Act 5 (godanme), Utagawa Kunisada 歌川国貞 (Japanese, 1786-1864), Edo, 1854, 5th month, color woodblock print, 9-7/16 x 13-11/16 in. (image) 10 x 14-3/4 in. (sheet), Signed by artist: Toyokuni ga Publisher's mark: Kōeidō (Tsuta-ya Kichizō) Date seal: tora-go (year of the tiger [1854], 5th month) Censor's seal: circular aratame Engraver's mark: Horiko Shoji, series, Syllabary Treasures of Loyal Retainers (Kanadehon chūshingura), Asian Art
Act 5 (godanme), Utagawa Kunisada 歌川国貞 (Japanese, 1786-1864), Edo, 1854, 5th month, color woodblock print, 9-7/16 x 13-11/16 in. (image) 10 x 14-3/4 in. (sheet), Signed by artist: Toyokuni ga Publisher's mark: Kōeidō (Tsuta-ya Kichizō) Date seal: tora-go (year of the tiger [1854], 5th month) Censor's seal: circular aratame Engraver's mark: Horiko Shoji, series, Syllabary Treasures of Loyal Retainers (Kanadehon chūshingura), Asian Art https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/act-5-godanme-utagawa-kunisada-japanese-1786-1864-edo-1854-5th-month-color-woodblock-print-9-716-x-13-1116-in-image-10-x-14-34-in-sheet-signed-by-artist-toyokuni-ga-publishers-mark-keid-tsuta-ya-kichiz-date-seal-tora-go-year-of-the-tiger-1854-5th-month-censors-seal-circular-aratame-engravers-mark-horiko-shoji-series-syllabary-treasures-of-loyal-retainers-kanadehon-chshingura-asian-art-image328777802.html
Act 5 (godanme), Utagawa Kunisada 歌川国貞 (Japanese, 1786-1864), Edo, 1854, 5th month, color woodblock print, 9-7/16 x 13-11/16 in. (image) 10 x 14-3/4 in. (sheet), Signed by artist: Toyokuni ga Publisher's mark: Kōeidō (Tsuta-ya Kichizō) Date seal: tora-go (year of the tiger [1854], 5th month) Censor's seal: circular aratame Engraver's mark: Horiko Shoji, series, Syllabary Treasures of Loyal Retainers (Kanadehon chūshingura), Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by f
Act 5 (godanme), Utagawa Kunisada 歌川国貞 (Japanese, 1786-1864), Edo, 1854, 5th month, color woodblock print, 9-7/16 x 13-11/16 in. (image) 10 x 14-3/4 in. (sheet), Signed by artist: Toyokuni ga Publisher's mark: Kōeidō (Tsuta-ya Kichizō) Date seal: tora-go (year of the tiger [1854], 5th month) Censor's seal: circular aratame Engraver's mark: Horiko Shoji, series, Syllabary Treasures of Loyal Retainers (Kanadehon chūshingura), Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by f https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/act-5-godanme-utagawa-kunisada-japanese-1786-1864-edo-1854-5th-month-color-woodblock-print-9-716-x-13-1116-in-image-10-x-14-34-in-sheet-signed-by-artist-toyokuni-ga-publishers-mark-keid-tsuta-ya-kichiz-date-seal-tora-go-year-of-the-tiger-1854-5th-month-censors-seal-circular-aratame-engravers-mark-horiko-shoji-series-syllabary-treasures-of-loyal-retainers-kanadehon-chshingura-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-f-image349859762.html
Shichirigahama in Sagami Province (Soshu Shichirigahama), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: Oban 10 x 14 3/4 in. (25.4 x 37.5 cm). Date: ca. 1830-32. Museum: Metropolitan Museum of Art, New York, USA.
Shichirigahama in Sagami Province (Soshu Shichirigahama), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: Oban 10 x 14 3/4 in. (25.4 x 37.5 cm). Date: ca. 1830-32. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/shichirigahama-in-sagami-province-soshu-shichirigahama-from-the-series-thirty-six-views-of-mount-fuji-fugaku-sanjurokkei-artist-katsushika-hokusai-japanese-tokyo-edo-1760-1849-tokyo-edo-culture-japan-dimensions-oban-10-x-14-34-in-254-x-375-cm-date-ca-1830-32-museum-metropolitan-museum-of-art-new-york-usa-image213112656.html
Cherry Blossom Time in NakanochÅ of the Yoshiwara; Japan, circa 1848-1849 Alternate Yoshiwara Nakanocho sakura toki Series: Famous Places of Edo Prints; woodcuts Color woodbk print Image: 8 11/16 x 14 3/16 in. (22.1 x 36 cm); Sheet: 10 x 14 3/4 in. (25.3 x 37.7 cm) Los Angeles County Fund (16.14.48) Japanese Art; between circa 1848 and circa 1849 date QS:P571,+1848-00-00T00:00:00Z/8,P1319,+1848-00-00T00:00:00Z/9,P1326,+1849-00-00T00:00:00Z/9,P1480,Q5727902;
Cherry Blossom Time in NakanochÅ of the Yoshiwara; Japan, circa 1848-1849 Alternate Yoshiwara Nakanocho sakura toki Series: Famous Places of Edo Prints; woodcuts Color woodbk print Image: 8 11/16 x 14 3/16 in. (22.1 x 36 cm); Sheet: 10 x 14 3/4 in. (25.3 x 37.7 cm) Los Angeles County Fund (16.14.48) Japanese Art; between circa 1848 and circa 1849 date QS:P571,+1848-00-00T00:00:00Z/8,P1319,+1848-00-00T00:00:00Z/9,P1326,+1849-00-00T00:00:00Z/9,P1480,Q5727902; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cherry-blossom-time-in-nakanoch-of-the-yoshiwara-japan-circa-1848-1849-alternate-yoshiwara-nakanocho-sakura-toki-series-famous-places-of-edo-prints-woodcuts-color-woodbk-print-image-8-1116-x-14-316-in-221-x-36-cm-sheet-10-x-14-34-in-253-x-377-cm-los-angeles-county-fund-161448-japanese-art-between-circa-1848-and-circa-1849-date-qsp5711848-00-00t000000z8p13191848-00-00t000000z9p13261849-00-00t000000z9p1480q5727902-image256951650.html
Outdoor Restaurant, Peking by Charles W. Bartlett, 1921, watercolor on paper, 10 x 14 3/4 inches . 1921 1 'Outdoor Restaurant, Peking' by Charles W. Bartlett, 1921, watercolor
Outdoor Restaurant, Peking by Charles W. Bartlett, 1921, watercolor on paper, 10 x 14 3/4 inches . 1921 1 'Outdoor Restaurant, Peking' by Charles W. Bartlett, 1921, watercolor https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/outdoor-restaurant-peking-by-charles-w-bartlett-1921-watercolor-on-paper-10-x-14-34-inches-1921-1-outdoor-restaurant-peking-by-charles-w-bartlett-1921-watercolor-image211002941.html
Owl Warrior Bottle. Date: 5th-7th century; Geography: Peru; Culture: Moche; Medium: Ceramic; Dimensions: Overall: 10 3/8 x 5 3/4 in. (26.35 x 14.61
Owl Warrior Bottle. Date: 5th-7th century; Geography: Peru; Culture: Moche; Medium: Ceramic; Dimensions: Overall: 10 3/8 x 5 3/4 in. (26.35 x 14.61 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/owl-warrior-bottle-date-5th-7th-century-geography-peru-culture-moche-medium-ceramic-dimensions-overall-10-38-x-5-34-in-2635-x-1461-image277769277.html
Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher
Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/irish-members-in-their-seats-in-the-house-of-parliament-1886-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoher-image330688927.html
(Artist) James McNeill Whistler; United States; 1858; Pencil on white paper; H x W: 10.7 x 14.9 cm (4 3/16 x 5 7/8 in); Gift of Charles Lang Freer
(Artist) James McNeill Whistler; United States; 1858; Pencil on white paper; H x W: 10.7 x 14.9 cm (4 3/16 x 5 7/8 in); Gift of Charles Lang Freer https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/artist-james-mcneill-whistler-united-states-1858-pencil-on-white-paper-h-x-w-107-x-149-cm-4-316-x-5-78-in-gift-of-charles-lang-freer-image353573276.html
'Figural Ostracon with Depiction of a Standing King; Tools and Equipment; ostraka Limestone 5 13/16 x 4 3/16 in. (14.7 x 10.6 cm) Gift of Robert Miller and Marilyn Miller Deluca (M.80.199.47) Egyptian Art; '
'Figural Ostracon with Depiction of a Standing King; Tools and Equipment; ostraka Limestone 5 13/16 x 4 3/16 in. (14.7 x 10.6 cm) Gift of Robert Miller and Marilyn Miller Deluca (M.80.199.47) Egyptian Art; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/figural-ostracon-with-depiction-of-a-standing-king-tools-and-equipment-ostraka-limestone-5-1316-x-4-316-in-147-x-106-cm-gift-of-robert-miller-and-marilyn-miller-deluca-m8019947-egyptian-art-image349458201.html
. Transactions. Fig. 11!.—Cumaining Fig. 13.—Containing Fig. 14.—Containing 3 PER CENT. TnOa. 4 PER CENT. ThOj. O PER CENT. ThOj. Fig. 10 TO 14.—Tungsten ingots heated 12 min. at 3200° C. X 16. ZAY JEFFRIES 633. t.-^-- . *
. Transactions. Fig. 11!.—Cumaining Fig. 13.—Containing Fig. 14.—Containing 3 PER CENT. TnOa. 4 PER CENT. ThOj. O PER CENT. ThOj. Fig. 10 TO 14.—Tungsten ingots heated 12 min. at 3200° C. X 16. ZAY JEFFRIES 633. t.-^-- . * https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/transactions-fig-11!cumaining-fig-13containing-fig-14containing-3-per-cent-tnoa-4-per-cent-thoj-o-per-cent-thoj-fig-10-to-14tungsten-ingots-heated-12-min-at-3200-c-x-16-zay-jeffries-633-t-image337092698.html
Coffret MET 197287 2154 Coffret, ca. 1730?60, Copper, enamel, brass, 6 3/4 x 10 3/4 x 5 1/2 in. (17.1 x 27.3 x 14 cm). The Metropolitan Museum of Art, New York. Bequest of Flora E. Whiting, 1971 (1971.180.82)
Coffret MET 197287 2154 Coffret, ca. 1730?60, Copper, enamel, brass, 6 3/4 x 10 3/4 x 5 1/2 in. (17.1 x 27.3 x 14 cm). The Metropolitan Museum of Art, New York. Bequest of Flora E. Whiting, 1971 (1971.180.82) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-coffret-met-197287-2154-coffret-ca-173060-copper-enamel-brass-6-34-168109564.html
http://www.metmuseum.org/art/collection/search/55536 Artist: Utagawa Yoshitora, Japanese, active ca. 1850?80, Ingirisu-jin, 1863, 7th month (Bunkyu 3), Polychrome woodblock print; ink and color on paper, 14 1/8 x 10 in. (35.9 x 25.4 cm). The Metropolitan Museum of Art, New York. Gift of Lincoln Kirstein, 1960 (JP3369)
http://www.metmuseum.org/art/collection/search/55536 Artist: Utagawa Yoshitora, Japanese, active ca. 1850?80, Ingirisu-jin, 1863, 7th month (Bunkyu 3), Polychrome woodblock print; ink and color on paper, 14 1/8 x 10 in. (35.9 x 25.4 cm). The Metropolitan Museum of Art, New York. Gift of Lincoln Kirstein, 1960 (JP3369) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/httpwwwmetmuseumorgartcollectionsearch55536-artist-utagawa-yoshitora-japanese-active-ca-185080-ingirisu-jin-1863-7th-month-bunkyu-3-polychrome-woodblock-print-ink-and-color-on-paper-14-18-x-10-in-359-x-254-cm-the-metropolitan-museum-of-art-new-york-gift-of-lincoln-kirstein-1960-jp3369-image397213960.html
ROCHESTER CASTLE. Author Jukes, Francis 17.10.u. Place of publication: LONDON Publisher: Pubd Decr 14 1786 by F. Jukes, No9 Howland Street., Date of publication: [December 14 1786] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 25.4 x 32.3 cm Former owner: George III, King of Great Britain, 1738-1820
ROCHESTER CASTLE. Author Jukes, Francis 17.10.u. Place of publication: LONDON Publisher: Pubd Decr 14 1786 by F. Jukes, No9 Howland Street., Date of publication: [December 14 1786] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: sheet 25.4 x 32.3 cm Former owner: George III, King of Great Britain, 1738-1820 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/rochester-castle-author-jukes-francis-1710u-place-of-publication-london-publisher-pubd-decr-14-1786-by-f-jukes-no9-howland-street-date-of-publication-december-14-1786-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-sheet-254-x-323-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401749139.html
The Eastern Bering Sea Shelf The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder easternberingsea00hood Year: 1981 Acartia longiremis (0 CM E 0) n in E O 3 ^' z X CM Calanus plumchrus Eucalanus bungii bungii 2 3 4 5 6 Stations 7 8 9 10 11 12 13 14 1516 17 18 19
The Eastern Bering Sea Shelf The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder easternberingsea00hood Year: 1981 Acartia longiremis (0 CM E 0) n in E O 3 ^' z X CM Calanus plumchrus Eucalanus bungii bungii 2 3 4 5 6 Stations 7 8 9 10 11 12 13 14 1516 17 18 19 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-eastern-bering-sea-shelf-the-eastern-bering-sea-shelf-oceanography-and-resources-edited-by-donald-w-hood-and-john-a-calder-easternberingsea00hood-year-1981-acartia-longiremis-0-cm-e-0-n-in-e-o-3-z-x-cm-calanus-plumchrus-eucalanus-bungii-bungii-2-3-4-5-6-stations-7-8-9-10-11-12-13-14-1516-17-18-19-image241229656.html
Europa, Deutschland, Hamburg, Zeit nach dem 2. Weltkrieges, Mitteilung der Feststellungsbehörde ( Amtsgericht ) über Schäden durch Luftangriffe, Abt. für Sach-u. Nutzungskriegsschäden, hier Total Sachschaden ( Hausrat ) , vom 12. Januar 1946 , Größe des Dokumentes : 14,5 cm x 10,3 cm . / Europe, Germany , Hamburg, time after WW II , document of the local court about damages of the air attacks, published 12. January 1946 , size of the document : 14,4 cm x 10,3 cm.
