derrière lui Nicodème avec un vase pour l'embaumement. Le instruments de la Passion sont à leurs pieds. La Vierge agenouillée, tient ses mains tendues vers le Christ. Le paysage montagneux en arrière plan contient une ville avec une église à bulbe évoquant Jérusalem. Français : Descente de croix, miniature extraite des Heures d’Étienne Chevalier . circa 1452-1460. Deposition chevalier Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-deux-hommes-monts-sur-deux-chelles-poses-contre-la-croix-dont-lune-est-tenue-par-saint-jean-font-descendre-le-corps-du-christ-recueilli-dans-un-linceul-par-joseph-darimathie-et-derrire-lui-nicodme-avec-un-vase-pour-lembaumement-le-instruments-de-la-passion-sont-leurs-pieds-la-vierge-agenouille-tient-ses-mains-tendues-vers-le-christ-le-paysage-montagneux-en-arrire-plan-contient-une-ville-avec-une-glise-bulbe-voquant-jrusalem-franais-descente-de-croix-miniature-extraite-des-heures-dtienne-chevalier-circa-1452-1460-deposition-chevalier-image184968537.html
RMMMX175–. Français : Deux hommes montés sur deux échelles posées contre la croix, dont l'une est tenue par saint Jean, font descendre le corps du Christ recueilli dans un linceul par Joseph d'Arimathie et derrière lui Nicodème avec un vase pour l'embaumement. Le instruments de la Passion sont à leurs pieds. La Vierge agenouillée, tient ses mains tendues vers le Christ. Le paysage montagneux en arrière plan contient une ville avec une église à bulbe évoquant Jérusalem. Français : Descente de croix, miniature extraite des Heures d’Étienne Chevalier . circa 1452-1460. Deposition chevalier
heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Litera T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, shields, united Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heller-w-adys-1452-1460-1452-00-00-1460-00-00litera-t-letters-city-coins-silesian-eagle-iconogr-eagles-herb-shield-shields-united-image598706360.html
RM2WP1C20–heller; W Adys 1452-1460 (1452-00-00-1460-00-00);Litera T, letters, city coins, Silesian Eagle (iconogr.), Eagles, Herb shield, shields, united
The Right Hand of God Protecting the Faithful against the Demons ca. 1452–1460 Jean Fouquet French The 'Hours of Étienne Chevalier' is one of the most famous and lavishly illuminated manuscripts of the fifteenth century. It was painted for the treasurer of France by Jean Fouquet, court artist to kings Charles VII and Louis XI, who worked not only as a miniaturist but also as a panel painter. The Lehman miniature decorates the page that contains the opening words of the evening prayer (vespers) for the Hours of the Holy Spirit. It shows the faithful standing in the foreground on a terrace, look Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-right-hand-of-god-protecting-the-faithful-against-the-demons-ca-14521460-jean-fouquet-french-the-hours-of-tienne-chevalier-is-one-of-the-most-famous-and-lavishly-illuminated-manuscripts-of-the-fifteenth-century-it-was-painted-for-the-treasurer-of-france-by-jean-fouquet-court-artist-to-kings-charles-vii-and-louis-xi-who-worked-not-only-as-a-miniaturist-but-also-as-a-panel-painter-the-lehman-miniature-decorates-the-page-that-contains-the-opening-words-of-the-evening-prayer-vespers-for-the-hours-of-the-holy-spirit-it-shows-the-faithful-standing-in-the-foreground-on-a-terrace-look-image457999307.html
RM2HH3JP3–The Right Hand of God Protecting the Faithful against the Demons ca. 1452–1460 Jean Fouquet French The 'Hours of Étienne Chevalier' is one of the most famous and lavishly illuminated manuscripts of the fifteenth century. It was painted for the treasurer of France by Jean Fouquet, court artist to kings Charles VII and Louis XI, who worked not only as a miniaturist but also as a panel painter. The Lehman miniature decorates the page that contains the opening words of the evening prayer (vespers) for the Hours of the Holy Spirit. It shows the faithful standing in the foreground on a terrace, look
The Coronation of the Virgin between 1452 and 1460. 710 Jean Fouquet - The Coronation of the Virgin - WGA08028 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-coronation-of-the-virgin-between-1452-and-1460-710-jean-fouquet-the-coronation-of-the-virgin-wga08028-image185809016.html
