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145 cm Stock Photos and Images
man, relief, limestone, height: 145 cm, 300 kg, Greco-Roman Period, Roman imperial period, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/man-relief-limestone-height-145-cm-300-kg-greco-roman-period-roman-imperial-period-egypt-image344530065.htmlRM2B0EKH5–man, relief, limestone, height: 145 cm, 300 kg, Greco-Roman Period, Roman imperial period, Egypt
THE THINKER 1903 Bronze H. 180 cm ; W. 98 cm ; D. 145 cm François Auguste René Rodin 1840 –1917 ( known as Auguste Rodin ) was a French sculptor, Paris France French. ( Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-thinker-1903-bronze-h-180-cm-w-98-cm-d-145-cm-franois-auguste-164723726.htmlRMKFYPP6–THE THINKER 1903 Bronze H. 180 cm ; W. 98 cm ; D. 145 cm François Auguste René Rodin 1840 –1917 ( known as Auguste Rodin ) was a French sculptor, Paris France French. ( Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.)
Sheet, linen mark, medium spin, loose weave. Dimensions: L. 548 cm (215 3/4 in); w. 145 cm 957 1/16 in). Dynasty: Dynasty 18. Reign: reign of Thutmose II-Early Joint reign. Date: ca. 1492-1473 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-linen-mark-medium-spin-loose-weave-dimensions-l-548-cm-215-34-in-w-145-cm-957-116-in-dynasty-dynasty-18-reign-reign-of-thutmose-ii-early-joint-reign-date-ca-1492-1473-bc-museum-metropolitan-museum-of-art-new-york-usa-image213105952.htmlRMPAKPPT–Sheet, linen mark, medium spin, loose weave. Dimensions: L. 548 cm (215 3/4 in); w. 145 cm 957 1/16 in). Dynasty: Dynasty 18. Reign: reign of Thutmose II-Early Joint reign. Date: ca. 1492-1473 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
The Battle of the Amazons, a copy after Peter Paul Rubens' famous painting, 19th century Oil on canvas. In the centre of the painting the battle between Greeks and Amazons on a bridge with dead women warriors in the foreground. The scene is set in front of an ominous, cloudy sky backdrop and the silhouette of a city in the distance. In an elaborate, gold-bronzed plaster frame. Painting 165 x 125 cm, framed 185 x 145 cm. In the Iliad Homer describes how the Amazons, lead by Queen Penthesilea, come to the aid of the Trojans. The Greeks ultimately defeat, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-battle-of-the-amazons-a-copy-after-peter-paul-rubens-famous-painting-31711228.htmlRMBRGFYT–The Battle of the Amazons, a copy after Peter Paul Rubens' famous painting, 19th century Oil on canvas. In the centre of the painting the battle between Greeks and Amazons on a bridge with dead women warriors in the foreground. The scene is set in front of an ominous, cloudy sky backdrop and the silhouette of a city in the distance. In an elaborate, gold-bronzed plaster frame. Painting 165 x 125 cm, framed 185 x 145 cm. In the Iliad Homer describes how the Amazons, lead by Queen Penthesilea, come to the aid of the Trojans. The Greeks ultimately defeat, Artist's Copyright has not to be cleared
38222 Porites porites forma Clavaria Lam Height of Specimen, 145 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-38222-porites-porites-forma-clavaria-lam-height-of-specimen-145-cm-169707381.htmlRMKT2RDW–38222 Porites porites forma Clavaria Lam Height of Specimen, 145 cm
. Español: La Inmaculada Concepción, óleo sobre lienzo, 208 x 145 cm, Madrid, Museo del Prado . segunda mitad del siglo XVII. Claudio coello-inmaculada-prado Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/espaol-la-inmaculada-concepcin-leo-sobre-lienzo-208-x-145-cm-madrid-museo-del-prado-segunda-mitad-del-siglo-xvii-claudio-coello-inmaculada-prado-image184796876.htmlRMMMJ68C–. Español: La Inmaculada Concepción, óleo sobre lienzo, 208 x 145 cm, Madrid, Museo del Prado . segunda mitad del siglo XVII. Claudio coello-inmaculada-prado
« La Libéralité du roi », huile sur toile (H. 284 cm, l. 145 cm) de Jan van den Hoecke réalisée vers 1635 appartenant au Palais des beaux-arts de Lille (N° INV P 86). Photographie réalisée lors de l'exposition temporaire l'Europe de Rubens au musée du Louvre-Lens. 0 La LibA9ralitA9 du roi - Jan van den Hoecke (2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-libralit-du-roi-huile-sur-toile-h-284-cm-l-145-cm-de-jan-van-den-hoecke-ralise-vers-1635-appartenant-au-palais-des-beaux-arts-de-lille-n-inv-p-86-photographie-ralise-lors-de-lexposition-temporaire-leurope-de-rubens-au-muse-du-louvre-lens-0-la-liba9ralita9-du-roi-jan-van-den-hoecke-2-image208318877.htmlRMP2WMRW–« La Libéralité du roi », huile sur toile (H. 284 cm, l. 145 cm) de Jan van den Hoecke réalisée vers 1635 appartenant au Palais des beaux-arts de Lille (N° INV P 86). Photographie réalisée lors de l'exposition temporaire l'Europe de Rubens au musée du Louvre-Lens. 0 La LibA9ralitA9 du roi - Jan van den Hoecke (2)
![A GENERAL PLAN of the TOWN and PENINSULA of GIBRALTAR 1725. Map information: Title: A GENERAL PLAN of the TOWN and PENINSULA of GIBRALTAR 1725. 72.28. Place of publication: [London] Publisher: [Tower of London Drawing Room?] Date of publication: 1725. Item type: 1 map Medium: ink and watercolour over pencil Dimensions: 46 x 145 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FF9B/a-general-plan-of-the-town-and-peninsula-of-gibraltar-1725-map-information-title-a-general-plan-of-the-town-and-peninsula-of-gibraltar-1725-7228-place-of-publication-london-publisher-tower-of-london-drawing-room-date-of-publication-1725-item-type-1-map-medium-ink-and-watercolour-over-pencil-dimensions-46-x-145-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FF9B.jpg "A GENERAL PLAN of the TOWN and PENINSULA of GIBRALTAR 1725. Map information: Title: A GENERAL PLAN of the TOWN and PENINSULA of GIBRALTAR 1725. 72.28. Place of publication: [London] Publisher: [Tower of London Drawing Room?] Date of publication: 1725. Item type: 1 map Medium: ink and watercolour over pencil Dimensions: 46 x 145 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A GENERAL PLAN of the TOWN and PENINSULA of GIBRALTAR 1725. Map information: Title: A GENERAL PLAN of the TOWN and PENINSULA of GIBRALTAR 1725. 72.28. Place of publication: [London] Publisher: [Tower of London Drawing Room?] Date of publication: 1725. Item type: 1 map Medium: ink and watercolour over pencil Dimensions: 46 x 145 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-general-plan-of-the-town-and-peninsula-of-gibraltar-1725-map-information-title-a-general-plan-of-the-town-and-peninsula-of-gibraltar-1725-7228-place-of-publication-london-publisher-tower-of-london-drawing-room-date-of-publication-1725-item-type-1-map-medium-ink-and-watercolour-over-pencil-dimensions-46-x-145-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401711671.htmlRM2E9FF9B–A GENERAL PLAN of the TOWN and PENINSULA of GIBRALTAR 1725. Map information: Title: A GENERAL PLAN of the TOWN and PENINSULA of GIBRALTAR 1725. 72.28. Place of publication: [London] Publisher: [Tower of London Drawing Room?] Date of publication: 1725. Item type: 1 map Medium: ink and watercolour over pencil Dimensions: 46 x 145 cm Former owner: George III, King of Great Britain, 1738-1820
François Gérard French school Portrait of Madame Récamier 1805 Oil on canvas (225 x 145 cm) Paris, Musée Carnavalet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franois-grard-french-school-portrait-of-madame-rcamier-1805-oil-on-canvas-225-x-145-cm-paris-muse-carnavalet-image257300824.htmlRMTXH1R4–François Gérard French school Portrait of Madame Récamier 1805 Oil on canvas (225 x 145 cm) Paris, Musée Carnavalet
Art inspired by Forked Staff of Harmose, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Senenmut (TT 71), below, burial of Singer Harmose, at left side of coffin, 1935–36, Wood, bronze or copper alloy, L. 145 cm (57 1/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-forked-staff-of-harmose-new-kingdom-dynasty-18-ca-14791458-bc-from-egypt-upper-egypt-thebes-sheikh-abd-el-qurna-tomb-of-senenmut-tt-71-below-burial-of-singer-harmose-at-left-side-of-coffin-193536-wood-bronze-or-copper-alloy-l-145-cm-57-116-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462853557.htmlRF2HW0PC5–Art inspired by Forked Staff of Harmose, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Senenmut (TT 71), below, burial of Singer Harmose, at left side of coffin, 1935–36, Wood, bronze or copper alloy, L. 145 cm (57 1/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Doek By Mahan Doek met geometrische motieven. Manufacturer : wever: anoniemPlaats manufacture: Thailand Dating: 1900 - 1949 Physical kenmerken: geweven katoen; extra inslag Material: katoen Techniek: weven Dimensions: l 145 cm. × b 52 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/doek-by-mahan-doek-met-geometrische-motieven-manufacturer-wever-anoniemplaats-manufacture-thailand-dating-1900-1949-physical-kenmerken-geweven-katoen-extra-inslag-material-katoen-techniek-weven-dimensions-l-145-cm-b-52-cm-image348310626.htmlRM2B6JWN6–Doek By Mahan Doek met geometrische motieven. Manufacturer : wever: anoniemPlaats manufacture: Thailand Dating: 1900 - 1949 Physical kenmerken: geweven katoen; extra inslag Material: katoen Techniek: weven Dimensions: l 145 cm. × b 52 cm.
Scottish Horseman (ca. 1854), 145 x 145 cm., Musée Gustave Moreau Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scottish-horseman-ca-1854-145-x-145-cm-muse-gustave-moreau-image616388730.htmlRM2XPPX36–Scottish Horseman (ca. 1854), 145 x 145 cm., Musée Gustave Moreau
Visitation - oil on wood 200 x 145 cm - Sanzio Raffaello Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/visitation-oil-on-wood-200-x-145-cm-sanzio-raffaello-image457723057.htmlRF2HGK2C1–Visitation - oil on wood 200 x 145 cm - Sanzio Raffaello
38222 Porites porites forma Clavaria Lam Height of Specimen, 145 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-38222-porites-porites-forma-clavaria-lam-height-of-specimen-145-cm-115086172.htmlRMGK6HGC–38222 Porites porites forma Clavaria Lam Height of Specimen, 145 cm
(dpa) - The Cathedral of San Marco is reflected in the remaining floodwaters in Venice, Italy, 17 November 2002. Strong winds and a rise of sea level of 145 cm on 16 November flooded the city. On 17 November the level fell to 90 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dpa-the-cathedral-of-san-marco-is-reflected-in-the-remaining-floodwaters-53725139.htmlRMD3BAXY–(dpa) - The Cathedral of San Marco is reflected in the remaining floodwaters in Venice, Italy, 17 November 2002. Strong winds and a rise of sea level of 145 cm on 16 November flooded the city. On 17 November the level fell to 90 cm.
It was a moment when she posed for me there and I managed to take a picture of her after she flew away :) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/it-was-a-moment-when-she-posed-for-me-there-and-i-managed-to-take-a-picture-of-her-after-she-flew-away-image598720408.htmlRM2WP21YM–It was a moment when she posed for me there and I managed to take a picture of her after she flew away :)
Jun. 06, 1967 - Great Arts Exhibition Munich 1967 In the evening of the 7th of June will be inaugurated the ''Great Arts Exhibition 1967'' in the House of Arts in Munich. The three great groups of artists -Secession, New group and New Munich Artist Company - are, as always, represented. Altogether are to be seen in the House of Arts and the garden belonging to it about 1.200 paintings, sculptures, etchings, woodcuts etc.. The exhibition is opened from 8th June until 24th September, 1967. Ops.: Adolf Hartmann, Munich: left: self portrait (oil, 145 x 100 cm) middle: Abt Prof Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jun-06-1967-great-arts-exhibition-munich-1967-in-the-evening-of-the-image69428400.htmlRME0XMHM–Jun. 06, 1967 - Great Arts Exhibition Munich 1967 In the evening of the 7th of June will be inaugurated the ''Great Arts Exhibition 1967'' in the House of Arts in Munich. The three great groups of artists -Secession, New group and New Munich Artist Company - are, as always, represented. Altogether are to be seen in the House of Arts and the garden belonging to it about 1.200 paintings, sculptures, etchings, woodcuts etc.. The exhibition is opened from 8th June until 24th September, 1967. Ops.: Adolf Hartmann, Munich: left: self portrait (oil, 145 x 100 cm) middle: Abt Prof
Agustín Esteve Marqués (1753-1820). Spanish painter. The Countess-Duchess of Benavente (?), accompanied by Mercedes de Rojas y Tello (standing), future Marchioness of Villanueva de Duero, and her Daughter, María Asunción, ca. 1797. Oil on canvas, 198,5 x 145,5 cm. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/agustn-esteve-marqus-1753-1820-spanish-painter-the-countess-duchess-of-benavente-accompanied-by-mercedes-de-rojas-y-tello-standing-future-marchioness-of-villanueva-de-duero-and-her-daughter-mara-asuncin-ca-1797-oil-on-canvas-1985-x-1455-cm-prado-museum-madrid-spain-image559905664.htmlRM2REWWAT–Agustín Esteve Marqués (1753-1820). Spanish painter. The Countess-Duchess of Benavente (?), accompanied by Mercedes de Rojas y Tello (standing), future Marchioness of Villanueva de Duero, and her Daughter, María Asunción, ca. 1797. Oil on canvas, 198,5 x 145,5 cm. Prado Museum. Madrid. Spain.