Europa, Deutschland, Hamburg, Zeit nach dem 2. Weltkrieges, Mitteilung der Feststellungsbehörde ( Amtsgericht ) über Schäden durch Luftangriffe, Abt. für Sach-u. Nutzungskriegsschäden, hier Total Sachschaden ( Hausrat ) , vom 12. Januar 1946 , Größe des Dokumentes : 14,5 cm x 10,3 cm . / Europe, Germany , Hamburg, time after WW II , document of the local court about damages of the air attacks, published 12. January 1946 , size of the document : 14,4 cm x 10,3 cm. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/europa-deutschland-hamburg-zeit-nach-dem-2-weltkrieges-mitteilung-der-feststellungsbehrde-amtsgericht-ber-schden-durch-luftangriffe-abt-fr-sach-u-nutzungskriegsschden-hier-total-sachschaden-hausrat-vom-12-januar-1946-gre-des-dokumentes-145-cm-x-103-cm-europe-germany-hamburg-time-after-ww-ii-document-of-the-local-court-about-damages-of-the-air-attacks-published-12-january-1946-size-of-the-document-144-cm-x-103-cm-image380632711.html
Nubian Women at Korti (Kurti, Sudan) on the Nile, 1847 from Egypt and Nubia, Volume I: Nubian Women at Kortie, on the Nile, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 37.5 x 43 cm (14 3/4 x 16 15/16 in.); image: 25.5 x 35.3 cm (10 1/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.241
Nubian Women at Korti (Kurti, Sudan) on the Nile, 1847 from Egypt and Nubia, Volume I: Nubian Women at Kortie, on the Nile, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 37.5 x 43 cm (14 3/4 x 16 15/16 in.); image: 25.5 x 35.3 cm (10 1/16 x 13 7/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.241 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/nubian-women-at-korti-kurti-sudan-on-the-nile-1847-from-egypt-and-nubia-volume-i-nubian-women-at-kortie-on-the-nile-1847-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-375-x-43-cm-14-34-x-16-1516-in-image-255-x-353-cm-10-116-x-13-78-in-the-cleveland-museum-of-art-bequest-of-john-bonebrake-2012241-image349566147.html
. Deutsche entomologische National-Bibliothek : [Rundschau im Gebiete der Insektenkunde mit besonderer Berücksichtigung der Literatur]. Insects; Entomology. =*. Schrank (Fig. 4) für 10 Kästen. Gr. 30 x 40 cm '. . M. 14 — „ 40 x 50 cm M. 17.— Poliert M. 3.50 mehr. Derselbe eignet sieh sehr gut für Spezialsammler und auch zum etagenmäßigen Anlegen einer Sammlung.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schaufuss, Ca
. Deutsche entomologische National-Bibliothek : [Rundschau im Gebiete der Insektenkunde mit besonderer Berücksichtigung der Literatur]. Insects; Entomology. =*. Schrank (Fig. 4) für 10 Kästen. Gr. 30 x 40 cm '. . M. 14 — „ 40 x 50 cm M. 17.— Poliert M. 3.50 mehr. Derselbe eignet sieh sehr gut für Spezialsammler und auch zum etagenmäßigen Anlegen einer Sammlung.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Schaufuss, Ca https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/deutsche-entomologische-national-bibliothek-rundschau-im-gebiete-der-insektenkunde-mit-besonderer-bercksichtigung-der-literatur-insects-entomology-=-schrank-fig-4-fr-10-ksten-gr-30-x-40-cm-m-14-40-x-50-cm-m-17-poliert-m-350-mehr-derselbe-eignet-sieh-sehr-gut-fr-spezialsammler-und-auch-zum-etagenmigen-anlegen-einer-sammlung-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-schaufuss-ca-image215977536.html
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image387336939.html
2 children,christmas,siblings
2 children,christmas,siblings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-2-childrenchristmassiblings-72751162.html
Brazier, 13th century, Spanish, Wrought iron, Overall: 10 x 14 3/4 x 19 in. (25.4 x 37.5 x 48.3 cm), Metalwork-Iron
Brazier, 13th century, Spanish, Wrought iron, Overall: 10 x 14 3/4 x 19 in. (25.4 x 37.5 x 48.3 cm), Metalwork-Iron https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-brazier-13th-century-spanish-wrought-iron-overall-10-x-14-34-x-19-162572083.html
Act 8 (hachidanme), Utagawa Kunikiyo II (Japanese), Edo, 1857, 6th month, ink on paper, color woodblock print, 9-5/16 x 13-5/8 in. (image) 10 x 14-3/4 in. (sheet), Signed by artist: Kunikiyo ga Publisher's mark: Kōeidō (Tsuta-ya Kichizō) Date seal: mi-roku (year of the snake [1857], 6th month) Censor's seal: circular aratame, series, Syllabary Treasures of Loyal Retainers (Kanadehon chūshingura), Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic e
Act 8 (hachidanme), Utagawa Kunikiyo II (Japanese), Edo, 1857, 6th month, ink on paper, color woodblock print, 9-5/16 x 13-5/8 in. (image) 10 x 14-3/4 in. (sheet), Signed by artist: Kunikiyo ga Publisher's mark: Kōeidō (Tsuta-ya Kichizō) Date seal: mi-roku (year of the snake [1857], 6th month) Censor's seal: circular aratame, series, Syllabary Treasures of Loyal Retainers (Kanadehon chūshingura), Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic e https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/act-8-hachidanme-utagawa-kunikiyo-ii-japanese-edo-1857-6th-month-ink-on-paper-color-woodblock-print-9-516-x-13-58-in-image-10-x-14-34-in-sheet-signed-by-artist-kunikiyo-ga-publishers-mark-keid-tsuta-ya-kichiz-date-seal-mi-roku-year-of-the-snake-1857-6th-month-censors-seal-circular-aratame-series-syllabary-treasures-of-loyal-retainers-kanadehon-chshingura-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-e-image349859771.html
Battle Scene. Artist: Belisario Corenzio (Italian (born Greece), Achaea 1558-1646 Esperia, Lazio). Dimensions: 10 x 14-3/4 in. (25.4 x 37.5 cm). Date: 1590-1646. The present drawing and a second one in the Museum's collection (acc. no. 66.127 ) were part of a group of eleven sold with an attribution to Belisario Corenzio in London in 1936. At that time, the whole series was purchased by Sir Robert Witt (1872-1952) who, after later dispersals of his collection, retained only three drawings, now in the Witt Collection at the Courtauld Institute Galleries, London (nos. 2789A, 2789B, 2789C.) A
Battle Scene. Artist: Belisario Corenzio (Italian (born Greece), Achaea 1558-1646 Esperia, Lazio). Dimensions: 10 x 14-3/4 in. (25.4 x 37.5 cm). Date: 1590-1646. The present drawing and a second one in the Museum's collection (acc. no. 66.127 ) were part of a group of eleven sold with an attribution to Belisario Corenzio in London in 1936. At that time, the whole series was purchased by Sir Robert Witt (1872-1952) who, after later dispersals of his collection, retained only three drawings, now in the Witt Collection at the Courtauld Institute Galleries, London (nos. 2789A, 2789B, 2789C.) A https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/battle-scene-artist-belisario-corenzio-italian-born-greece-achaea-1558-1646-esperia-lazio-dimensions-10-x-14-34-in-254-x-375-cm-date-1590-1646-the-present-drawing-and-a-second-one-in-the-museums-collection-acc-no-66127-were-part-of-a-group-of-eleven-sold-with-an-attribution-to-belisario-corenzio-in-london-in-1936-at-that-time-the-whole-series-was-purchased-by-sir-robert-witt-1872-1952-who-after-later-dispersals-of-his-collection-retained-only-three-drawings-now-in-the-witt-collection-at-the-courtauld-institute-galleries-london-nos-2789a-2789b-2789c-a-image213502238.html
Figural Ostracon with Depiction of a Standing King; Tools and Equipment; ostraka Limestone 5 13/16 x 4 3/16 in. (14.7 x 10.6 cm) Gift of Robert Miller and Marilyn Miller Deluca (M.80.199.47) Egyptian Art;
Figural Ostracon with Depiction of a Standing King; Tools and Equipment; ostraka Limestone 5 13/16 x 4 3/16 in. (14.7 x 10.6 cm) Gift of Robert Miller and Marilyn Miller Deluca (M.80.199.47) Egyptian Art; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/figural-ostracon-with-depiction-of-a-standing-king-tools-and-equipment-ostraka-limestone-5-1316-x-4-316-in-147-x-106-cm-gift-of-robert-miller-and-marilyn-miller-deluca-m8019947-egyptian-art-image256999660.html