RMMP8988–The Coronation of the Virgin between 1452 and 1460. 710 Jean Fouquet - The Coronation of the Virgin - WGA08028
The Enthronement of the Virgin between 1452 and 1460. 710 Jean Fouquet - The Enthronement of the Virgin - WGA08027 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-enthronement-of-the-virgin-between-1452-and-1460-710-jean-fouquet-the-enthronement-of-the-virgin-wga08027-image185809017.html
RMMP8989–The Enthronement of the Virgin between 1452 and 1460. 710 Jean Fouquet - The Enthronement of the Virgin - WGA08027
The Martyrdom of St Apollonia between 1452 and 1460. 710 Jean Fouquet - The Martyrdom of St Apollonia - WGA08031 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-martyrdom-of-st-apollonia-between-1452-and-1460-710-jean-fouquet-the-martyrdom-of-st-apollonia-wga08031-image185823706.html
RMMP900X–The Martyrdom of St Apollonia between 1452 and 1460. 710 Jean Fouquet - The Martyrdom of St Apollonia - WGA08031
St John at Patmos between 1452 and 1460. 710 Jean Fouquet - St John at Patmos - WGA08029 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-john-at-patmos-between-1452-and-1460-710-jean-fouquet-st-john-at-patmos-wga08029-image185809021.html
RMMP898D–St John at Patmos between 1452 and 1460. 710 Jean Fouquet - St John at Patmos - WGA08029
Job and his False Comforters between 1452 and 1460. 710 Jean Fouquet - Job and his False Comforters - WGA08033 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/job-and-his-false-comforters-between-1452-and-1460-710-jean-fouquet-job-and-his-false-comforters-wga08033-image185809014.html
RMMP8986–Job and his False Comforters between 1452 and 1460. 710 Jean Fouquet - Job and his False Comforters - WGA08033
The Madonna before the Cathedral. Right-hand half of a double-page picture, showing Étienne Chevalier presented by St Étienne to the Virgin. between 1452 and 1460. 710 Jean Fouquet - The Madonna before the Cathedral - WGA08026 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-madonna-before-the-cathedral-right-hand-half-of-a-double-page-picture-showing-tienne-chevalier-presented-by-st-tienne-to-the-virgin-between-1452-and-1460-710-jean-fouquet-the-madonna-before-the-cathedral-wga08026-image185809027.html
RMMP898K–The Madonna before the Cathedral. Right-hand half of a double-page picture, showing Étienne Chevalier presented by St Étienne to the Virgin. between 1452 and 1460. 710 Jean Fouquet - The Madonna before the Cathedral - WGA08026
. Русский: Св. Этьен в уппеланде. Фрагмент миниатюры 'Этьен Шевалье и св. Этьен' из 'Часослова Этьена Шевалье' кисти Жана Фуке. 1452—60 гг. English: Detail showing Etienne Chevalier, from a minature showing Etienne Chevalier with his patron saint St Etienne . between 1452 and 1460. Jean Fouqet 240 Heures d'Etienne Chevalier - Chevalier et saint Etienne - fragment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/145260-english-detail-showing-etienne-chevalier-from-a-minature-showing-etienne-chevalier-with-his-patron-saint-st-etienne-between-1452-and-1460-jean-fouqet-240-heures-detienne-chevalier-chevalier-et-saint-etienne-fragment-image188836699.html
RMMY673R–. Русский: Св. Этьен в уппеланде. Фрагмент миниатюры 'Этьен Шевалье и св. Этьен' из 'Часослова Этьена Шевалье' кисти Жана Фуке. 1452—60 гг. English: Detail showing Etienne Chevalier, from a minature showing Etienne Chevalier with his patron saint St Etienne . between 1452 and 1460. Jean Fouqet 240 Heures d'Etienne Chevalier - Chevalier et saint Etienne - fragment
. Русский: Св. Этьен в уппеланде. Фрагмент миниатюры 'Этьен Шевалье и св. Этьен' из 'Часослова Этьена Шевалье' кисти Жана Фуке. 1452—60 гг. English: Detail showing Etienne Chevalier, from a minature showing Etienne Chevalier with his patron saint St Etienne . between 1452 and 1460. Jean Fouqet 277 Heures d'Etienne Chevalier - Chevalier et saint Etienne - fragment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/145260-english-detail-showing-etienne-chevalier-from-a-minature-showing-etienne-chevalier-with-his-patron-saint-st-etienne-between-1452-and-1460-jean-fouqet-277-heures-detienne-chevalier-chevalier-et-saint-etienne-fragment-image187568620.html