Georges du Mesnil de La Tour 1593-1652. Job mocked by his wife. 1630. oil painting on canvas cm 145 x 97. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/georges-du-mesnil-de-la-tour-1593-1652-job-mocked-by-his-wife-1630-oil-painting-on-canvas-cm-145-x-97-image376541082.htmlRM2CTGWYP–Georges du Mesnil de La Tour 1593-1652. Job mocked by his wife. 1630. oil painting on canvas cm 145 x 97.
Georg Engelhard Schröder, (1684-1750), Ceres or Allegory of the Element Earth, Oil on canvas, Height: 145 cm (57), Width: 121 cm (47.6) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/georg-engelhard-schrder-1684-1750-ceres-or-allegory-of-the-element-earth-oil-on-canvas-height-145-cm-57-width-121-cm-476-image261310733.htmlRMW53ME5–Georg Engelhard Schröder, (1684-1750), Ceres or Allegory of the Element Earth, Oil on canvas, Height: 145 cm (57), Width: 121 cm (47.6)
THE THINKER 1903 Bronze H. 180 cm ; W. 98 cm ; D. 145 cm François Auguste René Rodin 1840 –1917 ( known as Auguste Rodin ) was a French sculptor, Paris France French. ( Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-thinker-1903-bronze-h-180-cm-w-98-cm-d-145-cm-franois-auguste-164723728.htmlRMKFYPP8–THE THINKER 1903 Bronze H. 180 cm ; W. 98 cm ; D. 145 cm François Auguste René Rodin 1840 –1917 ( known as Auguste Rodin ) was a French sculptor, Paris France French. ( Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.)
Model Sailboat. Dimensions: L. 145 cm (57 1/16 in.), with rudder 158 cm (62 3/16 in.); W. 28 cm (11 in.), with mast 81 cm (31 7/8 in.); H. 53.4 cm (21 in.), with mast 112 cm (44 1/8 in.). Dynasty: Dynasty 12. Reign: reign of Amenemhat I, early. Date: ca. 1981-1975 B.C.. The green color of the hull of this boat, its vertical prow, backward-curving stern and double steering oars imitate elements of vessels made from papyrus stalks. Even the lashings of the leather sheaths that covered prow and stern of such boats are rendered. Boats of this particular type appear in representations of the 'pil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/model-sailboat-dimensions-l-145-cm-57-116-in-with-rudder-158-cm-62-316-in-w-28-cm-11-in-with-mast-81-cm-31-78-in-h-534-cm-21-in-with-mast-112-cm-44-18-in-dynasty-dynasty-12-reign-reign-of-amenemhat-i-early-date-ca-1981-1975-bc-the-green-color-of-the-hull-of-this-boat-its-vertical-prow-backward-curving-stern-and-double-steering-oars-imitate-elements-of-vessels-made-from-papyrus-stalks-even-the-lashings-of-the-leather-sheaths-that-covered-prow-and-stern-of-such-boats-are-rendered-boats-of-this-particular-type-appear-in-representations-of-the-pil-image213246733.htmlRMPAX6AN–Model Sailboat. Dimensions: L. 145 cm (57 1/16 in.), with rudder 158 cm (62 3/16 in.); W. 28 cm (11 in.), with mast 81 cm (31 7/8 in.); H. 53.4 cm (21 in.), with mast 112 cm (44 1/8 in.). Dynasty: Dynasty 12. Reign: reign of Amenemhat I, early. Date: ca. 1981-1975 B.C.. The green color of the hull of this boat, its vertical prow, backward-curving stern and double steering oars imitate elements of vessels made from papyrus stalks. Even the lashings of the leather sheaths that covered prow and stern of such boats are rendered. Boats of this particular type appear in representations of the 'pil
fine arts, tapestry, scene at fountain, detail, Franconia, circa 1450 / 1460, wool, knitted, 76 x 145 cm, Bavarian National Museum, Munich, Germany, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-tapestry-scene-at-fountain-detail-franconia-circa-1450-1460-111309934.htmlRMGD2GXP–fine arts, tapestry, scene at fountain, detail, Franconia, circa 1450 / 1460, wool, knitted, 76 x 145 cm, Bavarian National Museum, Munich, Germany, Additional-Rights-Clearences-Not Available
Gold Necklace with Cross MET sf17-190-150d1 464033 Byzantine, Gold Necklace with Cross, 6th century, Gold, Overall: 57 1/16 x 2 5/8 x 9/16 in. (145 x 6.6 x 1.4 cm) Wt: 177g chain: 1 11/16 x 57 1/16 in. (4.3 x 145 cm) pendant cross: 2 3/4 x 1 7/8 x 3/16 in. (7 x 4.8 x 0.5 cm) circular pendant: 15/16 x 1 13/16 x 1/16 in. (2.4 x 4.6 x 0.2 cm) pendant: 1 1/8 x 9/16 x 1/16 in. (2.9 x 1.5 x 0.2 cm) pendant: 1 3/16 x 5 1/2 x 1/16 in. (3 x 14 x 0.2 cm) . The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.150) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-gold-necklace-with-cross-met-sf17-190-150d1-464033-byzantine-gold-168399161.htmlRMKNY6RN–Gold Necklace with Cross MET sf17-190-150d1 464033 Byzantine, Gold Necklace with Cross, 6th century, Gold, Overall: 57 1/16 x 2 5/8 x 9/16 in. (145 x 6.6 x 1.4 cm) Wt: 177g chain: 1 11/16 x 57 1/16 in. (4.3 x 145 cm) pendant cross: 2 3/4 x 1 7/8 x 3/16 in. (7 x 4.8 x 0.5 cm) circular pendant: 15/16 x 1 13/16 x 1/16 in. (2.4 x 4.6 x 0.2 cm) pendant: 1 1/8 x 9/16 x 1/16 in. (2.9 x 1.5 x 0.2 cm) pendant: 1 3/16 x 5 1/2 x 1/16 in. (3 x 14 x 0.2 cm) . The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.150)
![Painting; oil on canvas; overall: 101 x 145 cm (39 3/4 x 57 1/16 in.); The Travelers 166[2?]. 1182 The Travelers-166-2 --Meindert Hobbema Stock Photo](https://c8.alamy.com/comp/MNXR67/painting-oil-on-canvas-overall-101-x-145-cm-39-34-x-57-116-in-the-travelers-166-2-1182-the-travelers-166-2-meindert-hobbema-MNXR67.jpg "Painting; oil on canvas; overall: 101 x 145 cm (39 3/4 x 57 1/16 in.); The Travelers 166[2?]. 1182 The Travelers-166-2 --Meindert Hobbema Stock Photo")
Painting; oil on canvas; overall: 101 x 145 cm (39 3/4 x 57 1/16 in.); The Travelers 166[2?]. 1182 The Travelers-166-2 --Meindert Hobbema Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-101-x-145-cm-39-34-x-57-116-in-the-travelers-166-2-1182-the-travelers-166-2-meindert-hobbema-image185600415.htmlRMMNXR67–Painting; oil on canvas; overall: 101 x 145 cm (39 3/4 x 57 1/16 in.); The Travelers 166[2?]. 1182 The Travelers-166-2 --Meindert Hobbema
« La Providence du roi », huile sur toile (H. 284 cm, l. 145 cm) de Jan van den Hoecke réalisée vers 1635 appartenant au Palais des beaux-arts de Lille (N° INV P 88). Photographie réalisée lors de l'exposition temporaire l'Europe de Rubens au musée du Louvre-Lens.) . 0 La Providence du roi - Jan van den Hoecke (1) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-providence-du-roi-huile-sur-toile-h-284-cm-l-145-cm-de-jan-van-den-hoecke-ralise-vers-1635-appartenant-au-palais-des-beaux-arts-de-lille-n-inv-p-88-photographie-ralise-lors-de-lexposition-temporaire-leurope-de-rubens-au-muse-du-louvre-lens-0-la-providence-du-roi-jan-van-den-hoecke-1-image208318940.htmlRMP2WMX4–« La Providence du roi », huile sur toile (H. 284 cm, l. 145 cm) de Jan van den Hoecke réalisée vers 1635 appartenant au Palais des beaux-arts de Lille (N° INV P 88). Photographie réalisée lors de l'exposition temporaire l'Europe de Rubens au musée du Louvre-Lens.) . 0 La Providence du roi - Jan van den Hoecke (1)
![PLAN GEOMETRIQUE ET HISTORIQUE de la Ville de MADRID et de ses Environs = PLAN GEOMETRICO Y HISTORICO de la Villa de MADRID y sus Contornos. Author Julien, R. J. 73.13.5 TAB.END. Place of publication: [Paris] Publisher: se vend aÃÄ Paris chez le Sr. Julien aÃÄ l'Hotel de Soubise Con privilegio de el Roy. Avec privilege du Roy., Date of publication: [1761.] Item type: 1 map Dimensions: 95 x 108 cm on sheet 102 x 145 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FFWR/plan-geometrique-et-historique-de-la-ville-de-madrid-et-de-ses-environs-=-plan-geometrico-y-historico-de-la-villa-de-madrid-y-sus-contornos-author-julien-r-j-73135-tabend-place-of-publication-paris-publisher-se-vend-a-paris-chez-le-sr-julien-a-lhotel-de-soubise-con-privilegio-de-el-roy-avec-privilege-du-roy-date-of-publication-1761-item-type-1-map-dimensions-95-x-108-cm-on-sheet-102-x-145-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FFWR.jpg "PLAN GEOMETRIQUE ET HISTORIQUE de la Ville de MADRID et de ses Environs = PLAN GEOMETRICO Y HISTORICO de la Villa de MADRID y sus Contornos. Author Julien, R. J. 73.13.5 TAB.END. Place of publication: [Paris] Publisher: se vend aÃÄ Paris chez le Sr. Julien aÃÄ l'Hotel de Soubise Con privilegio de el Roy. Avec privilege du Roy., Date of publication: [1761.] Item type: 1 map Dimensions: 95 x 108 cm on sheet 102 x 145 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
PLAN GEOMETRIQUE ET HISTORIQUE de la Ville de MADRID et de ses Environs = PLAN GEOMETRICO Y HISTORICO de la Villa de MADRID y sus Contornos. Author Julien, R. J. 73.13.5 TAB.END. Place of publication: [Paris] Publisher: se vend aÃÄ Paris chez le Sr. Julien aÃÄ l'Hotel de Soubise Con privilegio de el Roy. Avec privilege du Roy., Date of publication: [1761.] Item type: 1 map Dimensions: 95 x 108 cm on sheet 102 x 145 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plan-geometrique-et-historique-de-la-ville-de-madrid-et-de-ses-environs-=-plan-geometrico-y-historico-de-la-villa-de-madrid-y-sus-contornos-author-julien-r-j-73135-tabend-place-of-publication-paris-publisher-se-vend-a-paris-chez-le-sr-julien-a-lhotel-de-soubise-con-privilegio-de-el-roy-avec-privilege-du-roy-date-of-publication-1761-item-type-1-map-dimensions-95-x-108-cm-on-sheet-102-x-145-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401712131.htmlRM2E9FFWR–PLAN GEOMETRIQUE ET HISTORIQUE de la Ville de MADRID et de ses Environs = PLAN GEOMETRICO Y HISTORICO de la Villa de MADRID y sus Contornos. Author Julien, R. J. 73.13.5 TAB.END. Place of publication: [Paris] Publisher: se vend aÃÄ Paris chez le Sr. Julien aÃÄ l'Hotel de Soubise Con privilegio de el Roy. Avec privilege du Roy., Date of publication: [1761.] Item type: 1 map Dimensions: 95 x 108 cm on sheet 102 x 145 cm Former owner: George III, King of Great Britain, 1738-1820
Simon Agopian Abd El Kader (1808-1883) 1906 Oil on canvas (145 cm x 110 cm) This portrait that was painted from photos after his death, presents 'El Emir' with military decorations, posing next to the Koran. Abd El Kader was admitted into the Grand Orient of France by the lodge 'Les Pyramides' in Alexandria, in 1861 on behalf of the lodge of Henri IV. Paris, musée de la Franc-Maçonnerie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-agopian-abd-el-kader-1808-1883-1906-oil-on-canvas-145-cm-x-110-cm-this-portrait-that-was-painted-from-photos-after-his-death-presents-el-emir-with-military-decorations-posing-next-to-the-koran-abd-el-kader-was-admitted-into-the-grand-orient-of-france-by-the-lodge-les-pyramides-in-alexandria-in-1861-on-behalf-of-the-lodge-of-henri-iv-paris-muse-de-la-franc-maonnerie-image257279286.htmlRMTXG29X–Simon Agopian Abd El Kader (1808-1883) 1906 Oil on canvas (145 cm x 110 cm) This portrait that was painted from photos after his death, presents 'El Emir' with military decorations, posing next to the Koran. Abd El Kader was admitted into the Grand Orient of France by the lodge 'Les Pyramides' in Alexandria, in 1861 on behalf of the lodge of Henri IV. Paris, musée de la Franc-Maçonnerie
Art inspired by Sheet, linen mark, medium spin, loose weave, New Kingdom, Dynasty 18, ca. 1492–1473 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Hatnefer and Ramose (below TT 71), location not recorded, 1935–36, Linen, L. 548 cm (215 3/4 in); w. 145 cm 957 1/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-sheet-linen-mark-medium-spin-loose-weave-new-kingdom-dynasty-18-ca-14921473-bc-from-egypt-upper-egypt-thebes-sheikh-abd-el-qurna-tomb-of-hatnefer-and-ramose-below-tt-71-location-not-recorded-193536-linen-l-548-cm-215-34-in-w-145-cm-957-116-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463037643.htmlRF2HW956K–Art inspired by Sheet, linen mark, medium spin, loose weave, New Kingdom, Dynasty 18, ca. 1492–1473 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Hatnefer and Ramose (below TT 71), location not recorded, 1935–36, Linen, L. 548 cm (215 3/4 in); w. 145 cm 957 1/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Overjapon van havanabruine zijde met een tekening voorstellende pagodes, paviljoens en grote bloemen. Gevoerd met linnen. Manufacturer : anoniemPlaats manufacture: Nederland (mogelijk) Dating: 1750 Material: zijde linnen Dimensions: middenvoor: l 122 cm. middenachter: l 145 cm. schouders: b 38 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/overjapon-van-havanabruine-zijde-met-een-tekening-voorstellende-pagodes-paviljoens-en-grote-bloemen-gevoerd-met-linnen-manufacturer-anoniemplaats-manufacture-nederland-mogelijk-dating-1750-material-zijde-linnen-dimensions-middenvoor-l-122-cm-middenachter-l-145-cm-schouders-b-38-cm-image348460987.htmlRM2B6WNF7–Overjapon van havanabruine zijde met een tekening voorstellende pagodes, paviljoens en grote bloemen. Gevoerd met linnen. Manufacturer : anoniemPlaats manufacture: Nederland (mogelijk) Dating: 1750 Material: zijde linnen Dimensions: middenvoor: l 122 cm. middenachter: l 145 cm. schouders: b 38 cm.