. English: Creation Date: ca. 1815 Display Dimensions: 11 3/16 in. x 8 15/32 in. (28.4 cm x 21.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1137 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 14 November 2005, 11:10:33. English: thesandiegomuseumofartcollection 1114 She who is of good fortune (6125127142)
. English: Creation Date: ca. 1815 Display Dimensions: 11 3/16 in. x 8 15/32 in. (28.4 cm x 21.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1137 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 14 November 2005, 11:10:33. English: thesandiegomuseumofartcollection 1114 She who is of good fortune (6125127142) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-creation-date-ca-1815-display-dimensions-11-316-in-x-8-1532-in-284-cm-x-215-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901137-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-14-november-2005-111033-english-thesandiegomuseumofartcollection-1114-she-who-is-of-good-fortune-6125127142-image185743702.html
Owl Warrior Bottle. Date: 5th-7th century; Geography: Peru; Culture: Moche; Medium: Ceramic; Dimensions: Overall: 10 3/8 x 5 3/4 in. (26.35 x 14.61
Owl Warrior Bottle. Date: 5th-7th century; Geography: Peru; Culture: Moche; Medium: Ceramic; Dimensions: Overall: 10 3/8 x 5 3/4 in. (26.35 x 14.61 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-owl-warrior-bottle-date-5th-7th-century-geography-peru-culture-moche-168106987.html
Mars and Venus; Attributed to Hans Mont, Flemish
Mars and Venus; Attributed to Hans Mont, Flemish https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mars-and-venus-attributed-to-hans-mont-flemish-image60277771.html
; India; mid 19th century; Opaque watercolor and gold on paper; H x W: 27.3 x 38 cm (10 3/4 x 14 15/16 in); Gift of Charles Lang Freer Durga fighting the rakshashas Shunga and Nishunga from a Devi Mahatmya
; India; mid 19th century; Opaque watercolor and gold on paper; H x W: 27.3 x 38 cm (10 3/4 x 14 15/16 in); Gift of Charles Lang Freer Durga fighting the rakshashas Shunga and Nishunga from a Devi Mahatmya https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/india-mid-19th-century-opaque-watercolor-and-gold-on-paper-h-x-w-273-x-38-cm-10-34-x-14-1516-in-gift-of-charles-lang-freer-durga-fighting-the-rakshashas-shunga-and-nishunga-from-a-devi-mahatmya-image352201232.html
'Six Rats; English: Japan, mid to late 19th century Prints; woodcuts Color woodblock print 10 1/4 x 14 3/4 in. (26.04 x 37.47 cm) Gift of George T. and Margaret W. Romani (M.2000.42.11) Japanese Art; Mid to late 19th century; '
'Six Rats; English: Japan, mid to late 19th century Prints; woodcuts Color woodblock print 10 1/4 x 14 3/4 in. (26.04 x 37.47 cm) Gift of George T. and Margaret W. Romani (M.2000.42.11) Japanese Art; Mid to late 19th century; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/six-rats-english-japan-mid-to-late-19th-century-prints-woodcuts-color-woodblock-print-10-14-x-14-34-in-2604-x-3747-cm-gift-of-george-t-and-margaret-w-romani-m20004211-japanese-art-mid-to-late-19th-century-image349840325.html
Design, installation and operation of cams for the valve-gear of a three-cylinder, 8 x 10 inWestinghouse gas engine . Load 40 B.H.?.Cyl. left.Card no«4.Spring 240A. - .98L. -3.00 in.. Load 40 H.P.Spring 20 lb, Figure 14. ut 00.fi- ..T 5=^ ,*i siuai
Design, installation and operation of cams for the valve-gear of a three-cylinder, 8 x 10 inWestinghouse gas engine . Load 40 B.H.?.Cyl. left.Card no«4.Spring 240A. - .98L. -3.00 in.. Load 40 H.P.Spring 20 lb, Figure 14. ut 00.fi- ..T 5=^ ,*i siuai https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/design-installation-and-operation-of-cams-for-the-valve-gear-of-a-three-cylinder-8-x-10-inwestinghouse-gas-engine-load-40-bhcyl-leftcard-no4spring-240a-98l-300-in-load-40-hpspring-20-lb-figure-14-ut-00fi-t-5=-i-siuai-image339345273.html
Coffeepot MET 49694 Coffeepot MET 49694 /2141 American, Coffeepot, ca. 1800?25, Earthenware; Redware, 10 3/4 x 5 1/2 x 10 in. (27.3 x 14 x 25.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1922 (22.26.3a, b)
Coffeepot MET 49694 Coffeepot MET 49694 /2141 American, Coffeepot, ca. 1800?25, Earthenware; Redware, 10 3/4 x 5 1/2 x 10 in. (27.3 x 14 x 25.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1922 (22.26.3a, b) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-coffeepot-met-49694-coffeepot-met-49694-2141-american-coffeepot-ca-168109549.html
Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges) Portrait of an Old Man, ca. 1475 Oil on wood; Overall 10 3/8 x 7 5/8 in. (26.4 x 19.4 cm); painted surface 10 x 7 1/4 in. (25.4 x 18.4 cm) The Metropolitan Museum of Art, New York, Bequest of Benjamin Altman, 1913 (14.40.648) http://www.metmuseum.org/Collections/search-the-collections/437055
Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges) Portrait of an Old Man, ca. 1475 Oil on wood; Overall 10 3/8 x 7 5/8 in. (26.4 x 19.4 cm); painted surface 10 x 7 1/4 in. (25.4 x 18.4 cm) The Metropolitan Museum of Art, New York, Bequest of Benjamin Altman, 1913 (14.40.648) http://www.metmuseum.org/Collections/search-the-collections/437055 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hans-memling-netherlandish-seligenstadt-active-by-1465died-1494-bruges-portrait-of-an-old-man-ca-1475-oil-on-wood-overall-10-38-x-7-58-in-264-x-194-cm-painted-surface-10-x-7-14-in-254-x-184-cm-the-metropolitan-museum-of-art-new-york-bequest-of-benjamin-altman-1913-1440648-httpwwwmetmuseumorgcollectionssearch-the-collections437055-image233354022.html
SIX well KNOWN VIEWS near LONDON, for the use of those who Delight in Drawing . Visual Material information: Title: [SIX well KNOWN VIEWS near LONDON, for the use of those who Delight in Drawing]. 28.2.4 Place of publication: [London] Publisher: June 6.th 1775., Date of publication: [1775 and 1794] Item type: 1 print Medium: etching and engraving Dimensions: platemark 10.3 x 14.3 cm. Former owner: George III, King of Great Britain, 1738-1820
SIX well KNOWN VIEWS near LONDON, for the use of those who Delight in Drawing . Visual Material information: Title: [SIX well KNOWN VIEWS near LONDON, for the use of those who Delight in Drawing]. 28.2.4 Place of publication: [London] Publisher: June 6.th 1775., Date of publication: [1775 and 1794] Item type: 1 print Medium: etching and engraving Dimensions: platemark 10.3 x 14.3 cm. Former owner: George III, King of Great Britain, 1738-1820 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/six-well-known-views-near-london-for-the-use-of-those-who-delight-in-drawing-visual-material-information-title-six-well-known-views-near-london-for-the-use-of-those-who-delight-in-drawing-2824-place-of-publication-london-publisher-june-6th-1775-date-of-publication-1775-and-1794-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-103-x-143-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401757877.html
Archive image from page 138 of Deutsche entomologische National-Bibliothek [Rundschau. Deutsche entomologische National-Bibliothek : [Rundschau im Gebiete der Insektenkunde mit besonderer Berücksichtigung der Literatur] . deutscheentomolo11121910scha Year: 1910 = Schrank (Fig. 4) für 10 Kästen. Gr. 30 x 40 cm '. . . M. 14 — „ 40 x 50 cm M. 17.— Poliert M. 3.50 mehr. Derselbe eignet sieh sehr gut für Spezialsammler und auch zum etagenmäßigen Anlegen einer Sammlung.