RMMW4DK8–. Русский: Св. Этьен в уппеланде. Фрагмент миниатюры 'Этьен Шевалье и св. Этьен' из 'Часослова Этьена Шевалье' кисти Жана Фуке. 1452—60 гг. English: Detail showing Etienne Chevalier, from a minature showing Etienne Chevalier with his patron saint St Etienne . between 1452 and 1460. Jean Fouqet 277 Heures d'Etienne Chevalier - Chevalier et saint Etienne - fragment
. Русский: Св. Этьен в уппеланде. Фрагмент миниатюры 'Этьен Шевалье и св. Этьен' из 'Часослова Этьена Шевалье' кисти Жана Фуке. 1452—60 гг. English: Detail showing Etienne Chevalier, from a minature showing Etienne Chevalier with his patron saint St Etienne . between 1452 and 1460. Jean Fouqet 278 Heures d'Etienne Chevalier - Chevalier et saint Etienne - fragment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/145260-english-detail-showing-etienne-chevalier-from-a-minature-showing-etienne-chevalier-with-his-patron-saint-st-etienne-between-1452-and-1460-jean-fouqet-278-heures-detienne-chevalier-chevalier-et-saint-etienne-fragment-image188116351.html
RMMX1C93–. Русский: Св. Этьен в уппеланде. Фрагмент миниатюры 'Этьен Шевалье и св. Этьен' из 'Часослова Этьена Шевалье' кисти Жана Фуке. 1452—60 гг. English: Detail showing Etienne Chevalier, from a minature showing Etienne Chevalier with his patron saint St Etienne . between 1452 and 1460. Jean Fouqet 278 Heures d'Etienne Chevalier - Chevalier et saint Etienne - fragment
. Deposition. Heures d'Étienne Chevalier, enluminées par Jean Fouquet . between 1452 and 1460. Jean Fouquet (1420–) Alternative names Jehan Fouquet; Jean-Pierre Fouquet; Zhan Fuke; Jehan Foucquet; Jean Foucquet Description French painter and manuscript illuminator Date of birth/death circa 1420 circa 1480 Location of birth/death Tours Tours (?) Work location Bourges, Tours, Paris, Italy Authority control : Q311398 VIAF: 89018178 ISNI: 0000 0001 2100 667X ULAN: 500118806 LCCN: n50047906 WGA: FOUQUET, Jean WorldCat 1086 Sainte-marie Madeleine2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deposition-heures-dtienne-chevalier-enlumines-par-jean-fouquet-between-1452-and-1460-jean-fouquet-1420-alternative-names-jehan-fouquet-jean-pierre-fouquet-zhan-fuke-jehan-foucquet-jean-foucquet-description-french-painter-and-manuscript-illuminator-date-of-birthdeath-circa-1420-circa-1480-location-of-birthdeath-tours-tours-work-location-bourges-tours-paris-italy-authority-control-q311398-viaf89018178-isni0000-0001-2100-667x-ulan500118806-lccnn50047906-wgafouquet-jean-worldcat-1086-sainte-marie-madeleine2-image185843648.html
RMMP9WD4–. Deposition. Heures d'Étienne Chevalier, enluminées par Jean Fouquet . between 1452 and 1460. Jean Fouquet (1420–) Alternative names Jehan Fouquet; Jean-Pierre Fouquet; Zhan Fuke; Jehan Foucquet; Jean Foucquet Description French painter and manuscript illuminator Date of birth/death circa 1420 circa 1480 Location of birth/death Tours Tours (?) Work location Bourges, Tours, Paris, Italy Authority control : Q311398 VIAF: 89018178 ISNI: 0000 0001 2100 667X ULAN: 500118806 LCCN: n50047906 WGA: FOUQUET, Jean WorldCat 1086 Sainte-marie Madeleine2
Deutsch: Christi Himmelfahrt English: Ascension Français : Ascension du Christ, Heures d'Étienne Chevalier. between circa 1452 and circa 1460. Fourquet - Christi Himmelfahrt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-christi-himmelfahrt-english-ascension-franais-ascension-du-christ-heures-dtienne-chevalier-between-circa-1452-and-circa-1460-fourquet-christi-himmelfahrt-image184981898.html
RMMMXJ8A–Deutsch: Christi Himmelfahrt English: Ascension Français : Ascension du Christ, Heures d'Étienne Chevalier. between circa 1452 and circa 1460. Fourquet - Christi Himmelfahrt