RENI, Guido (b. 1575, Calvenzano, d. 1642, Bologna) David with the Head of Goliath 1605 Oil on canvas, 220 x 145 cm Musée du Louvre, Paris This painting can be compared directly with Caravaggio's painting of the same subject. --- Keywords: -------------- Author: RENI, Guido Title: David with the Head of Goliath Time-line: 1601-1650 School: Italian Form: painting Type: religious Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reni-guido-b-1575-calvenzano-d-1642-bologna-david-with-the-head-of-goliath-1605-oil-on-canvas-220-x-145-cm-muse-du-louvre-paris-this-painting-can-be-compared-directly-with-caravaggios-painting-of-the-same-subject-keywords-author-reni-guido-title-david-with-the-head-of-goliath-time-line-1601-1650-school-italian-form-painting-type-religious-image604803560.htmlRM2X3Y534–RENI, Guido (b. 1575, Calvenzano, d. 1642, Bologna) David with the Head of Goliath 1605 Oil on canvas, 220 x 145 cm Musée du Louvre, Paris This painting can be compared directly with Caravaggio's painting of the same subject. --- Keywords: -------------- Author: RENI, Guido Title: David with the Head of Goliath Time-line: 1601-1650 School: Italian Form: painting Type: religious
Leighton Edmund Blair - Private Collection - The Ferry - 1921 - oil on canvas 103 x 145 cm - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leighton-edmund-blair-private-collection-the-ferry-1921-oil-on-canvas-103-x-145-cm-image457739463.htmlRF2HGKR9Y–Leighton Edmund Blair - Private Collection - The Ferry - 1921 - oil on canvas 103 x 145 cm -
Heur et Malheur (Happiness and Woe) Token; Designed by Raymond Gayrard; cast silver; Diam.: 3.2 cm (1 1/4 in.); 1907-17-145 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heur-et-malheur-happiness-and-woe-token-designed-by-raymond-gayrard-cast-silver-diam-32-cm-1-14-in-1907-17-145-image546216835.htmlRM2PMJ943–Heur et Malheur (Happiness and Woe) Token; Designed by Raymond Gayrard; cast silver; Diam.: 3.2 cm (1 1/4 in.); 1907-17-145
(dpa) - A passer by wearing garbage bags on his legs struggles through the floodwaters on the sidewalk along the Canale Della Giudecca in Venice, Italy, 16 November 2002. Strong winds and a rise of sea level of 145 cm on 16 November flooded the city. On 17 November the level fell to 90 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dpa-a-passer-by-wearing-garbage-bags-on-his-legs-struggles-through-53725195.htmlRMD3BB0Y–(dpa) - A passer by wearing garbage bags on his legs struggles through the floodwaters on the sidewalk along the Canale Della Giudecca in Venice, Italy, 16 November 2002. Strong winds and a rise of sea level of 145 cm on 16 November flooded the city. On 17 November the level fell to 90 cm.
It was a moment when she posed for me there and I managed to take a picture of her after she flew away :) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/it-was-a-moment-when-she-posed-for-me-there-and-i-managed-to-take-a-picture-of-her-after-she-flew-away-image598720407.htmlRM2WP21YK–It was a moment when she posed for me there and I managed to take a picture of her after she flew away :)
'F.L. Griggs, Laneham, 1923, etching in black on laid paper, plate: 12.8 x 12 cm (5 1/16 x 4 3/4 in.) sheet: 25.5 x 20.4 cm (10 1/16 x 8 1/16 in.), Gift of Ruth Cole Kainen, 2005.145.14' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fl-griggs-laneham-1923-etching-in-black-on-laid-paper-plate-128-x-12-cm-5-116-x-4-34-in-sheet-255-x-204-cm-10-116-x-8-116-in-gift-of-ruth-cole-kainen-200514514-image559637728.htmlRM2REDKHM–'F.L. Griggs, Laneham, 1923, etching in black on laid paper, plate: 12.8 x 12 cm (5 1/16 x 4 3/4 in.) sheet: 25.5 x 20.4 cm (10 1/16 x 8 1/16 in.), Gift of Ruth Cole Kainen, 2005.145.14'
Agustín Esteve Marqués (1753-1820). Spanish painter. The Countess-Duchess of Benavente (?), accompanied by Mercedes de Rojas y Tello (standing), future Marchioness of Villanueva de Duero, and her Daughter, María Asunción, ca. 1797. Oil on canvas, 198,5 x 145,5 cm. Detail. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/agustn-esteve-marqus-1753-1820-spanish-painter-the-countess-duchess-of-benavente-accompanied-by-mercedes-de-rojas-y-tello-standing-future-marchioness-of-villanueva-de-duero-and-her-daughter-mara-asuncin-ca-1797-oil-on-canvas-1985-x-1455-cm-detail-prado-museum-madrid-spain-image559905700.htmlRM2REWWC4–Agustín Esteve Marqués (1753-1820). Spanish painter. The Countess-Duchess of Benavente (?), accompanied by Mercedes de Rojas y Tello (standing), future Marchioness of Villanueva de Duero, and her Daughter, María Asunción, ca. 1797. Oil on canvas, 198,5 x 145,5 cm. Detail. Prado Museum. Madrid. Spain.
Combat of Bizhan and Farud. Shahnama of Firdawsi, with 63 miniatures. 1604. Combat of Bizhan and Farud; the former's horse has just been shot. Farud's castle is not shown, as is usual in this subject. 15.5 by 15.5 cm. Opaque watercolour. Safavid/Isfahan style. Image taken from Shahnama of Firdawsi, with 63 miniatures. Originally published/produced in 1604. . Source: I.O. ISLAMIC 966, f.145. Language: Persian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/combat-of-bizhan-and-farud-shahnama-of-firdawsi-with-63-miniatures-1604-combat-of-bizhan-and-farud-the-formers-horse-has-just-been-shot-faruds-castle-is-not-shown-as-is-usual-in-this-subject-155-by-155-cm-opaque-watercolour-safavidisfahan-style-image-taken-from-shahnama-of-firdawsi-with-63-miniatures-originally-publishedproduced-in-1604-source-io-islamic-966-f145-language-persian-image226996841.htmlRMR58GP1–Combat of Bizhan and Farud. Shahnama of Firdawsi, with 63 miniatures. 1604. Combat of Bizhan and Farud; the former's horse has just been shot. Farud's castle is not shown, as is usual in this subject. 15.5 by 15.5 cm. Opaque watercolour. Safavid/Isfahan style. Image taken from Shahnama of Firdawsi, with 63 miniatures. Originally published/produced in 1604. . Source: I.O. ISLAMIC 966, f.145. Language: Persian.
Piece, Japan, 19th Century, Japan, Silk, metallic thread, 12 7/8 x 6 3/4 in. (32.7 x 17.145 cm), Textiles-Woven Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-japan-19th-century-japan-silk-metallic-thread-12-78-x-6-34-in-327-x-17145-cm-textiles-woven-image344588788.htmlRM2B0HAEC–Piece, Japan, 19th Century, Japan, Silk, metallic thread, 12 7/8 x 6 3/4 in. (32.7 x 17.145 cm), Textiles-Woven
THE THINKER 1903 Bronze H. 180 cm ; W. 98 cm ; D. 145 cm François Auguste René Rodin 1840 –1917 ( known as Auguste Rodin ) was a French sculptor, Paris France French. ( Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-thinker-1903-bronze-h-180-cm-w-98-cm-d-145-cm-franois-auguste-164723725.htmlRMKFYPP5–THE THINKER 1903 Bronze H. 180 cm ; W. 98 cm ; D. 145 cm François Auguste René Rodin 1840 –1917 ( known as Auguste Rodin ) was a French sculptor, Paris France French. ( Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.)