Archive image from page 138 of Deutsche entomologische National-Bibliothek [Rundschau. Deutsche entomologische National-Bibliothek : [Rundschau im Gebiete der Insektenkunde mit besonderer Berücksichtigung der Literatur] . deutscheentomolo11121910scha Year: 1910 = Schrank (Fig. 4) für 10 Kästen. Gr. 30 x 40 cm '. . . M. 14 — „ 40 x 50 cm M. 17.— Poliert M. 3.50 mehr. Derselbe eignet sieh sehr gut für Spezialsammler und auch zum etagenmäßigen Anlegen einer Sammlung. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/archive-image-from-page-138-of-deutsche-entomologische-national-bibliothek-rundschau-deutsche-entomologische-national-bibliothek-rundschau-im-gebiete-der-insektenkunde-mit-besonderer-bercksichtigung-der-literatur-deutscheentomolo11121910scha-year-1910-=-schrank-fig-4-fr-10-ksten-gr-30-x-40-cm-m-14-40-x-50-cm-m-17-poliert-m-350-mehr-derselbe-eignet-sieh-sehr-gut-fr-spezialsammler-und-auch-zum-etagenmigen-anlegen-einer-sammlung-image258890050.html
. The surgical anatomy of the horse ... Horses. Plate X,—Transverse Section of Middle Third of Metatarsal Region of Left Hind Limb I. Tendon of extensor pedis muscle. 2, Large metatarsal bone. 3. Large metatarsal artery. 4. Internal small metatarsal bone. 5. External ditto. 6. Internal plantar interosseous artery. 7. External ditto. 8. Deep meta- tarsal vein. g. Suspensory ligament. 10 and 11. Internal and external metatarsal veins. 12 and 13. Small unnamed arteries descending with plantar nerves. 14 and 15. Internal and external plantar nerves. 16. Tendon of flexor perforans. 17. Tendon of fl
. The surgical anatomy of the horse ... Horses. Plate X,—Transverse Section of Middle Third of Metatarsal Region of Left Hind Limb I. Tendon of extensor pedis muscle. 2, Large metatarsal bone. 3. Large metatarsal artery. 4. Internal small metatarsal bone. 5. External ditto. 6. Internal plantar interosseous artery. 7. External ditto. 8. Deep meta- tarsal vein. g. Suspensory ligament. 10 and 11. Internal and external metatarsal veins. 12 and 13. Small unnamed arteries descending with plantar nerves. 14 and 15. Internal and external plantar nerves. 16. Tendon of flexor perforans. 17. Tendon of fl https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-surgical-anatomy-of-the-horse-horses-plate-xtransverse-section-of-middle-third-of-metatarsal-region-of-left-hind-limb-i-tendon-of-extensor-pedis-muscle-2-large-metatarsal-bone-3-large-metatarsal-artery-4-internal-small-metatarsal-bone-5-external-ditto-6-internal-plantar-interosseous-artery-7-external-ditto-8-deep-meta-tarsal-vein-g-suspensory-ligament-10-and-11-internal-and-external-metatarsal-veins-12-and-13-small-unnamed-arteries-descending-with-plantar-nerves-14-and-15-internal-and-external-plantar-nerves-16-tendon-of-flexor-perforans-17-tendon-of-fl-image216404559.html
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image261850251.html
Battle Scene, 1590–1646, Pen and brown ink, brush and blue wash, over black chalk. Squared in black chalk, 10 x 14-3/4 in. (25.4
Battle Scene, 1590–1646, Pen and brown ink, brush and blue wash, over black chalk. Squared in black chalk, 10 x 14-3/4 in. (25.4 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-battle-scene-15901646-pen-and-brown-ink-brush-and-blue-wash-over-black-162482257.html
Act 12 (jūnidanme), Utagawa Kunikiyo II (Japanese), Edo, 1857, 6th month, ink on paper, color woodblock print, 9-5/16 x 13-5/8 in. (image) 10 x 14-3/4 in. (sheet), Signed by artist: Kunikiyo ga Publisher's mark: Kōeidō (Tsuta-ya Kichizō) Date seal: mi-roku (year of the snake [1857], 6th month) Censor's seal: circular aratame, series, Syllabary Treasures of Loyal Retainers (Kanadehon chūshingura), Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic e
Act 12 (jūnidanme), Utagawa Kunikiyo II (Japanese), Edo, 1857, 6th month, ink on paper, color woodblock print, 9-5/16 x 13-5/8 in. (image) 10 x 14-3/4 in. (sheet), Signed by artist: Kunikiyo ga Publisher's mark: Kōeidō (Tsuta-ya Kichizō) Date seal: mi-roku (year of the snake [1857], 6th month) Censor's seal: circular aratame, series, Syllabary Treasures of Loyal Retainers (Kanadehon chūshingura), Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic e https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/act-12-jnidanme-utagawa-kunikiyo-ii-japanese-edo-1857-6th-month-ink-on-paper-color-woodblock-print-9-516-x-13-58-in-image-10-x-14-34-in-sheet-signed-by-artist-kunikiyo-ga-publishers-mark-keid-tsuta-ya-kichiz-date-seal-mi-roku-year-of-the-snake-1857-6th-month-censors-seal-circular-aratame-series-syllabary-treasures-of-loyal-retainers-kanadehon-chshingura-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-e-image349859776.html
Storm below Mount Fuji (Sanka no haku u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 10 x 14 3/4 in. (25.4 x 37.5 cm). Date: ca. 1830-32. Mount Fuji projects majestically above the clouds. A lightning bolt shown against the shape of Fuji opens up a dialogue of oppositions: the enduring, static Mount Fuji is pitted against the transitory and fleeting nature of lightning. The solemn, towering mountain remains undisturbed by dangerous thunderstorms. Museum: Metropolitan
Storm below Mount Fuji (Sanka no haku u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 10 x 14 3/4 in. (25.4 x 37.5 cm). Date: ca. 1830-32. Mount Fuji projects majestically above the clouds. A lightning bolt shown against the shape of Fuji opens up a dialogue of oppositions: the enduring, static Mount Fuji is pitted against the transitory and fleeting nature of lightning. The solemn, towering mountain remains undisturbed by dangerous thunderstorms. Museum: Metropolitan https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/storm-below-mount-fuji-sanka-no-haku-u-from-the-series-thirty-six-views-of-mount-fuji-fugaku-sanjurokkei-artist-katsushika-hokusai-japanese-tokyo-edo-1760-1849-tokyo-edo-culture-japan-dimensions-10-x-14-34-in-254-x-375-cm-date-ca-1830-32-mount-fuji-projects-majestically-above-the-clouds-a-lightning-bolt-shown-against-the-shape-of-fuji-opens-up-a-dialogue-of-oppositions-the-enduring-static-mount-fuji-is-pitted-against-the-transitory-and-fleeting-nature-of-lightning-the-solemn-towering-mountain-remains-undisturbed-by-dangerous-thunderstorms-museum-metropolitan-image212895046.html
Twickenham Church; England, 1865 Prints; etchings Etching and drypoint Format: 10 3/8 x 14 1/4 in. (26.35 x 36.2 cm) Gift of Wallace L. De Wolf (19.4.65) Prints and Drawings; 1865date QS:P571,+1865-00-00T00:00:00Z/9;
Twickenham Church; England, 1865 Prints; etchings Etching and drypoint Format: 10 3/8 x 14 1/4 in. (26.35 x 36.2 cm) Gift of Wallace L. De Wolf (19.4.65) Prints and Drawings; 1865date QS:P571,+1865-00-00T00:00:00Z/9; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/twickenham-church-england-1865-prints-etchings-etching-and-drypoint-format-10-38-x-14-14-in-2635-x-362-cm-gift-of-wallace-l-de-wolf-19465-prints-and-drawings-1865date-qsp5711865-00-00t000000z9-image257222629.html
. English: Creation Date: ca. 1760 Display Dimensions: 7 3/4 in. x 10 3/4 in. (19.7 cm x 27.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1086 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:10. English: thesandiegomuseumofartcollection 1177 The manifestation of the Devi before the destruction of Sumbha and Nishunbha (6125123566)
. English: Creation Date: ca. 1760 Display Dimensions: 7 3/4 in. x 10 3/4 in. (19.7 cm x 27.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1086 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:10. English: thesandiegomuseumofartcollection 1177 The manifestation of the Devi before the destruction of Sumbha and Nishunbha (6125123566) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-creation-date-ca-1760-display-dimensions-7-34-in-x-10-34-in-197-cm-x-273-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901086-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-143310-english-thesandiegomuseumofartcollection-1177-the-manifestation-of-the-devi-before-the-destruction-of-sumbha-and-nishunbha-6125123566-image185599575.html