. English: Left-hand half of a double-page picture, this half showing Étienne Chevalier and his patron saint. Étienne Chevalier presented by St Étienne to the Virgin. between 1452 and 1460. 15th-century painters - Book of Hours - WGA15899 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-left-hand-half-of-a-double-page-picture-this-half-showing-tienne-chevalier-and-his-patron-saint-tienne-chevalier-presented-by-st-tienne-to-the-virgin-between-1452-and-1460-15th-century-painters-book-of-hours-wga15899-image184867872.html
RMMMNCT0–. English: Left-hand half of a double-page picture, this half showing Étienne Chevalier and his patron saint. Étienne Chevalier presented by St Étienne to the Virgin. between 1452 and 1460. 15th-century painters - Book of Hours - WGA15899
. David faisant pénitence. Heures d'Étienne Chevalier, enluminées par Jean Fouquet . between 1452 and 1460. Jean Fouquet (1420–) Alternative names Jehan Fouquet; Jean-Pierre Fouquet; Zhan Fuke; Jehan Foucquet; Jean Foucquet Description French painter and manuscript illuminator Date of birth/death circa 1420 circa 1480 Location of birth/death Tours Tours (?) Work location Bourges, Tours, Paris, Italy Authority control : Q311398 VIAF:?89018178 ISNI:?0000 0001 2100 667X ULAN:?500118806 LCCN:?n50047906 WGA:?FOUQUET, Jean WorldCat David faisant penitence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-faisant-pnitence-heures-dtienne-chevalier-enlumines-par-jean-fouquet-between-1452-and-1460-jean-fouquet-1420-alternative-names-jehan-fouquet-jean-pierre-fouquet-zhan-fuke-jehan-foucquet-jean-foucquet-description-french-painter-and-manuscript-illuminator-date-of-birthdeath-circa-1420-circa-1480-location-of-birthdeath-tours-tours-work-location-bourges-tours-paris-italy-authority-control-q311398-viaf89018178-isni0000-0001-2100-667x-ulan500118806-lccnn50047906-wgafouquet-jean-worldcat-david-faisant-penitence-image184966846.html
RMMMWY2P–. David faisant pénitence. Heures d'Étienne Chevalier, enluminées par Jean Fouquet . between 1452 and 1460. Jean Fouquet (1420–) Alternative names Jehan Fouquet; Jean-Pierre Fouquet; Zhan Fuke; Jehan Foucquet; Jean Foucquet Description French painter and manuscript illuminator Date of birth/death circa 1420 circa 1480 Location of birth/death Tours Tours (?) Work location Bourges, Tours, Paris, Italy Authority control : Q311398 VIAF:?89018178 ISNI:?0000 0001 2100 667X ULAN:?500118806 LCCN:?n50047906 WGA:?FOUQUET, Jean WorldCat David faisant penitence
Français : Saint Michel combattant le Dragon. Heures d'Étienne Chevalier. . Français : Saint Michel en armure et soutenu par des anges, combat un dragon à sept têtes dans un paysage montagneux fantastique. Sous ses pieds, dans des souterrains, est représenté l'Enfer dans lequel Satan observe des âmes se faisant torturer. Un petit cartouche au milieu contient la lettrine M décoré du monogramme d'Étienne Chevalier « EE » et le début du texte aujourd'hui masqué. Début des suffrages des saints. English: Saint Michael in combat with the dragon - Hours of Étienne Knight, enluminées by Jean Fouquet, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-saint-michel-combattant-le-dragon-heures-dtienne-chevalier-franais-saint-michel-en-armure-et-soutenu-par-des-anges-combat-un-dragon-sept-ttes-dans-un-paysage-montagneux-fantastique-sous-ses-pieds-dans-des-souterrains-est-reprsent-lenfer-dans-lequel-satan-observe-des-mes-se-faisant-torturer-un-petit-cartouche-au-milieu-contient-la-lettrine-m-dcor-du-monogramme-dtienne-chevalier-ee-et-le-dbut-du-texte-aujourdhui-masqu-dbut-des-suffrages-des-saints-english-saint-michael-in-combat-with-the-dragon-hours-of-tienne-knight-enlumines-by-jean-fouquet-image185582957.html
RMMNX0XN–Français : Saint Michel combattant le Dragon. Heures d'Étienne Chevalier. . Français : Saint Michel en armure et soutenu par des anges, combat un dragon à sept têtes dans un paysage montagneux fantastique. Sous ses pieds, dans des souterrains, est représenté l'Enfer dans lequel Satan observe des âmes se faisant torturer. Un petit cartouche au milieu contient la lettrine M décoré du monogramme d'Étienne Chevalier « EE » et le début du texte aujourd'hui masqué. Début des suffrages des saints. English: Saint Michael in combat with the dragon - Hours of Étienne Knight, enluminées by Jean Fouquet,
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