Sheet, linen mark, medium spin, irregular weave. Dimensions: L. 508 cm (200 in), 145 cm (57 1/16 in). Dynasty: Dynasty 18. Reign: reign of Thutmose II-Early Joint reign. Date: ca. 1492-1473 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-linen-mark-medium-spin-irregular-weave-dimensions-l-508-cm-200-in-145-cm-57-116-in-dynasty-dynasty-18-reign-reign-of-thutmose-ii-early-joint-reign-date-ca-1492-1473-bc-museum-metropolitan-museum-of-art-new-york-usa-image213132517.htmlRMPAN0KH–Sheet, linen mark, medium spin, irregular weave. Dimensions: L. 508 cm (200 in), 145 cm (57 1/16 in). Dynasty: Dynasty 18. Reign: reign of Thutmose II-Early Joint reign. Date: ca. 1492-1473 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
Three military rifles, 18th/19th century Two rifles with bright bores, one with rifled bore, each in 18 mm calibre. Converted percussion locks, lock mechanisms partly slow or defective. Walnut fullstocks with iron furniture. All rifles reworked in parts with incorrect replacements. Signs of usage and age. Length 114 to 145 cm. historic, historical, France, French, 19th century, 18th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-military-rifles-18th19th-century-two-rifles-with-bright-bores-one-with-rifled-bore-each-in-18-mm-calibre-converted-percussion-locks-lock-mechanisms-partly-slow-or-defective-walnut-fullstocks-with-iron-furniture-all-rifles-reworked-in-parts-with-incorrect-replacements-signs-of-usage-and-age-length-114-to-145-cm-historic-historical-france-french-19th-century-18th-century-additional-rights-clearance-info-not-available-image247013196.htmlRMT9TBRT–Three military rifles, 18th/19th century Two rifles with bright bores, one with rifled bore, each in 18 mm calibre. Converted percussion locks, lock mechanisms partly slow or defective. Walnut fullstocks with iron furniture. All rifles reworked in parts with incorrect replacements. Signs of usage and age. Length 114 to 145 cm. historic, historical, France, French, 19th century, 18th century, Additional-Rights-Clearance-Info-Not-Available
Gold Necklace with Cross MET sf17-190-150s1 464033 Byzantine, Gold Necklace with Cross, 6th century, Gold, Overall: 57 1/16 x 2 5/8 x 9/16 in. (145 x 6.6 x 1.4 cm) Wt: 177g chain: 1 11/16 x 57 1/16 in. (4.3 x 145 cm) pendant cross: 2 3/4 x 1 7/8 x 3/16 in. (7 x 4.8 x 0.5 cm) circular pendant: 15/16 x 1 13/16 x 1/16 in. (2.4 x 4.6 x 0.2 cm) pendant: 1 1/8 x 9/16 x 1/16 in. (2.9 x 1.5 x 0.2 cm) pendant: 1 3/16 x 5 1/2 x 1/16 in. (3 x 14 x 0.2 cm) . The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.150) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-gold-necklace-with-cross-met-sf17-190-150s1-464033-byzantine-gold-168399168.htmlRMKNY6T0–Gold Necklace with Cross MET sf17-190-150s1 464033 Byzantine, Gold Necklace with Cross, 6th century, Gold, Overall: 57 1/16 x 2 5/8 x 9/16 in. (145 x 6.6 x 1.4 cm) Wt: 177g chain: 1 11/16 x 57 1/16 in. (4.3 x 145 cm) pendant cross: 2 3/4 x 1 7/8 x 3/16 in. (7 x 4.8 x 0.5 cm) circular pendant: 15/16 x 1 13/16 x 1/16 in. (2.4 x 4.6 x 0.2 cm) pendant: 1 1/8 x 9/16 x 1/16 in. (2.9 x 1.5 x 0.2 cm) pendant: 1 3/16 x 5 1/2 x 1/16 in. (3 x 14 x 0.2 cm) . The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.150)
. Der Musikwettstreit zwischen Pan und Apollo. Öl auf Leinwand. Wohl Niederlande 17./18. Jh. 102,5 x 145 cm . 17th/18th century. Anonymous 914 Musikwettstreit zwischen Pan und Apollo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/der-musikwettstreit-zwischen-pan-und-apollo-l-auf-leinwand-wohl-niederlande-1718-jh-1025-x-145-cm-17th18th-century-anonymous-914-musikwettstreit-zwischen-pan-und-apollo-image185772381.htmlRMMP6JFW–. Der Musikwettstreit zwischen Pan und Apollo. Öl auf Leinwand. Wohl Niederlande 17./18. Jh. 102,5 x 145 cm . 17th/18th century. Anonymous 914 Musikwettstreit zwischen Pan und Apollo
« La Libéralité du roi », huile sur toile (H. 284 cm, l. 145 cm) de Jan van den Hoecke réalisée vers 1635 appartenant au Palais des beaux-arts de Lille (N° INV P 86). Photographie réalisée lors de l'exposition temporaire l'Europe de Rubens au musée du Louvre-Lens. 0 La LibA9ralitA9 du roi - Jan van den Hoecke (1) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-libralit-du-roi-huile-sur-toile-h-284-cm-l-145-cm-de-jan-van-den-hoecke-ralise-vers-1635-appartenant-au-palais-des-beaux-arts-de-lille-n-inv-p-86-photographie-ralise-lors-de-lexposition-temporaire-leurope-de-rubens-au-muse-du-louvre-lens-0-la-liba9ralita9-du-roi-jan-van-den-hoecke-1-image208318875.htmlRMP2WMRR–« La Libéralité du roi », huile sur toile (H. 284 cm, l. 145 cm) de Jan van den Hoecke réalisée vers 1635 appartenant au Palais des beaux-arts de Lille (N° INV P 86). Photographie réalisée lors de l'exposition temporaire l'Europe de Rubens au musée du Louvre-Lens. 0 La LibA9ralitA9 du roi - Jan van den Hoecke (1)
![CARTE geÃÅneÃÄrale des limites entre les trois Empires, et leurs variations successives depuis l'anneÃÅe 1718 jusqu'aÃÄ le jour ou THEATRE DE LA GUERRE PRESENTE aÃÄ cette Carte geÃÅneÃÄrale se trouvent annexeÃÅes plusieurs Author Maire, F. J. 113.34.a.11 tab. Place of publication: [Vienna] Publisher: par F. J. M. 1788 aÃÄ Vienne, Date of publication: [1788.] Item type: 1 map on 3 sheets Medium: joined and laid on linen, copperplate engraving, hand colour Dimensions: 65 x 145 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G6E9/carte-generale-des-limites-entre-les-trois-empires-et-leurs-variations-successives-depuis-lannee-1718-jusqua-le-jour-ou-theatre-de-la-guerre-presente-a-cette-carte-generale-se-trouvent-annexees-plusieurs-author-maire-f-j-11334a11-tab-place-of-publication-vienna-publisher-par-f-j-m-1788-a-vienne-date-of-publication-1788-item-type-1-map-on-3-sheets-medium-joined-and-laid-on-linen-copperplate-engraving-hand-colour-dimensions-65-x-145-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G6E9.jpg "CARTE geÃÅneÃÄrale des limites entre les trois Empires, et leurs variations successives depuis l'anneÃÅe 1718 jusqu'aÃÄ le jour ou THEATRE DE LA GUERRE PRESENTE aÃÄ cette Carte geÃÅneÃÄrale se trouvent annexeÃÅes plusieurs Author Maire, F. J. 113.34.a.11 tab. Place of publication: [Vienna] Publisher: par F. J. M. 1788 aÃÄ Vienne, Date of publication: [1788.] Item type: 1 map on 3 sheets Medium: joined and laid on linen, copperplate engraving, hand colour Dimensions: 65 x 145 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
CARTE geÃÅneÃÄrale des limites entre les trois Empires, et leurs variations successives depuis l'anneÃÅe 1718 jusqu'aÃÄ le jour ou THEATRE DE LA GUERRE PRESENTE aÃÄ cette Carte geÃÅneÃÄrale se trouvent annexeÃÅes plusieurs Author Maire, F. J. 113.34.a.11 tab. Place of publication: [Vienna] Publisher: par F. J. M. 1788 aÃÄ Vienne, Date of publication: [1788.] Item type: 1 map on 3 sheets Medium: joined and laid on linen, copperplate engraving, hand colour Dimensions: 65 x 145 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carte-generale-des-limites-entre-les-trois-empires-et-leurs-variations-successives-depuis-lannee-1718-jusqua-le-jour-ou-theatre-de-la-guerre-presente-a-cette-carte-generale-se-trouvent-annexees-plusieurs-author-maire-f-j-11334a11-tab-place-of-publication-vienna-publisher-par-f-j-m-1788-a-vienne-date-of-publication-1788-item-type-1-map-on-3-sheets-medium-joined-and-laid-on-linen-copperplate-engraving-hand-colour-dimensions-65-x-145-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401726705.htmlRM2E9G6E9–CARTE geÃÅneÃÄrale des limites entre les trois Empires, et leurs variations successives depuis l'anneÃÅe 1718 jusqu'aÃÄ le jour ou THEATRE DE LA GUERRE PRESENTE aÃÄ cette Carte geÃÅneÃÄrale se trouvent annexeÃÅes plusieurs Author Maire, F. J. 113.34.a.11 tab. Place of publication: [Vienna] Publisher: par F. J. M. 1788 aÃÄ Vienne, Date of publication: [1788.] Item type: 1 map on 3 sheets Medium: joined and laid on linen, copperplate engraving, hand colour Dimensions: 65 x 145 cm Former owner: George III, King of Great Britain, 1738-1820
Arbol, (Tree), by Spanish artist Francisco Peinado, (1984). 145 x 114 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-arbol-tree-by-spanish-artist-francisco-peinado-1984-145-x-114-cm-97800945.htmlRMFK362W–Arbol, (Tree), by Spanish artist Francisco Peinado, (1984). 145 x 114 cm
Art inspired by Model Sailboat, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280,), 1920, Wood, paint, plaster, linen twine, linen fabric, L. 145 cm (57 1/16 in.), with rudder 158 cm (62 3/16 in.); W. 28 cm (11 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-model-sailboat-middle-kingdom-dynasty-12-ca-19811975-bc-from-egypt-upper-egypt-thebes-southern-asasif-tomb-of-meketre-tt-280-1920-wood-paint-plaster-linen-twine-linen-fabric-l-145-cm-57-116-in-with-rudder-158-cm-62-316-in-w-28-cm-11-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462863115.htmlRF2HW16HF–Art inspired by Model Sailboat, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280,), 1920, Wood, paint, plaster, linen twine, linen fabric, L. 145 cm (57 1/16 in.), with rudder 158 cm (62 3/16 in.); W. 28 cm (11 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
9357 Messina Porta della Cattedrale Manufacturer : photographer Giorgio Sommer Date: ca. 1870 - ca. 1890 Physical characteristics: albumen print material: paper photo paper, cardboard Technique: albumin pressure dimensions: h 145 cm. B × 106 cm. Subject: names of cities and villages (with NAME) parts of church exterior and annexes (BY) by which: Cathedral of Messina Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/9357-messina-porta-della-cattedrale-manufacturer-photographer-giorgio-sommer-date-ca-1870-ca-1890-physical-characteristics-albumen-print-material-paper-photo-paper-cardboard-technique-albumin-pressure-dimensions-h-145-cm-b-106-cm-subject-names-of-cities-and-villages-with-name-parts-of-church-exterior-and-annexes-by-by-which-cathedral-of-messina-image348307551.htmlRM2B6JNRB–9357 Messina Porta della Cattedrale Manufacturer : photographer Giorgio Sommer Date: ca. 1870 - ca. 1890 Physical characteristics: albumen print material: paper photo paper, cardboard Technique: albumin pressure dimensions: h 145 cm. B × 106 cm. Subject: names of cities and villages (with NAME) parts of church exterior and annexes (BY) by which: Cathedral of Messina
BELLINI, Giovanni (b. ca. 1426, Venezia, d. 1516, Venezia) Madonna and Child with Four Saints and Donator 1507 Oil on wood, 90 x 145 cm S. Francesco della Vigna, Venice One of the 'Sacra conversazione' compositions of the artist, signed and dated as 'IOANNES BELLINVS / M.D.VII.'. The four saints are John the Baptist and Francis at the left, Jerome and Sebastian at the right. The painting probably belonged to the altarpiece Chist Crowned with Thorns (now in Stockholm) which was donated to Louis XII, King of France. --- Keywords: -------------- Author: BELLINI, Giovanni Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bellini-giovanni-b-ca-1426-venezia-d-1516-venezia-madonna-and-child-with-four-saints-and-donator-1507-oil-on-wood-90-x-145-cm-s-francesco-della-vigna-venice-one-of-the-sacra-conversazione-compositions-of-the-artist-signed-and-dated-as-ioannes-bellinvs-mdvii-the-four-saints-are-john-the-baptist-and-francis-at-the-left-jerome-and-sebastian-at-the-right-the-painting-probably-belonged-to-the-altarpiece-chist-crowned-with-thorns-now-in-stockholm-which-was-donated-to-louis-xii-king-of-france-keywords-author-bellini-giovanni-image605029785.htmlRM2X49DJH–BELLINI, Giovanni (b. ca. 1426, Venezia, d. 1516, Venezia) Madonna and Child with Four Saints and Donator 1507 Oil on wood, 90 x 145 cm S. Francesco della Vigna, Venice One of the 'Sacra conversazione' compositions of the artist, signed and dated as 'IOANNES BELLINVS / M.D.VII.'. The four saints are John the Baptist and Francis at the left, Jerome and Sebastian at the right. The painting probably belonged to the altarpiece Chist Crowned with Thorns (now in Stockholm) which was donated to Louis XII, King of France. --- Keywords: -------------- Author: BELLINI, Giovanni
Ciardi Guglielmo - Private Collection - Canal Grande - 1889 - oil on canvas 88 x 145 cm - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ciardi-guglielmo-private-collection-canal-grande-1889-oil-on-canvas-88-x-145-cm-image457738385.htmlRF2HGKNYD–Ciardi Guglielmo - Private Collection - Canal Grande - 1889 - oil on canvas 88 x 145 cm -
Scenic, Chinese; Made by Jones and Erwin, Inc.; China; hand-painted paper; 145.5 x 103 cm (57 5/16 x 40 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scenic-chinese-made-by-jones-and-erwin-inc-china-hand-painted-paper-1455-x-103-cm-57-516-x-40-916-in-image546175914.htmlRM2PMGCXJ–Scenic, Chinese; Made by Jones and Erwin, Inc.; China; hand-painted paper; 145.5 x 103 cm (57 5/16 x 40 9/16 in.)