Piece. Date: 18th-19th century; Culture: Japan; Medium: Silk; Dimensions: 4 1/4 x 5 3/4 in. (10.80 x 14.61 cm); Classification: Textiles-Woven;
Piece. Date: 18th-19th century; Culture: Japan; Medium: Silk; Dimensions: 4 1/4 x 5 3/4 in. (10.80 x 14.61 cm); Classification: Textiles-Woven; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-piece-date-18th-19th-century-culture-japan-medium-silk-dimensions-168421740.html
Christ Carrying the Cross; Attributed to Marco d' Oggiono, Italian, about 1467 - 1524; about 1495 - 1500; Oil on panel
Christ Carrying the Cross; Attributed to Marco d' Oggiono, Italian, about 1467 - 1524; about 1495 - 1500; Oil on panel https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-christ-carrying-the-cross-attributed-to-marco-d-oggiono-italian-about-73246158.html
'View of Cassel; English: United States, 1832 Drawings Ink wash Sheet: 4 1/8 x 6 3/4 in. (10.48 x 17.15 cm) Gift of Sandra and Jacob Terner (M.79.231.14) Prints and Drawings; 1832date QS:P571,+1832-00-00T00:00:00Z/9; '
'View of Cassel; English: United States, 1832 Drawings Ink wash Sheet: 4 1/8 x 6 3/4 in. (10.48 x 17.15 cm) Gift of Sandra and Jacob Terner (M.79.231.14) Prints and Drawings; 1832date QS:P571,+1832-00-00T00:00:00Z/9; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/view-of-cassel-english-united-states-1832-drawings-ink-wash-sheet-4-18-x-6-34-in-1048-x-1715-cm-gift-of-sandra-and-jacob-terner-m7923114-prints-and-drawings-1832date-qsp5711832-00-00t000000z9-image349855217.html
. Transactions. Fig. 10.—Containing1 PER CENT. Th02. Fig. 11.—Containing2 PER cent. Th02.. Fig. 11!.—Cumaining Fig. 13.—Containing Fig. 14.—Containing 3 PER CENT. TnOa. 4 PER CENT. ThOj. O PER CENT. ThOj. Fig. 10 TO 14.—Tungsten ingots heated 12 min. at 3200° C. X 16. ZAY JEFFRIES 633
. Transactions. Fig. 10.—Containing1 PER CENT. Th02. Fig. 11.—Containing2 PER cent. Th02.. Fig. 11!.—Cumaining Fig. 13.—Containing Fig. 14.—Containing 3 PER CENT. TnOa. 4 PER CENT. ThOj. O PER CENT. ThOj. Fig. 10 TO 14.—Tungsten ingots heated 12 min. at 3200° C. X 16. ZAY JEFFRIES 633 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/transactions-fig-10containing1-per-cent-th02-fig-11containing2-per-cent-th02-fig-11!cumaining-fig-13containing-fig-14containing-3-per-cent-tnoa-4-per-cent-thoj-o-per-cent-thoj-fig-10-to-14tungsten-ingots-heated-12-min-at-3200-c-x-16-zay-jeffries-633-image337092957.html
Coffeepot MET ES4177 Coffeepot MET ES4177 /2141 American, Coffeepot, ca. 1800?25, Earthenware; Redware, 10 3/4 x 5 1/2 x 10 in. (27.3 x 14 x 25.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1922 (22.26.3a, b)
Coffeepot MET ES4177 Coffeepot MET ES4177 /2141 American, Coffeepot, ca. 1800?25, Earthenware; Redware, 10 3/4 x 5 1/2 x 10 in. (27.3 x 14 x 25.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1922 (22.26.3a, b) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-coffeepot-met-es4177-coffeepot-met-es4177-2141-american-coffeepot-168109553.html
Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris) Hamlet and the Corpse of Polonius (Hamlet, Act 3, Scene 4), 1835 French, Lithograph; second state of four; Image: 10 1/16 x 6 15/16 in. (25.5 x 17.7 cm) Sheet: 11 3/16 x 7 15/16 in. (28.4 x 20.1 cm) The Metropolitan Museum of Art, New York, Rogers Fund, 1922 (22.56.14) http://www.metmuseum.org/Collections/search-the-collections/337336
Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris) Hamlet and the Corpse of Polonius (Hamlet, Act 3, Scene 4), 1835 French, Lithograph; second state of four; Image: 10 1/16 x 6 15/16 in. (25.5 x 17.7 cm) Sheet: 11 3/16 x 7 15/16 in. (28.4 x 20.1 cm) The Metropolitan Museum of Art, New York, Rogers Fund, 1922 (22.56.14) http://www.metmuseum.org/Collections/search-the-collections/337336 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/eugne-delacroix-french-charenton-saint-maurice-17981863-paris-hamlet-and-the-corpse-of-polonius-hamlet-act-3-scene-4-1835-french-lithograph-second-state-of-four-image-10-116-x-6-1516-in-255-x-177-cm-sheet-11-316-x-7-1516-in-284-x-201-cm-the-metropolitan-museum-of-art-new-york-rogers-fund-1922-225614-httpwwwmetmuseumorgcollectionssearch-the-collections337336-image389454575.html
Enmore Castle. Visual Material information: Title: Enmore Castle. 38.14.1. Place of publication: [England] Publisher: [Publisher not identified] Date of publication: [early 1760s] Item type: 1 print Medium: etching Dimensions: Five sheets stuck down on on one support sheet; 9.4 x 10. 3 cm; 10.4 x 11.6 cm; 9.6 x 10 cm; 10.2 x Former owner: George III, King of Great Britain, 1738-1820
Enmore Castle. Visual Material information: Title: Enmore Castle. 38.14.1. Place of publication: [England] Publisher: [Publisher not identified] Date of publication: [early 1760s] Item type: 1 print Medium: etching Dimensions: Five sheets stuck down on on one support sheet; 9.4 x 10. 3 cm; 10.4 x 11.6 cm; 9.6 x 10 cm; 10.2 x Former owner: George III, King of Great Britain, 1738-1820 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/enmore-castle-visual-material-information-title-enmore-castle-38141-place-of-publication-england-publisher-publisher-not-identified-date-of-publication-early-1760s-item-type-1-print-medium-etching-dimensions-five-sheets-stuck-down-on-on-one-support-sheet-94-x-10-3-cm-104-x-116-cm-96-x-10-cm-102-x-former-owner-george-iii-king-of-great-britain-1738-1820-image401760946.html
Archive image from page 286 of Denkschriften der Kaiserlichen Akademie der. Denkschriften der Kaiserlichen Akademie der Wissenschaften, Mathematisch-Naturwissenschaftliche Classe denkschriftender37kais Year: 1877 C. v. Ettingshausen. Fossile Flora von Sagor. Taf. XXIII. 1. Fraxinus excelsior L. 2. F. tamariseifolia. 3, 4. Achrus Sapota L. 5. Diospyros Lotus L. 6. Oelnosia liorbomca Gmel. 7—9. Vaceiuium crassifolium Audr. 10. Leucotboe coiiifolia DC. 11. Ligustrum vulgare L. 12. Chrysophyllum argenteum Jacq. 13, Bumelia ten;:x Willd. 14, 15. Celastnis rupestris Eckl. et Zeyh. 16. Celastrus
Archive image from page 286 of Denkschriften der Kaiserlichen Akademie der. Denkschriften der Kaiserlichen Akademie der Wissenschaften, Mathematisch-Naturwissenschaftliche Classe denkschriftender37kais Year: 1877 C. v. Ettingshausen. Fossile Flora von Sagor. Taf. XXIII. 1. Fraxinus excelsior L. 2. F. tamariseifolia. 3, 4. Achrus Sapota L. 5. Diospyros Lotus L. 6. Oelnosia liorbomca Gmel. 7—9. Vaceiuium crassifolium Audr. 10. Leucotboe coiiifolia DC. 11. Ligustrum vulgare L. 12. Chrysophyllum argenteum Jacq. 13, Bumelia ten;:x Willd. 14, 15. Celastnis rupestris Eckl. et Zeyh. 16. Celastrus https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/archive-image-from-page-286-of-denkschriften-der-kaiserlichen-akademie-der-denkschriften-der-kaiserlichen-akademie-der-wissenschaften-mathematisch-naturwissenschaftliche-classe-denkschriftender37kais-year-1877-c-v-ettingshausen-fossile-flora-von-sagor-taf-xxiii-1-fraxinus-excelsior-l-2-f-tamariseifolia-3-4-achrus-sapota-l-5-diospyros-lotus-l-6-oelnosia-liorbomca-gmel-79-vaceiuium-crassifolium-audr-10-leucotboe-coiiifolia-dc-11-ligustrum-vulgare-l-12-chrysophyllum-argenteum-jacq-13-bumelia-tenx-willd-14-15-celastnis-rupestris-eckl-et-zeyh-16-celastrus-image259553429.html
. Denkschriften der Kaiserlichen Akademie der Wissenschaften, Mathematisch-Naturwissenschaftliche Classe. C. v. Ettingshausen. Fossile Flora von Sagor. Taf. XXIII.. 1. Fraxinus excelsior L. 2. F. tamariseifolia. 3, 4. Achrus Sapota L. 5. Diospyros Lotus L. 6. Oelnosia liorbomca Gmel. 7—9. Vaceiuium crassifolium Audr. 10. Leucotboe coiiifolia DC. 11. Ligustrum vulgare L. 12. Chrysophyllum argenteum Jacq. 13, Bumelia ten;:x Willd. 14, 15. Celastnis rupestris Eckl. et Zeyh. 16. Celastrus heterophyllus Eckl. et Zeyh. Naluraelhitdruck. Denkschriften der mathem.-uaturw. GL XXXVII. ßd. Aue dtr h. k.