Great egret reaches a wingspan of 145, 170 cm (Photo Great White Egret (Ardea alba) adult bird in non-breeding plumage), Great Egret has a wingspan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/great-egret-reaches-a-wingspan-of-145-170-cm-photo-great-white-egret-ardea-alba-adult-bird-in-non-breeding-plumage-great-egret-has-a-wingspan-image566627804.htmlRF2RWT3F8–Great egret reaches a wingspan of 145, 170 cm (Photo Great White Egret (Ardea alba) adult bird in non-breeding plumage), Great Egret has a wingspan
A Calm at a Mediterranean Port; Claude-Joseph Vernet (French, 1714 - 1789); 1770; Oil on canvas; 113 x 145.7 cm (44 1/2 x 57 3/8 in.); 2002.9.2Digital Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-calm-at-a-mediterranean-port-claude-joseph-vernet-french-1714-1789-1770-oil-on-canvas-113-x-1457-cm-44-12-x-57-38-in-200292digital-image239324617.htmlRMRWA4YN–A Calm at a Mediterranean Port; Claude-Joseph Vernet (French, 1714 - 1789); 1770; Oil on canvas; 113 x 145.7 cm (44 1/2 x 57 3/8 in.); 2002.9.2Digital
'Francis Seymour Haden, A Sunset in Ireland, 1863, etching and drypoint on wove paper, plate: 13.7 x 21.3 cm (5 3/8 x 8 3/8 in.) sheet: 14.8 x 29.7 cm (5 13/16 x 11 11/16 in.), Gift of Ruth Cole Kainen, 2005.145.15' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francis-seymour-haden-a-sunset-in-ireland-1863-etching-and-drypoint-on-wove-paper-plate-137-x-213-cm-5-38-x-8-38-in-sheet-148-x-297-cm-5-1316-x-11-1116-in-gift-of-ruth-cole-kainen-200514515-image559536796.htmlRM2RE92W0–'Francis Seymour Haden, A Sunset in Ireland, 1863, etching and drypoint on wove paper, plate: 13.7 x 21.3 cm (5 3/8 x 8 3/8 in.) sheet: 14.8 x 29.7 cm (5 13/16 x 11 11/16 in.), Gift of Ruth Cole Kainen, 2005.145.15'
Madrid, Spain. 26th Nov, 2021. Olivier Robert during CSI 5*-W 155 cm Ciudad de Madrid Trophy at Ifema Madrid Horse Week celebrated in Madrid. Credit: ZUMA Press, Inc./Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madrid-spain-26th-nov-2021-olivier-robert-during-csi-5-w-155-cm-ciudad-de-madrid-trophy-at-ifema-madrid-horse-week-celebrated-in-madrid-credit-zuma-press-incalamy-live-news-image452448621.htmlRM2H82PR9–Madrid, Spain. 26th Nov, 2021. Olivier Robert during CSI 5*-W 155 cm Ciudad de Madrid Trophy at Ifema Madrid Horse Week celebrated in Madrid. Credit: ZUMA Press, Inc./Alamy Live News
A colored 'chart of Turon Bay and of the island of Callao, or Campbello, surveyed in June, 1792;' drawn by H.W. Parish, on a scale of 2 nautical miles to an inch. Engraved in Staunton's Embassy, Atlas, No. 3. . A colored 'chart of Turon Bay and of the island of Callao, or Campbello, surveyed in June, 1792;' drawn by H.W. Parish, on a scale of 2 nautical miles to an inch. Engraved in Staunton's Embassy, Atlas, No. 3. 1792. Ms. 1 f. 5 in. x 1 f. 1 in.; 43 x 33 cm.; Scale ca. 1: 145 842. 2 nautical miles to an inch. Source: Maps 8 TAB.c.8.93. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-colored-chart-of-turon-bay-and-of-the-island-of-callao-or-campbello-surveyed-in-june-1792-drawn-by-hw-parish-on-a-scale-of-2-nautical-miles-to-an-inch-engraved-in-stauntons-embassy-atlas-no-3-a-colored-chart-of-turon-bay-and-of-the-island-of-callao-or-campbello-surveyed-in-june-1792-drawn-by-hw-parish-on-a-scale-of-2-nautical-miles-to-an-inch-engraved-in-stauntons-embassy-atlas-no-3-1792-ms-1-f-5-in-x-1-f-1-in-43-x-33-cm-scale-ca-1-145-842-2-nautical-miles-to-an-inch-source-maps-8-tabc893-image231448846.htmlRMRCFBA6–A colored 'chart of Turon Bay and of the island of Callao, or Campbello, surveyed in June, 1792;' drawn by H.W. Parish, on a scale of 2 nautical miles to an inch. Engraved in Staunton's Embassy, Atlas, No. 3. . A colored 'chart of Turon Bay and of the island of Callao, or Campbello, surveyed in June, 1792;' drawn by H.W. Parish, on a scale of 2 nautical miles to an inch. Engraved in Staunton's Embassy, Atlas, No. 3. 1792. Ms. 1 f. 5 in. x 1 f. 1 in.; 43 x 33 cm.; Scale ca. 1: 145 842. 2 nautical miles to an inch. Source: Maps 8 TAB.c.8.93.
Piz d'Err, 1861, oil on canvas, 110 x 145 cm, signed and dated lower left: J Zelger 1861, Jakob Joseph Zelger, Stans 1812–1885 Luzern Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piz-derr-1861-oil-on-canvas-110-x-145-cm-signed-and-dated-lower-left-j-zelger-1861-jakob-joseph-zelger-stans-18121885-luzern-image328706404.htmlRM2A2NTAC–Piz d'Err, 1861, oil on canvas, 110 x 145 cm, signed and dated lower left: J Zelger 1861, Jakob Joseph Zelger, Stans 1812–1885 Luzern
THE THINKER 1903 Bronze H. 180 cm ; W. 98 cm ; D. 145 cm François Auguste René Rodin 1840 –1917 ( known as Auguste Rodin ) was a French sculptor, Paris France French. ( Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-thinker-1903-bronze-h-180-cm-w-98-cm-d-145-cm-franois-auguste-164723724.htmlRMKFYPP4–THE THINKER 1903 Bronze H. 180 cm ; W. 98 cm ; D. 145 cm François Auguste René Rodin 1840 –1917 ( known as Auguste Rodin ) was a French sculptor, Paris France French. ( Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.)
'Beatrice'. Italy, 1959. Dimensions: h. 145 cm. Museum: State Hermitage, St. Petersburg. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beatrice-italy-1959-dimensions-h-145-cm-museum-state-hermitage-st-petersburg-image241211384.htmlRMT0C3G8–'Beatrice'. Italy, 1959. Dimensions: h. 145 cm. Museum: State Hermitage, St. Petersburg.
A black lace mantilla, circa 1880. Extremely delicate work with floral decoration. Length ca. 145 cm. Also two black and one cream-coloured lace blouses as well as a black nightcap. Black mantillas were worn not just in mourning, but on all festive occasions, such as baptisms and weddings. Very personal possessions of the Grand Duchess during the period that she was Queen of Württemberg. Provenance: Grand Duchess Olga Nikolaevna Romanova (1822 - 1892). historic, historical, 19th century, uniform, uniforms, clothes, piece of clothing, headpiece, headpieces, cap,, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-black-lace-mantilla-circa-1880-extremely-delicate-work-with-floral-31663606.htmlRMBREB72–A black lace mantilla, circa 1880. Extremely delicate work with floral decoration. Length ca. 145 cm. Also two black and one cream-coloured lace blouses as well as a black nightcap. Black mantillas were worn not just in mourning, but on all festive occasions, such as baptisms and weddings. Very personal possessions of the Grand Duchess during the period that she was Queen of Württemberg. Provenance: Grand Duchess Olga Nikolaevna Romanova (1822 - 1892). historic, historical, 19th century, uniform, uniforms, clothes, piece of clothing, headpiece, headpieces, cap,,
Gold Necklace with Cross MET sf17-190-150d3 464033 Byzantine, Gold Necklace with Cross, 6th century, Gold, Overall: 57 1/16 x 2 5/8 x 9/16 in. (145 x 6.6 x 1.4 cm) Wt: 177g chain: 1 11/16 x 57 1/16 in. (4.3 x 145 cm) pendant cross: 2 3/4 x 1 7/8 x 3/16 in. (7 x 4.8 x 0.5 cm) circular pendant: 15/16 x 1 13/16 x 1/16 in. (2.4 x 4.6 x 0.2 cm) pendant: 1 1/8 x 9/16 x 1/16 in. (2.9 x 1.5 x 0.2 cm) pendant: 1 3/16 x 5 1/2 x 1/16 in. (3 x 14 x 0.2 cm) . The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.150) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-gold-necklace-with-cross-met-sf17-190-150d3-464033-byzantine-gold-168399172.htmlRMKNY6T4–Gold Necklace with Cross MET sf17-190-150d3 464033 Byzantine, Gold Necklace with Cross, 6th century, Gold, Overall: 57 1/16 x 2 5/8 x 9/16 in. (145 x 6.6 x 1.4 cm) Wt: 177g chain: 1 11/16 x 57 1/16 in. (4.3 x 145 cm) pendant cross: 2 3/4 x 1 7/8 x 3/16 in. (7 x 4.8 x 0.5 cm) circular pendant: 15/16 x 1 13/16 x 1/16 in. (2.4 x 4.6 x 0.2 cm) pendant: 1 1/8 x 9/16 x 1/16 in. (2.9 x 1.5 x 0.2 cm) pendant: 1 3/16 x 5 1/2 x 1/16 in. (3 x 14 x 0.2 cm) . The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.150)
. English: The Choir of Westminster Abbey Owner/Location: Bayerische Staatsgemäldesammlungen - Munich Dimensions: Height: 189 cm (74.41 in.), Width: 145 cm (57.09 in.) . 1851. Max Ainmiller 594 The Choir of Westminster Abbey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-choir-of-westminster-abbey-ownerlocation-bayerische-staatsgemldesammlungen-munich-dimensions-height-189-cm-7441-in-width-145-cm-5709-in-1851-max-ainmiller-594-the-choir-of-westminster-abbey-image188019976.htmlRMMWW1B4–. English: The Choir of Westminster Abbey Owner/Location: Bayerische Staatsgemäldesammlungen - Munich Dimensions: Height: 189 cm (74.41 in.), Width: 145 cm (57.09 in.) . 1851. Max Ainmiller 594 The Choir of Westminster Abbey
« La Providence du roi », huile sur toile (H. 284 cm, l. 145 cm) de Jan van den Hoecke réalisée vers 1635 appartenant au Palais des beaux-arts de Lille (N° INV P 88). Photographie réalisée lors de l'exposition temporaire l'Europe de Rubens au musée du Louvre-Lens.) . 0 La Providence du roi - Jan van den Hoecke (2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-providence-du-roi-huile-sur-toile-h-284-cm-l-145-cm-de-jan-van-den-hoecke-ralise-vers-1635-appartenant-au-palais-des-beaux-arts-de-lille-n-inv-p-88-photographie-ralise-lors-de-lexposition-temporaire-leurope-de-rubens-au-muse-du-louvre-lens-0-la-providence-du-roi-jan-van-den-hoecke-2-image208318943.htmlRMP2WMX7–« La Providence du roi », huile sur toile (H. 284 cm, l. 145 cm) de Jan van den Hoecke réalisée vers 1635 appartenant au Palais des beaux-arts de Lille (N° INV P 88). Photographie réalisée lors de l'exposition temporaire l'Europe de Rubens au musée du Louvre-Lens.) . 0 La Providence du roi - Jan van den Hoecke (2)
![Ill.mo et Excell.mo Domino Comiti Domino Ioanni Luca' Pallavicino S. C. R. C. M. a Cubicul Aciei Generali Instructori unius Pedit: Log: Tribun. Summo Rei navali Præfecto etc: etc Tibi Excellentissime Domine Comes s Author Pujadies, Johann B. 113.29.b. Place of publication: [Vienna] Publisher: Dat. Calend. Jul. MDCCXXXVII. Ioan. Baptist Pujadies, Date of publication: [1737.] Item type: 1 map on 2 sheets Medium: printed on silk, joined and laid on paper and linen, copperplate engraving Dimensions: 45 x 145 cm Former owner: George III, King of Great Britai Stock Photo](https://c8.alamy.com/comp/2E9G6E1/illmo-et-excellmo-domino-comiti-domino-ioanni-luca-pallavicino-s-c-r-c-m-a-cubicul-aciei-generali-instructori-unius-pedit-log-tribun-summo-rei-navali-prfecto-etc-etc-tibi-excellentissime-domine-comes-s-author-pujadies-johann-b-11329b-place-of-publication-vienna-publisher-dat-calend-jul-mdccxxxvii-ioan-baptist-pujadies-date-of-publication-1737-item-type-1-map-on-2-sheets-medium-printed-on-silk-joined-and-laid-on-paper-and-linen-copperplate-engraving-dimensions-45-x-145-cm-former-owner-george-iii-king-of-great-britai-2E9G6E1.jpg "Ill.mo et Excell.mo Domino Comiti Domino Ioanni Luca' Pallavicino S. C. R. C. M. a Cubicul Aciei Generali Instructori unius Pedit: Log: Tribun. Summo Rei navali Præfecto etc: etc Tibi Excellentissime Domine Comes s Author Pujadies, Johann B. 113.29.b. Place of publication: [Vienna] Publisher: Dat. Calend. Jul. MDCCXXXVII. Ioan. Baptist Pujadies, Date of publication: [1737.] Item type: 1 map on 2 sheets Medium: printed on silk, joined and laid on paper and linen, copperplate engraving Dimensions: 45 x 145 cm Former owner: George III, King of Great Britai Stock Photo")
Ill.mo et Excell.mo Domino Comiti Domino Ioanni Luca' Pallavicino S. C. R. C. M. a Cubicul Aciei Generali Instructori unius Pedit: Log: Tribun. Summo Rei navali Pr√¶fecto etc: etc Tibi Excellentissime Domine Comes s Author Pujadies, Johann B. 113.29.b. Place of publication: [Vienna] Publisher: Dat. Calend. Jul. MDCCXXXVII. Ioan. Baptist Pujadies, Date of publication: [1737.] Item type: 1 map on 2 sheets Medium: printed on silk, joined and laid on paper and linen, copperplate engraving Dimensions: 45 x 145 cm Former owner: George III, King of Great Britai Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illmo-et-excellmo-domino-comiti-domino-ioanni-luca-pallavicino-s-c-r-c-m-a-cubicul-aciei-generali-instructori-unius-pedit-log-tribun-summo-rei-navali-prfecto-etc-etc-tibi-excellentissime-domine-comes-s-author-pujadies-johann-b-11329b-place-of-publication-vienna-publisher-dat-calend-jul-mdccxxxvii-ioan-baptist-pujadies-date-of-publication-1737-item-type-1-map-on-2-sheets-medium-printed-on-silk-joined-and-laid-on-paper-and-linen-copperplate-engraving-dimensions-45-x-145-cm-former-owner-george-iii-king-of-great-britai-image401726697.htmlRM2E9G6E1–Ill.mo et Excell.mo Domino Comiti Domino Ioanni Luca' Pallavicino S. C. R. C. M. a Cubicul Aciei Generali Instructori unius Pedit: Log: Tribun. Summo Rei navali Pr√¶fecto etc: etc Tibi Excellentissime Domine Comes s Author Pujadies, Johann B. 113.29.b. Place of publication: [Vienna] Publisher: Dat. Calend. Jul. MDCCXXXVII. Ioan. Baptist Pujadies, Date of publication: [1737.] Item type: 1 map on 2 sheets Medium: printed on silk, joined and laid on paper and linen, copperplate engraving Dimensions: 45 x 145 cm Former owner: George III, King of Great Britai
Blue Wildebeest in Kruger National Park South Africa. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-blue-wildebeest-in-kruger-national-park-south-africa-39596556.htmlRFC8BNPM–Blue Wildebeest in Kruger National Park South Africa.
Art inspired by Banner, possibly ca. 1810, Austrian, Silk, 63 x 60 1/4 in. (160 x 153 cm); without fringe 57 1/8 x 57 1/4 in. (145.1 x 145.4 cm), Banners, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-banner-possibly-ca-1810-austrian-silk-63-x-60-14-in-160-x-153-cm-without-fringe-57-18-x-57-14-in-1451-x-1454-cm-banners-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462754079.htmlRF2HTT7FB–Art inspired by Banner, possibly ca. 1810, Austrian, Silk, 63 x 60 1/4 in. (160 x 153 cm); without fringe 57 1/8 x 57 1/4 in. (145.1 x 145.4 cm), Banners, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The ruins of the Old Town Hall in Amsterdam after the fire of July 7, 1652, SK-A-21 The Old Town Hall on the Dam in Amsterdam ruin after the fire of July 7 1652. Manufacturer : painter Jan Abrahamsz. Beerstraten Dated: 1652 - 1666 Physical characteristics: oil on canvas material: oil canvas Dimensions: support: h 110 cm. B × 145 cm. outer size: 7 cm d. (Including carrier SK-L-2476.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ruins-of-the-old-town-hall-in-amsterdam-after-the-fire-of-july-7-1652-sk-a-21-the-old-town-hall-on-the-dam-in-amsterdam-ruin-after-the-fire-of-july-7-1652-manufacturer-painter-jan-abrahamsz-beerstraten-dated-1652-1666-physical-characteristics-oil-on-canvas-material-oil-canvas-dimensions-support-h-110-cm-b-145-cm-outer-size-7-cm-d-including-carrier-sk-l-2476-image348295448.htmlRM2B6J6B4–The ruins of the Old Town Hall in Amsterdam after the fire of July 7, 1652, SK-A-21 The Old Town Hall on the Dam in Amsterdam ruin after the fire of July 7 1652. Manufacturer : painter Jan Abrahamsz. Beerstraten Dated: 1652 - 1666 Physical characteristics: oil on canvas material: oil canvas Dimensions: support: h 110 cm. B × 145 cm. outer size: 7 cm d. (Including carrier SK-L-2476.)
POUSSIN, Nicolas (b. 1594, Les Andelys, d. 1665, Roma) The Triumph of Pan 1636 Oil on canvas, 134 x 145 cm National Gallery, London The Triumph of Pan was one of several paintings commissioned from Poussin, in 1636 the leading French artist in Rome, by Cardinal Richelieu. They were intended for a room in his château in Poitou which would also house mythological pictures by Mantegna, Perugino and Costa. Poussin must have been advised about the scale not only of the canvases but also of the figures, for although he never saw the Renaissance paintings his personages are much the same size as th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/poussin-nicolas-b-1594-les-andelys-d-1665-roma-the-triumph-of-pan-1636-oil-on-canvas-134-x-145-cm-national-gallery-london-the-triumph-of-pan-was-one-of-several-paintings-commissioned-from-poussin-in-1636-the-leading-french-artist-in-rome-by-cardinal-richelieu-they-were-intended-for-a-room-in-his-chteau-in-poitou-which-would-also-house-mythological-pictures-by-mantegna-perugino-and-costa-poussin-must-have-been-advised-about-the-scale-not-only-of-the-canvases-but-also-of-the-figures-for-although-he-never-saw-the-renaissance-paintings-his-personages-are-much-the-same-size-as-th-image604850965.htmlRM2X419G5–POUSSIN, Nicolas (b. 1594, Les Andelys, d. 1665, Roma) The Triumph of Pan 1636 Oil on canvas, 134 x 145 cm National Gallery, London The Triumph of Pan was one of several paintings commissioned from Poussin, in 1636 the leading French artist in Rome, by Cardinal Richelieu. They were intended for a room in his château in Poitou which would also house mythological pictures by Mantegna, Perugino and Costa. Poussin must have been advised about the scale not only of the canvases but also of the figures, for although he never saw the Renaissance paintings his personages are much the same size as th
The Anger of Achilles - 1819 - oil on canvas 105,3 x 145 cm - David Jacques-Louis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-anger-of-achilles-1819-oil-on-canvas-1053-x-145-cm-david-jacques-louis-image457740917.htmlRF2HGKW5W–The Anger of Achilles - 1819 - oil on canvas 105,3 x 145 cm - David Jacques-Louis
Fragment (England); linen; Warp x Weft: 49.5 x 72.5 cm (19 1/2 x 28 9/16 in.); Bequest of Elinor Merrell; 1995-50-145 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-england-linen-warp-x-weft-495-x-725-cm-19-12-x-28-916-in-bequest-of-elinor-merrell-1995-50-145-image546235489.htmlRM2PMK4X9–Fragment (England); linen; Warp x Weft: 49.5 x 72.5 cm (19 1/2 x 28 9/16 in.); Bequest of Elinor Merrell; 1995-50-145
![. Deutsches Rinder-Merkbuch : Einrichtung, Führung und Leistung der hervorragendsten Zuchten Deutschlands, Hollands und der Schweiz. Cattle. 23 Vetbanb £>l>crfd?tt»äbifdjcr ,5"d?tc<cnoffcttfdiaftctt, Htengen, JDürttembcrg.. Sätfe Sir. »37 bc§ 9iegtftcr§ fem S^ieblittncu. 3üdjter unb ß-igent. SRarluS ßagmann, XoUbof, Oberamt 9>Heb= Ungen. .'öcflgelbfcbccf, 2!gajjr8 äßonate att, 6 Monate trogenb, 645 kg fairer, &untpf länge 162, SEBtbemfijjö^e 13G, SRücfenljbtjc 137,5 Sreugpffe 145 cm. 23ruftumfang 203 cm. II. Siegerpreis tmb I. SpreÖ in itlaffe 10 9tr. 543 üt ©tuttgart=Gann Stock Photo](https://c8.alamy.com/comp/PF9BMT/deutsches-rinder-merkbuch-einrichtung-fhrung-und-leistung-der-hervorragendsten-zuchten-deutschlands-hollands-und-der-schweiz-cattle-23-vetbanb-gtlgtcrfdttbifdjcr-5quotdtcltcnoffcttfdiaftctt-htengen-jdrttembcrg-stfe-sir-37-bc-9iegtftcr-fem-sieblittncu-3djter-unb-igent-srarlus-agmann-xoubof-oberamt-9gtheb=-ungen-cflgelbfcbccf-2!gajjr8-onate-att-6-monate-trogenb-645-kg-fairer-ampuntpf-lnge-162-sebtbemfijje-13g-srcfenljbtjc-1375-sreugpffe-145-cm-23ruftumfang-203-cm-ii-siegerpreis-tmb-i-spre-in-itlaffe-10-9tr-543-t-tuttgart=gann-PF9BMT.jpg ". Deutsches Rinder-Merkbuch : Einrichtung, Führung und Leistung der hervorragendsten Zuchten Deutschlands, Hollands und der Schweiz. Cattle. 23 Vetbanb £>l>crfd?tt»äbifdjcr ,5"d?tc<cnoffcttfdiaftctt, Htengen, JDürttembcrg.. Sätfe Sir. »37 bc§ 9iegtftcr§ fem S^ieblittncu. 3üdjter unb ß-igent. SRarluS ßagmann, XoUbof, Oberamt 9>Heb= Ungen. .'öcflgelbfcbccf, 2!gajjr8 äßonate att, 6 Monate trogenb, 645 kg fairer, &untpf länge 162, SEBtbemfijjö^e 13G, SRücfenljbtjc 137,5 Sreugpffe 145 cm. 23ruftumfang 203 cm. II. Siegerpreis tmb I. SpreÖ in itlaffe 10 9tr. 543 üt ©tuttgart=Gann Stock Photo")
. Deutsches Rinder-Merkbuch : Einrichtung, Führung und Leistung der hervorragendsten Zuchten Deutschlands, Hollands und der Schweiz. Cattle. 23 Vetbanb £>l>crfd?tt»äbifdjcr ,5"d?tc<cnoffcttfdiaftctt, Htengen, JDürttembcrg.. Sätfe Sir. »37 bc§ 9iegtftcr§ fem S^ieblittncu. 3üdjter unb ß-igent. SRarluS ßagmann, XoUbof, Oberamt 9>Heb= Ungen. .'öcflgelbfcbccf, 2!gajjr8 äßonate att, 6 Monate trogenb, 645 kg fairer, &untpf länge 162, SEBtbemfijjö^e 13G, SRücfenljbtjc 137,5 Sreugpffe 145 cm. 23ruftumfang 203 cm. II. Siegerpreis tmb I. SpreÖ in itlaffe 10 9tr. 543 üt ©tuttgart=Gann Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsches-rinder-merkbuch-einrichtung-fhrung-und-leistung-der-hervorragendsten-zuchten-deutschlands-hollands-und-der-schweiz-cattle-23-vetbanb-gtlgtcrfdttbifdjcr-5quotdtcltcnoffcttfdiaftctt-htengen-jdrttembcrg-stfe-sir-37-bc-9iegtftcr-fem-sieblittncu-3djter-unb-igent-srarlus-agmann-xoubof-oberamt-9gtheb=-ungen-cflgelbfcbccf-2!gajjr8-onate-att-6-monate-trogenb-645-kg-fairer-ampuntpf-lnge-162-sebtbemfijje-13g-srcfenljbtjc-1375-sreugpffe-145-cm-23ruftumfang-203-cm-ii-siegerpreis-tmb-i-spre-in-itlaffe-10-9tr-543-t-tuttgart=gann-image215951032.htmlRMPF9BMT–. Deutsches Rinder-Merkbuch : Einrichtung, Führung und Leistung der hervorragendsten Zuchten Deutschlands, Hollands und der Schweiz. Cattle. 23 Vetbanb £>l>crfd?tt»äbifdjcr ,5"d?tc<cnoffcttfdiaftctt, Htengen, JDürttembcrg.. Sätfe Sir. »37 bc§ 9iegtftcr§ fem S^ieblittncu. 3üdjter unb ß-igent. SRarluS ßagmann, XoUbof, Oberamt 9>Heb= Ungen. .'öcflgelbfcbccf, 2!gajjr8 äßonate att, 6 Monate trogenb, 645 kg fairer, &untpf länge 162, SEBtbemfijjö^e 13G, SRücfenljbtjc 137,5 Sreugpffe 145 cm. 23ruftumfang 203 cm. II. Siegerpreis tmb I. SpreÖ in itlaffe 10 9tr. 543 üt ©tuttgart=Gann
Blue goggles by the poolside Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-blue-goggles-by-the-poolside-73557806.htmlRFE7JRME–Blue goggles by the poolside
'Johannes Kip, after Leendert Knijff, The North Prospect of the Cathedral Church of Oxford, 1707, etching and engraving on laid paper, plate: 46.4 × 57.7 cm (18 1/4 × 22 11/16 in.) sheet: 54 × 65.2 cm (21 1/4 × 25 11/16 in.), Gift of Joan and Daniel Mulcahy, 2015.145.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johannes-kip-after-leendert-knijff-the-north-prospect-of-the-cathedral-church-of-oxford-1707-etching-and-engraving-on-laid-paper-plate-464-577-cm-18-14-22-1116-in-sheet-54-652-cm-21-14-25-1116-in-gift-of-joan-and-daniel-mulcahy-20151451-image559730146.htmlRM2REHWEA–'Johannes Kip, after Leendert Knijff, The North Prospect of the Cathedral Church of Oxford, 1707, etching and engraving on laid paper, plate: 46.4 × 57.7 cm (18 1/4 × 22 11/16 in.) sheet: 54 × 65.2 cm (21 1/4 × 25 11/16 in.), Gift of Joan and Daniel Mulcahy, 2015.145.1'
Jerusalem, Jerusalem, Palestinian Territory. 22nd Feb, 2015. Palestinians remove fallen trees after a snowstorm at the al-Aqsa mosque compound, in Jerusalem's old city, February 22, 2015. Some parts of Israel were covered with snow early Friday amid a heavy winter storm and extreme weather conditions. Snow piled up to unusual heights of about 25 cm in Jerusalem, according to a statement by the municipality. Highways to Jerusalem were shut down and residents of the city have been asked not to travel unnecessarily © Muammar Awad/APA Images/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jerusalem-jerusalem-palestinian-territory-22nd-feb-2015-palestinians-78940243.htmlRMEGC12B–Jerusalem, Jerusalem, Palestinian Territory. 22nd Feb, 2015. Palestinians remove fallen trees after a snowstorm at the al-Aqsa mosque compound, in Jerusalem's old city, February 22, 2015. Some parts of Israel were covered with snow early Friday amid a heavy winter storm and extreme weather conditions. Snow piled up to unusual heights of about 25 cm in Jerusalem, according to a statement by the municipality. Highways to Jerusalem were shut down and residents of the city have been asked not to travel unnecessarily © Muammar Awad/APA Images/ZUMA Wire/Alamy Live News
Cambridge, UK. 29th June, 2022. Palm and Fish Mural Palmoxylon and Knightia species Late Jurassic (163 - 145 million years ago) 136 x 84 x 4 cm Green River Formation, Montana, US Est £18,000.Extraordinary Objects Gallery, 14 Green St, From 2 July - 2 October 2022 Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cambridge-uk-29th-june-2022-palm-and-fish-mural-palmoxylon-and-knightia-species-late-jurassic-163-145-million-years-ago-136-x-84-x-4-cm-green-river-formation-montana-us-est-18000extraordinary-objects-gallery-14-green-st-from-2-july-2-october-2022-credit-paul-quezada-neimanalamy-live-news-image473976712.htmlRM2JF3E3M–Cambridge, UK. 29th June, 2022. Palm and Fish Mural Palmoxylon and Knightia species Late Jurassic (163 - 145 million years ago) 136 x 84 x 4 cm Green River Formation, Montana, US Est £18,000.Extraordinary Objects Gallery, 14 Green St, From 2 July - 2 October 2022 Credit: Paul Quezada-Neiman/Alamy Live News
Canvas, Pa moon, Canvas with geometric motifs., anonymous, Thailand, 1900 - 1949, cotton (textile), l 145 cm × w 52 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canvas-pa-moon-canvas-with-geometric-motifs-anonymous-thailand-1900-1949-cotton-textile-l-145-cm-w-52-cm-image261317548.htmlRMW5415G–Canvas, Pa moon, Canvas with geometric motifs., anonymous, Thailand, 1900 - 1949, cotton (textile), l 145 cm × w 52 cm
THE THINKER 1903 Bronze H. 180 cm ; W. 98 cm ; D. 145 cm François Auguste René Rodin 1840 –1917 ( known as Auguste Rodin ) was a French sculptor, Paris France French. ( Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-thinker-1903-bronze-h-180-cm-w-98-cm-d-145-cm-franois-auguste-164723723.htmlRMKFYPP3–THE THINKER 1903 Bronze H. 180 cm ; W. 98 cm ; D. 145 cm François Auguste René Rodin 1840 –1917 ( known as Auguste Rodin ) was a French sculptor, Paris France French. ( Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.)