. Denkschriften der Kaiserlichen Akademie der Wissenschaften, Mathematisch-Naturwissenschaftliche Classe. C. v. Ettingshausen. Fossile Flora von Sagor. Taf. XXIII.. 1. Fraxinus excelsior L. 2. F. tamariseifolia. 3, 4. Achrus Sapota L. 5. Diospyros Lotus L. 6. Oelnosia liorbomca Gmel. 7—9. Vaceiuium crassifolium Audr. 10. Leucotboe coiiifolia DC. 11. Ligustrum vulgare L. 12. Chrysophyllum argenteum Jacq. 13, Bumelia ten;:x Willd. 14, 15. Celastnis rupestris Eckl. et Zeyh. 16. Celastrus heterophyllus Eckl. et Zeyh. Naluraelhitdruck. Denkschriften der mathem.-uaturw. GL XXXVII. ßd. Aue dtr h. k. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/denkschriften-der-kaiserlichen-akademie-der-wissenschaften-mathematisch-naturwissenschaftliche-classe-c-v-ettingshausen-fossile-flora-von-sagor-taf-xxiii-1-fraxinus-excelsior-l-2-f-tamariseifolia-3-4-achrus-sapota-l-5-diospyros-lotus-l-6-oelnosia-liorbomca-gmel-79-vaceiuium-crassifolium-audr-10-leucotboe-coiiifolia-dc-11-ligustrum-vulgare-l-12-chrysophyllum-argenteum-jacq-13-bumelia-tenx-willd-14-15-celastnis-rupestris-eckl-et-zeyh-16-celastrus-heterophyllus-eckl-et-zeyh-naluraelhitdruck-denkschriften-der-mathem-uaturw-gl-xxxvii-d-aue-dtr-h-k-image216096373.html
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image235128797.html
Act 8 (hachidanme), Utagawa Kunikiyo II (Japanese), Edo, 1857, 6th month, ink on paper, color woodblock print, 9-5/16 x 13-5/8 in. (image) 10 x 14-3/4 in. (sheet), Signed by artist: Kunikiyo ga Publisher's mark: Kōeidō (Tsuta-ya Kichizō) Date seal: mi-roku (year of the snake [1857], 6th month) Censor's seal: circular aratame, series, Syllabary Treasures of Loyal Retainers (Kanadehon chūshingura), Asian Art
Act 8 (hachidanme), Utagawa Kunikiyo II (Japanese), Edo, 1857, 6th month, ink on paper, color woodblock print, 9-5/16 x 13-5/8 in. (image) 10 x 14-3/4 in. (sheet), Signed by artist: Kunikiyo ga Publisher's mark: Kōeidō (Tsuta-ya Kichizō) Date seal: mi-roku (year of the snake [1857], 6th month) Censor's seal: circular aratame, series, Syllabary Treasures of Loyal Retainers (Kanadehon chūshingura), Asian Art https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/act-8-hachidanme-utagawa-kunikiyo-ii-japanese-edo-1857-6th-month-ink-on-paper-color-woodblock-print-9-516-x-13-58-in-image-10-x-14-34-in-sheet-signed-by-artist-kunikiyo-ga-publishers-mark-keid-tsuta-ya-kichiz-date-seal-mi-roku-year-of-the-snake-1857-6th-month-censors-seal-circular-aratame-series-syllabary-treasures-of-loyal-retainers-kanadehon-chshingura-asian-art-image328777806.html
shirt panel (mola), Kuna people, about 1950s, appliqued cotton, 10-3/4 x 14-1/2 in., Textile and Fashion Arts, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
shirt panel (mola), Kuna people, about 1950s, appliqued cotton, 10-3/4 x 14-1/2 in., Textile and Fashion Arts, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/shirt-panel-mola-kuna-people-about-1950s-appliqued-cotton-10-34-x-14-12-in-textile-and-fashion-arts-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349869753.html
Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series 'Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)'. Katsushika Hokusai ?? ??; Japanese, 1760-1849. Date: 1825-1838. Dimensions: 10 x 14 3/4 in. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute.
Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series 'Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)'. Katsushika Hokusai ?? ??; Japanese, 1760-1849. Date: 1825-1838. Dimensions: 10 x 14 3/4 in. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/viewing-sunset-over-the-ryogoku-bridge-from-the-onmaya-embankment-onmayagashi-yori-ryogokubashi-sekiyo-o-miru-from-the-series-thirty-six-views-of-mount-fuji-fugaku-sanjurokkei-katsushika-hokusai-japanese-1760-1849-date-1825-1838-dimensions-10-x-14-34-in-color-woodblock-print-oban-origin-japan-museum-the-chicago-art-institute-image239865496.html
Six Rats; Japan, mid to late 19th century Prints; woodcuts Color woodbk print 10 1/4 x 14 3/4 in. (26.04 x 37.47 cm) Gift of George T. and Margaret W. Romani (M.2000.42.11) Japanese Art; Mid to late 19th century;
Six Rats; Japan, mid to late 19th century Prints; woodcuts Color woodbk print 10 1/4 x 14 3/4 in. (26.04 x 37.47 cm) Gift of George T. and Margaret W. Romani (M.2000.42.11) Japanese Art; Mid to late 19th century; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/six-rats-japan-mid-to-late-19th-century-prints-woodcuts-color-woodbk-print-10-14-x-14-34-in-2604-x-3747-cm-gift-of-george-t-and-margaret-w-romani-m20004211-japanese-art-mid-to-late-19th-century-image257213084.html
. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1760 Display Dimensions: 7 3/4 in. x 7 1/16 in. (19.7 cm x 17.9 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1084 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:10. English: thesandiegomuseumofartcollection 1225 Vasant Raga (6124581733)
. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1760 Display Dimensions: 7 3/4 in. x 7 1/16 in. (19.7 cm x 17.9 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1084 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:10. English: thesandiegomuseumofartcollection 1225 Vasant Raga (6124581733) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-series-title-ragamala-suite-name-ragamala-creation-date-ca-1760-display-dimensions-7-34-in-x-7-116-in-197-cm-x-179-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901084-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-143310-english-thesandiegomuseumofartcollection-1225-vasant-raga-6124581733-image185607460.html
Piece. Date: 18th-19th century; Culture: Japan; Medium: Silk, metallic thread; Dimensions: 4 1/4 x 5 3/4 in. (10.80 x 14.61 cm); Classification:
Piece. Date: 18th-19th century; Culture: Japan; Medium: Silk, metallic thread; Dimensions: 4 1/4 x 5 3/4 in. (10.80 x 14.61 cm); Classification: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-piece-date-18th-19th-century-culture-japan-medium-silk-metallic-thread-168421665.html
Black-Figure Neck Amphora; Unknown; Athens, Greece, Europe; about 510 B.C.; Terracotta
Black-Figure Neck Amphora; Unknown; Athens, Greece, Europe; about 510 B.C.; Terracotta https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-black-figure-neck-amphora-unknown-athens-greece-europe-about-510-bc-73246897.html
'Twickenham Church; English: England, 1865 Prints; etchings Etching and drypoint Format: 10 3/8 x 14 1/4 in. (26.35 x 36.2 cm) Gift of Wallace L. De Wolf (19.4.65) Prints and Drawings; 1865date QS:P571,+1865-00-00T00:00:00Z/9; '
'Twickenham Church; English: England, 1865 Prints; etchings Etching and drypoint Format: 10 3/8 x 14 1/4 in. (26.35 x 36.2 cm) Gift of Wallace L. De Wolf (19.4.65) Prints and Drawings; 1865date QS:P571,+1865-00-00T00:00:00Z/9; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/twickenham-church-english-england-1865-prints-etchings-etching-and-drypoint-format-10-38-x-14-14-in-2635-x-362-cm-gift-of-wallace-l-de-wolf-19465-prints-and-drawings-1865date-qsp5711865-00-00t000000z9-image349852699.html
. Hardware merchandising January-June 1900. CARDWELL PLYERS. CARDWELL HOSE TIES. lA-X in. CLANCYS HOSE CLAMPS. X, K and 1 in.. LAWN MOWERS. Star—3 Knives, 9-in wheel. 12. 14, 16 in.Woodyatt—4 Knives, 10 % -in. Wheel. 12, 14, 16, 18, 20 in. JAPANNED TIN GRASS CATCHERS. 12, 14, 16, 18, 20 in. For WoodyattLawn Mowers only.