Painting. Date/Period: 1856. Width: 41.5 cm. Height: 145 cm. Author: UNKNOWN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-dateperiod-1856-width-415-cm-height-145-cm-author-unknown-image219072913.htmlRMPMBHMH–Painting. Date/Period: 1856. Width: 41.5 cm. Height: 145 cm. Author: UNKNOWN.
A black lace mantilla, circa 1880. Extremely delicate work with floral decoration. Length ca. 145 cm. Also two black and one cream-coloured lace blouses as well as a black nightcap. Black mantillas were worn not just in mourning, but on all festive occasions, such as baptisms and weddings. Very personal possessions of the Grand Duchess during the period that she was Queen of Württemberg. Provenance: Grand Duchess Olga Nikolaevna Romanova (1822 - 1892). historic, historical, 19th century, uniform, uniforms, clothes, piece of clothing, headpiece, headpieces, cap,, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-black-lace-mantilla-circa-1880-extremely-delicate-work-with-floral-31663496.htmlRMBREB34–A black lace mantilla, circa 1880. Extremely delicate work with floral decoration. Length ca. 145 cm. Also two black and one cream-coloured lace blouses as well as a black nightcap. Black mantillas were worn not just in mourning, but on all festive occasions, such as baptisms and weddings. Very personal possessions of the Grand Duchess during the period that she was Queen of Württemberg. Provenance: Grand Duchess Olga Nikolaevna Romanova (1822 - 1892). historic, historical, 19th century, uniform, uniforms, clothes, piece of clothing, headpiece, headpieces, cap,,
Gold Necklace with Cross MET sf17-190-150d2 464033 Byzantine, Gold Necklace with Cross, 6th century, Gold, Overall: 57 1/16 x 2 5/8 x 9/16 in. (145 x 6.6 x 1.4 cm) Wt: 177g chain: 1 11/16 x 57 1/16 in. (4.3 x 145 cm) pendant cross: 2 3/4 x 1 7/8 x 3/16 in. (7 x 4.8 x 0.5 cm) circular pendant: 15/16 x 1 13/16 x 1/16 in. (2.4 x 4.6 x 0.2 cm) pendant: 1 1/8 x 9/16 x 1/16 in. (2.9 x 1.5 x 0.2 cm) pendant: 1 3/16 x 5 1/2 x 1/16 in. (3 x 14 x 0.2 cm) . The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.150) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-gold-necklace-with-cross-met-sf17-190-150d2-464033-byzantine-gold-168399167.htmlRMKNY6RY–Gold Necklace with Cross MET sf17-190-150d2 464033 Byzantine, Gold Necklace with Cross, 6th century, Gold, Overall: 57 1/16 x 2 5/8 x 9/16 in. (145 x 6.6 x 1.4 cm) Wt: 177g chain: 1 11/16 x 57 1/16 in. (4.3 x 145 cm) pendant cross: 2 3/4 x 1 7/8 x 3/16 in. (7 x 4.8 x 0.5 cm) circular pendant: 15/16 x 1 13/16 x 1/16 in. (2.4 x 4.6 x 0.2 cm) pendant: 1 1/8 x 9/16 x 1/16 in. (2.9 x 1.5 x 0.2 cm) pendant: 1 3/16 x 5 1/2 x 1/16 in. (3 x 14 x 0.2 cm) . The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.150)
. English: The Choir of Westminster Abbey Owner/Location: Bayerische Staatsgemäldesammlungen - Munich Dimensions: Height: 189 cm (74.41 in.), Width: 145 cm (57.09 in.) . 1851. Max Ainmiller 593 The Choir of Westminster Abbey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-choir-of-westminster-abbey-ownerlocation-bayerische-staatsgemldesammlungen-munich-dimensions-height-189-cm-7441-in-width-145-cm-5709-in-1851-max-ainmiller-593-the-choir-of-westminster-abbey-image187530771.htmlRMMW2NBF–. English: The Choir of Westminster Abbey Owner/Location: Bayerische Staatsgemäldesammlungen - Munich Dimensions: Height: 189 cm (74.41 in.), Width: 145 cm (57.09 in.) . 1851. Max Ainmiller 593 The Choir of Westminster Abbey
Archive image from page 145 of Danmarks fauna; illustrerede haandbøger over. Danmarks fauna; illustrerede haandbøger over den danske dyreverden.. danmarksfaunaill73dans Year: 1907 142 men også f. eks. hassel og eg, hyppigst i ca. 2-5 cm tykke, på fugtig bund liggende grene, sjældnere i stammer og tykkere grene. Udviklingen antagelig som regel etårig. Larvegangene forløber først i de ydre barklag, senere dybere i barken og i Fig. 72. Stenostola dubia c?, x 4. basten, forpupning i veddet i maj, klækning i maj-juni. Fly- vehullet ovalt. (Du: 291, (»ferrea«), Ke: 129 (»ferrea«), Kr. II: 221, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-145-of-danmarks-fauna-illustrerede-haandbger-over-danmarks-fauna-illustrerede-haandbger-over-den-danske-dyreverden-danmarksfaunaill73dans-year-1907-142-men-ogs-f-eks-hassel-og-eg-hyppigst-i-ca-2-5-cm-tykke-p-fugtig-bund-liggende-grene-sjldnere-i-stammer-og-tykkere-grene-udviklingen-antagelig-som-regel-etrig-larvegangene-forlber-frst-i-de-ydre-barklag-senere-dybere-i-barken-og-i-fig-72-stenostola-dubia-c-x-4-basten-forpupning-i-veddet-i-maj-klkning-i-maj-juni-fly-vehullet-ovalt-du-291-ferrea-ke-129-ferrea-kr-ii-221-image259457936.htmlRMW2396T–Archive image from page 145 of Danmarks fauna; illustrerede haandbøger over. Danmarks fauna; illustrerede haandbøger over den danske dyreverden.. danmarksfaunaill73dans Year: 1907 142 men også f. eks. hassel og eg, hyppigst i ca. 2-5 cm tykke, på fugtig bund liggende grene, sjældnere i stammer og tykkere grene. Udviklingen antagelig som regel etårig. Larvegangene forløber først i de ydre barklag, senere dybere i barken og i Fig. 72. Stenostola dubia c?, x 4. basten, forpupning i veddet i maj, klækning i maj-juni. Fly- vehullet ovalt. (Du: 291, (»ferrea«), Ke: 129 (»ferrea«), Kr. II: 221,
![Ill.mo et Excell.mo Domino Comiti Domino Ioanni Luca' Pallavicino S. C. R. C. M. a Cubicul Aciei Generali Instructori unius Pedit: Log: Tribun. Summo Rei navali Præfecto etc: etc Tibi Excellentissime Domine Comes s Author Pujadies, Johann B. 113.29.a. Place of publication: [Vienna] Publisher: Dat. Calend. Jul. MDCCXXXVII. Ioan. Baptist Pujadies, Date of publication: [1737.] Item type: 1 map on 2 sheets Medium: joined and laid on linen, copperplate engraving, hand colour Dimensions: 45 x 145 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G6DT/illmo-et-excellmo-domino-comiti-domino-ioanni-luca-pallavicino-s-c-r-c-m-a-cubicul-aciei-generali-instructori-unius-pedit-log-tribun-summo-rei-navali-prfecto-etc-etc-tibi-excellentissime-domine-comes-s-author-pujadies-johann-b-11329a-place-of-publication-vienna-publisher-dat-calend-jul-mdccxxxvii-ioan-baptist-pujadies-date-of-publication-1737-item-type-1-map-on-2-sheets-medium-joined-and-laid-on-linen-copperplate-engraving-hand-colour-dimensions-45-x-145-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G6DT.jpg "Ill.mo et Excell.mo Domino Comiti Domino Ioanni Luca' Pallavicino S. C. R. C. M. a Cubicul Aciei Generali Instructori unius Pedit: Log: Tribun. Summo Rei navali Præfecto etc: etc Tibi Excellentissime Domine Comes s Author Pujadies, Johann B. 113.29.a. Place of publication: [Vienna] Publisher: Dat. Calend. Jul. MDCCXXXVII. Ioan. Baptist Pujadies, Date of publication: [1737.] Item type: 1 map on 2 sheets Medium: joined and laid on linen, copperplate engraving, hand colour Dimensions: 45 x 145 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Ill.mo et Excell.mo Domino Comiti Domino Ioanni Luca' Pallavicino S. C. R. C. M. a Cubicul Aciei Generali Instructori unius Pedit: Log: Tribun. Summo Rei navali Pr√¶fecto etc: etc Tibi Excellentissime Domine Comes s Author Pujadies, Johann B. 113.29.a. Place of publication: [Vienna] Publisher: Dat. Calend. Jul. MDCCXXXVII. Ioan. Baptist Pujadies, Date of publication: [1737.] Item type: 1 map on 2 sheets Medium: joined and laid on linen, copperplate engraving, hand colour Dimensions: 45 x 145 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illmo-et-excellmo-domino-comiti-domino-ioanni-luca-pallavicino-s-c-r-c-m-a-cubicul-aciei-generali-instructori-unius-pedit-log-tribun-summo-rei-navali-prfecto-etc-etc-tibi-excellentissime-domine-comes-s-author-pujadies-johann-b-11329a-place-of-publication-vienna-publisher-dat-calend-jul-mdccxxxvii-ioan-baptist-pujadies-date-of-publication-1737-item-type-1-map-on-2-sheets-medium-joined-and-laid-on-linen-copperplate-engraving-hand-colour-dimensions-45-x-145-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401726692.htmlRM2E9G6DT–Ill.mo et Excell.mo Domino Comiti Domino Ioanni Luca' Pallavicino S. C. R. C. M. a Cubicul Aciei Generali Instructori unius Pedit: Log: Tribun. Summo Rei navali Pr√¶fecto etc: etc Tibi Excellentissime Domine Comes s Author Pujadies, Johann B. 113.29.a. Place of publication: [Vienna] Publisher: Dat. Calend. Jul. MDCCXXXVII. Ioan. Baptist Pujadies, Date of publication: [1737.] Item type: 1 map on 2 sheets Medium: joined and laid on linen, copperplate engraving, hand colour Dimensions: 45 x 145 cm Former owner: George III, King of Great Britain, 1738-1820
More than 145 Soldiers of the 379th Chemical Company (CM CO) out of Arlington, Ill. participated in the Army Warfighting Assessment Exercise held at Fort Bliss, Texas, Oct. 17-30, 2016. The Army Warfighting Assessment is the Chief of Staff of the Army’s capstone event for Force 2025 Maneuvers that provides the Army a venue to achieve “Triple Payoff” objectives, which include Training Readiness, Future Force Development, and Joint/Multinational Interoperability in a resource-constrained environment. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/more-than-145-soldiers-of-the-379th-chemical-company-cm-co-out-of-arlington-ill-participated-in-the-army-warfighting-assessment-exercise-held-at-fort-bliss-texas-oct-17-30-2016-the-army-warfighting-assessment-is-the-chief-of-staff-of-the-armys-capstone-event-for-force-2025-maneuvers-that-provides-the-army-a-venue-to-achieve-triple-payoff-objectives-which-include-training-readiness-future-force-development-and-jointmultinational-interoperability-in-a-resource-constrained-environment-image207492823.htmlRMP1G35Y–More than 145 Soldiers of the 379th Chemical Company (CM CO) out of Arlington, Ill. participated in the Army Warfighting Assessment Exercise held at Fort Bliss, Texas, Oct. 17-30, 2016. The Army Warfighting Assessment is the Chief of Staff of the Army’s capstone event for Force 2025 Maneuvers that provides the Army a venue to achieve “Triple Payoff” objectives, which include Training Readiness, Future Force Development, and Joint/Multinational Interoperability in a resource-constrained environment.
Art inspired by Saint John, 13th century, Spanish, Wood, polychromy, gilt, Overall: 57 1/4 x 14 5/8 x 8 in. (145.4 x 37.1 x 20.3 cm), Sculpture-Stone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-saint-john-13th-century-spanish-wood-polychromy-gilt-overall-57-14-x-14-58-x-8-in-1454-x-371-x-203-cm-sculpture-stone-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462841186.htmlRF2HW06JA–Art inspired by Saint John, 13th century, Spanish, Wood, polychromy, gilt, Overall: 57 1/4 x 14 5/8 x 8 in. (145.4 x 37.1 x 20.3 cm), Sculpture-Stone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Elfhoofdige Kannon Japan, Juichimen cannon, 14-15th century De Verschijning van de Elfhoofdige Kannon. In houten doos. Manufacturer : anoniemPlaats manufacture: Japan Dating: 1375 - 1425 Material: zijde inkt verfstof goud Dimensions: schildering: h 71 cm × b 29,5 cmmontering: h 145 cm × b 44,9 cmmont. + rolstok: b 52,6 mmrol: d 67 mmrolstok: d 50 mmhouten doos: h 11 cm × b 56,5 cm × d 11 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elfhoofdige-kannon-japan-juichimen-cannon-14-15th-century-de-verschijning-van-de-elfhoofdige-kannon-in-houten-doos-manufacturer-anoniemplaats-manufacture-japan-dating-1375-1425-material-zijde-inkt-verfstof-goud-dimensions-schildering-h-71-cm-b-295-cmmontering-h-145-cm-b-449-cmmont-rolstok-b-526-mmrol-d-67-mmrolstok-d-50-mmhouten-doos-h-11-cm-b-565-cm-d-11-cm-image348332160.htmlRM2B6KW68–Elfhoofdige Kannon Japan, Juichimen cannon, 14-15th century De Verschijning van de Elfhoofdige Kannon. In houten doos. Manufacturer : anoniemPlaats manufacture: Japan Dating: 1375 - 1425 Material: zijde inkt verfstof goud Dimensions: schildering: h 71 cm × b 29,5 cmmontering: h 145 cm × b 44,9 cmmont. + rolstok: b 52,6 mmrol: d 67 mmrolstok: d 50 mmhouten doos: h 11 cm × b 56,5 cm × d 11 cm
POUSSIN, Nicolas (b. 1594, Les Andelys, d. 1665, Roma) Lamentation over the Body of Christ 1628-29 Oil on canvas, 101 x 145 cm Alte Pinakothek, Munich This painting is one of the most effective of the early works by Poussin. The treatment of the subject is both passionate and austere and anticipates the painting of the same subject now in the National Gallery of Ireland, Dublin painted almost thirty years later. --- Keywords: -------------- Author: POUSSIN, Nicolas Title: Lamentation over the Body of Christ Time-line: 1601-1650 School: French Form: painting Type: religious Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/poussin-nicolas-b-1594-les-andelys-d-1665-roma-lamentation-over-the-body-of-christ-1628-29-oil-on-canvas-101-x-145-cm-alte-pinakothek-munich-this-painting-is-one-of-the-most-effective-of-the-early-works-by-poussin-the-treatment-of-the-subject-is-both-passionate-and-austere-and-anticipates-the-painting-of-the-same-subject-now-in-the-national-gallery-of-ireland-dublin-painted-almost-thirty-years-later-keywords-author-poussin-nicolas-title-lamentation-over-the-body-of-christ-time-line-1601-1650-school-french-form-painting-type-religious-image604850097.htmlRM2X418D5–POUSSIN, Nicolas (b. 1594, Les Andelys, d. 1665, Roma) Lamentation over the Body of Christ 1628-29 Oil on canvas, 101 x 145 cm Alte Pinakothek, Munich This painting is one of the most effective of the early works by Poussin. The treatment of the subject is both passionate and austere and anticipates the painting of the same subject now in the National Gallery of Ireland, Dublin painted almost thirty years later. --- Keywords: -------------- Author: POUSSIN, Nicolas Title: Lamentation over the Body of Christ Time-line: 1601-1650 School: French Form: painting Type: religious
Niños con perros de presa - 1786 - Oil on canvas 112 x 145 cm - Goya Francisco Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ninos-con-perros-de-presa-1786-oil-on-canvas-112-x-145-cm-goya-francisco-image457743101.htmlRF2HGKYYW–Niños con perros de presa - 1786 - Oil on canvas 112 x 145 cm - Goya Francisco
Drawing, Study of Right Foot; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on illustration board; 16.8 × 12.7 cm (6 5/8 × 5 in.); 1914-38-145 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-study-of-right-foot-francis-augustus-lathrop-american-1849-1909-usa-graphite-on-illustration-board-168-127-cm-6-58-5-in-1914-38-145-image546110216.htmlRM2PMDD48–Drawing, Study of Right Foot; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on illustration board; 16.8 × 12.7 cm (6 5/8 × 5 in.); 1914-38-145
Red River Hog foraging between trees, taken at Howletts Wild Animal Park Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/red-river-hog-foraging-between-trees-taken-at-howletts-wild-animal-park-image602760290.htmlRM2X0J2W6–Red River Hog foraging between trees, taken at Howletts Wild Animal Park
Blue goggles by the pool Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-blue-goggles-by-the-pool-73557804.htmlRFE7JRMC–Blue goggles by the pool
'John Downman, George Mills, 1792, pastel with gray and brown wash on two overlapped sheets of laid paper joined at the top, image (oval): 22 x 18.9 cm (8 11/16 x 7 7/16 in.) sheet: 24 x 19.8 cm (9 7/16 x 7 13/16 in.), Ailsa Mellon Bruce Collection, 1970.17.145' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-downman-george-mills-1792-pastel-with-gray-and-brown-wash-on-two-overlapped-sheets-of-laid-paper-joined-at-the-top-image-oval-22-x-189-cm-8-1116-x-7-716-in-sheet-24-x-198-cm-9-716-x-7-1316-in-ailsa-mellon-bruce-collection-197017145-image560021059.htmlRM2RF34G3–'John Downman, George Mills, 1792, pastel with gray and brown wash on two overlapped sheets of laid paper joined at the top, image (oval): 22 x 18.9 cm (8 11/16 x 7 7/16 in.) sheet: 24 x 19.8 cm (9 7/16 x 7 13/16 in.), Ailsa Mellon Bruce Collection, 1970.17.145'
Feb 25, 2024 - Death Valley National Park, California, U.S. - Badwater Basin, which lies at the very bottom of Death Valley, is the remnant of a vast ancient lake that once existed tens of thousands of years ago. It normally averages a paltry 2in (5.08cm) of rain each year. But during the past six months, the valley floor has received nearly 5in (12.7 cm). According to the National Park Service, most of that rain came from two events: 2.2in (5.59 cm) back on 20 August and another 1.5in (3.81cm) during the record-setting ''atmospheric rivers'' that have recently drenched much of California. Rai Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/feb-25-2024-death-valley-national-park-california-us-badwater-basin-which-lies-at-the-very-bottom-of-death-valley-is-the-remnant-of-a-vast-ancient-lake-that-once-existed-tens-of-thousands-of-years-ago-it-normally-averages-a-paltry-2in-508cm-of-rain-each-year-but-during-the-past-six-months-the-valley-floor-has-received-nearly-5in-127-cm-according-to-the-national-park-service-most-of-that-rain-came-from-two-events-22in-559-cm-back-on-20-august-and-another-15in-381cm-during-the-record-setting-atmospheric-rivers-that-have-recently-drenched-much-of-california-rai-image600855755.htmlRM2WWF9J3–Feb 25, 2024 - Death Valley National Park, California, U.S. - Badwater Basin, which lies at the very bottom of Death Valley, is the remnant of a vast ancient lake that once existed tens of thousands of years ago. It normally averages a paltry 2in (5.08cm) of rain each year. But during the past six months, the valley floor has received nearly 5in (12.7 cm). According to the National Park Service, most of that rain came from two events: 2.2in (5.59 cm) back on 20 August and another 1.5in (3.81cm) during the record-setting ''atmospheric rivers'' that have recently drenched much of California. Rai
Cambridge, UK. 29th June, 2022. Palm and Fish Mural Palmoxylon and Knightia species Late Jurassic (163 - 145 million years ago) 136 x 84 x 4 cm Green River Formation, Montana, US Est £18,000.Extraordinary Objects Gallery, 14 Green St, From 2 July - 2 October 2022 Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cambridge-uk-29th-june-2022-palm-and-fish-mural-palmoxylon-and-knightia-species-late-jurassic-163-145-million-years-ago-136-x-84-x-4-cm-green-river-formation-montana-us-est-18000extraordinary-objects-gallery-14-green-st-from-2-july-2-october-2022-credit-paul-quezada-neimanalamy-live-news-image473976703.htmlRM2JF3E3B–Cambridge, UK. 29th June, 2022. Palm and Fish Mural Palmoxylon and Knightia species Late Jurassic (163 - 145 million years ago) 136 x 84 x 4 cm Green River Formation, Montana, US Est £18,000.Extraordinary Objects Gallery, 14 Green St, From 2 July - 2 October 2022 Credit: Paul Quezada-Neiman/Alamy Live News
David Klöcker Ehrenstrahl, (1628-1698), Anna Fleming by Liebelitz, Anna Cruus af Gudhem, 1654-1692, vs. Fleming by Liebelitz, painting, portrait, Anna Kruus, Oil on canvas., Height: 145 cm (57), Width: 125 cm (49.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/david-klcker-ehrenstrahl-1628-1698-anna-fleming-by-liebelitz-anna-cruus-af-gudhem-1654-1692-vs-fleming-by-liebelitz-painting-portrait-anna-kruus-oil-on-canvas-height-145-cm-57-width-125-cm-492-image261306830.htmlRMW53FEP–David Klöcker Ehrenstrahl, (1628-1698), Anna Fleming by Liebelitz, Anna Cruus af Gudhem, 1654-1692, vs. Fleming by Liebelitz, painting, portrait, Anna Kruus, Oil on canvas., Height: 145 cm (57), Width: 125 cm (49.2)
THE THINKER 1903 Bronze H. 180 cm ; W. 98 cm ; D. 145 cm François Auguste René Rodin 1840 –1917 ( known as Auguste Rodin ) was a French sculptor, Paris France French. ( Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-thinker-1903-bronze-h-180-cm-w-98-cm-d-145-cm-franois-auguste-164723729.htmlRMKFYPP9–THE THINKER 1903 Bronze H. 180 cm ; W. 98 cm ; D. 145 cm François Auguste René Rodin 1840 –1917 ( known as Auguste Rodin ) was a French sculptor, Paris France French. ( Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.)
Hernando de Valladares / 'Friso de azulejos', Towards 1620, Ceramics (painted terracotta), 40 x 145 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hernando-de-valladares-friso-de-azulejos-towards-1620-ceramics-painted-terracotta-40-x-145-cm-image213333171.htmlRMPB24HR–Hernando de Valladares / 'Friso de azulejos', Towards 1620, Ceramics (painted terracotta), 40 x 145 cm.
Annexation of Austria 13th March 1938 - a tapestry for a festive hall Large tapestry of heavy brown velvet cloth, with applied inscription of gold lace reading (tr.) 'Our east province returns home 1938.' A swastika on either side, also made of gold lace. Dimensions 130 x 145 cm. USA-lot, siehe Seite 4. historic, historical, 20th century, 1930s, NS, National Socialism, Nazism, Third Reich, German Reich, Germany, German, National Socialist, Nazi, Nazi period, fascism, Editorial-Use-Only Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annexation-of-austria-13th-march-1938-a-tapestry-for-a-festive-hall-large-tapestry-of-heavy-brown-velvet-cloth-with-applied-inscription-of-gold-lace-reading-tr-our-east-province-returns-home-1938-a-swastika-on-either-side-also-made-of-gold-lace-dimensions-130-x-145-cm-usa-lot-siehe-seite-4-historic-historical-20th-century-1930s-ns-national-socialism-nazism-third-reich-german-reich-germany-german-national-socialist-nazi-nazi-period-fascism-editorial-use-only-image247342460.htmlRMTABBR8–Annexation of Austria 13th March 1938 - a tapestry for a festive hall Large tapestry of heavy brown velvet cloth, with applied inscription of gold lace reading (tr.) 'Our east province returns home 1938.' A swastika on either side, also made of gold lace. Dimensions 130 x 145 cm. USA-lot, siehe Seite 4. historic, historical, 20th century, 1930s, NS, National Socialism, Nazism, Third Reich, German Reich, Germany, German, National Socialist, Nazi, Nazi period, fascism, Editorial-Use-Only
Bronze ring MET DP145708 250713 Greek, Bronze ring, late 5th?4th century B.C., Bronze, L. 2.5 cm. The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.53) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bronze-ring-met-dp145708-250713-greek-bronze-ring-late-5th4th-century-168097026.htmlRMKNDDD6–Bronze ring MET DP145708 250713 Greek, Bronze ring, late 5th?4th century B.C., Bronze, L. 2.5 cm. The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.145.53)
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