. Hardware merchandising January-June 1900. CARDWELL PLYERS. CARDWELL HOSE TIES. lA-X in. CLANCYS HOSE CLAMPS. X, K and 1 in.. LAWN MOWERS. Star—3 Knives, 9-in wheel. 12. 14, 16 in.Woodyatt—4 Knives, 10 % -in. Wheel. 12, 14, 16, 18, 20 in. JAPANNED TIN GRASS CATCHERS. 12, 14, 16, 18, 20 in. For WoodyattLawn Mowers only. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hardware-merchandising-january-june-1900-cardwell-plyers-cardwell-hose-ties-la-x-in-clancys-hose-clamps-x-k-and-1-in-lawn-mowers-star3-knives-9-in-wheel-12-14-16-inwoodyatt4-knives-10-in-wheel-12-14-16-18-20-in-japanned-tin-grass-catchers-12-14-16-18-20-in-for-woodyattlawn-mowers-only-image370383498.html
Coffret MET SF1971 180 82 2154 Coffret, ca. 1730?60, Copper, enamel, brass, 6 3/4 x 10 3/4 x 5 1/2 in. (17.1 x 27.3 x 14 cm). The Metropolitan Museum of Art, New York. Bequest of Flora E. Whiting, 1971 (1971.180.82)
Coffret MET SF1971 180 82 2154 Coffret, ca. 1730?60, Copper, enamel, brass, 6 3/4 x 10 3/4 x 5 1/2 in. (17.1 x 27.3 x 14 cm). The Metropolitan Museum of Art, New York. Bequest of Flora E. Whiting, 1971 (1971.180.82) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-coffret-met-sf1971-180-82-2154-coffret-ca-173060-copper-enamel-brass-168040122.html
Nikon D1X 4/11/2007 10:14:58.5 AM Color Data Format: RAW (12-bit) Compression: None Image Size: Large (3008 x 1960) Lens: 35-70mm f/2.8-2.8 Focal Length: 48mm Exposure Mode: Manual Metering Mode: Multi-Pattern 1/60 sec - f/5.6 Exposure Comp.: 0 EV Exposure Difference: +1 1/3 EV Flash Sync Mode: Not Attached Sensitivity: ISO 125 Color Mode: Mode II (Adobe RGB) Hue Adjustment: 0 White Balance: Incandescent Tone Comp: Normal Sharpening: None
Nikon D1X 4/11/2007 10:14:58.5 AM Color Data Format: RAW (12-bit) Compression: None Image Size: Large (3008 x 1960) Lens: 35-70mm f/2.8-2.8 Focal Length: 48mm Exposure Mode: Manual Metering Mode: Multi-Pattern 1/60 sec - f/5.6 Exposure Comp.: 0 EV Exposure Difference: +1 1/3 EV Flash Sync Mode: Not Attached Sensitivity: ISO 125 Color Mode: Mode II (Adobe RGB) Hue Adjustment: 0 White Balance: Incandescent Tone Comp: Normal Sharpening: None https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/nikon-d1x-4112007-1014585-am-color-data-format-raw-12-bit-compression-none-image-size-large-3008-x-1960-lens-35-70mm-f28-28-focal-length-48mm-exposure-mode-manual-metering-mode-multi-pattern-160-sec-f56-exposure-comp-0-ev-exposure-difference-1-13-ev-flash-sync-mode-not-attached-sensitivity-iso-125-color-mode-mode-ii-adobe-rgb-hue-adjustment-0-white-balance-incandescent-tone-comp-normal-sharpening-none-image397215468.html
Discovery reports (1938) Discovery reports discoveryreports17inst Year: 1938 Length of Whale in metres Fig. 2. Female Humpback whales. Measurement no. 3. Tip of snout to blow-hole. '-vi 0 :s- 0 / 1â ' / y / â 0 x h â¢â p ' 0 Si] ,' QJ .1- 3 9 10 II 12 13 14 15 Length of Whale in metres Fig. 3. Male Humpback whales. Measurement no. 4. Tip of snout to angle of gape. 12 13 Length of Whale in metres Fig. 4. Female Humpback whales. Measurement no. 4. Tip of snout to angle of gape.
Discovery reports (1938) Discovery reports discoveryreports17inst Year: 1938 Length of Whale in metres Fig. 2. Female Humpback whales. Measurement no. 3. Tip of snout to blow-hole. '-vi 0 :s- 0 / 1â ' / y / â 0 x h â¢â p ' 0 Si] ,' QJ .1- 3 9 10 II 12 13 14 15 Length of Whale in metres Fig. 3. Male Humpback whales. Measurement no. 4. Tip of snout to angle of gape. 12 13 Length of Whale in metres Fig. 4. Female Humpback whales. Measurement no. 4. Tip of snout to angle of gape. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/discovery-reports-1938-discovery-reports-discoveryreports17inst-year-1938-length-of-whale-in-metres-fig-2-female-humpback-whales-measurement-no-3-tip-of-snout-to-blow-hole-vi-0-s-0-1-y-0-x-h-p-0-si-qj-1-3-9-10-ii-12-13-14-15-length-of-whale-in-metres-fig-3-male-humpback-whales-measurement-no-4-tip-of-snout-to-angle-of-gape-12-13-length-of-whale-in-metres-fig-4-female-humpback-whales-measurement-no-4-tip-of-snout-to-angle-of-gape-image241937702.html
. Gray's new manual of botany. A handbook of the flowering plants and ferns of the central and northeastern United States and adjacent Canada. Botany. 198. E. virgrinicus. Two spikelets X 1, Spikelet with glumes detached x 2. Floret X 2. * Glumes as long as the lemmas or nearly so. *- Glumes and le.mmas rigid, all or only the latter awned. ++ Glumes bowed out, the base yellow and indurated for 1-2 mm, 1. E. virginicus L, Green or glaucous ; culms stout, 6-10 dm. high; sheaths smooth or hairy; blades 1.5-3 dm. long, 4-8 mm. wide, scabrous ; spike 4-14 cm. long, 12 mm. thick, rigidly upright, of
. Gray's new manual of botany. A handbook of the flowering plants and ferns of the central and northeastern United States and adjacent Canada. Botany. 198. E. virgrinicus. Two spikelets X 1, Spikelet with glumes detached x 2. Floret X 2. * Glumes as long as the lemmas or nearly so. *- Glumes and le.mmas rigid, all or only the latter awned. ++ Glumes bowed out, the base yellow and indurated for 1-2 mm, 1. E. virginicus L, Green or glaucous ; culms stout, 6-10 dm. high; sheaths smooth or hairy; blades 1.5-3 dm. long, 4-8 mm. wide, scabrous ; spike 4-14 cm. long, 12 mm. thick, rigidly upright, of https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/grays-new-manual-of-botany-a-handbook-of-the-flowering-plants-and-ferns-of-the-central-and-northeastern-united-states-and-adjacent-canada-botany-198-e-virgrinicus-two-spikelets-x-1-spikelet-with-glumes-detached-x-2-floret-x-2-glumes-as-long-as-the-lemmas-or-nearly-so-glumes-and-lemmas-rigid-all-or-only-the-latter-awned-glumes-bowed-out-the-base-yellow-and-indurated-for-1-2-mm-1-e-virginicus-l-green-or-glaucous-culms-stout-6-10-dm-high-sheaths-smooth-or-hairy-blades-15-3-dm-long-4-8-mm-wide-scabrous-spike-4-14-cm-long-12-mm-thick-rigidly-upright-of-image216352219.html
Act 12 (jūnidanme), Utagawa Kunikiyo II (Japanese), Edo, 1857, 6th month, ink on paper, color woodblock print, 9-5/16 x 13-5/8 in. (image) 10 x 14-3/4 in. (sheet), Signed by artist: Kunikiyo ga Publisher's mark: Kōeidō (Tsuta-ya Kichizō) Date seal: mi-roku (year of the snake [1857], 6th month) Censor's seal: circular aratame, series, Syllabary Treasures of Loyal Retainers (Kanadehon chūshingura), Asian Art
Act 12 (jūnidanme), Utagawa Kunikiyo II (Japanese), Edo, 1857, 6th month, ink on paper, color woodblock print, 9-5/16 x 13-5/8 in. (image) 10 x 14-3/4 in. (sheet), Signed by artist: Kunikiyo ga Publisher's mark: Kōeidō (Tsuta-ya Kichizō) Date seal: mi-roku (year of the snake [1857], 6th month) Censor's seal: circular aratame, series, Syllabary Treasures of Loyal Retainers (Kanadehon chūshingura), Asian Art https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/act-12-jnidanme-utagawa-kunikiyo-ii-japanese-edo-1857-6th-month-ink-on-paper-color-woodblock-print-9-516-x-13-58-in-image-10-x-14-34-in-sheet-signed-by-artist-kunikiyo-ga-publishers-mark-keid-tsuta-ya-kichiz-date-seal-mi-roku-year-of-the-snake-1857-6th-month-censors-seal-circular-aratame-series-syllabary-treasures-of-loyal-retainers-kanadehon-chshingura-asian-art-image328777812.html
Lamp, South Italy, 5th century B.C, Terracotta, 3 x 10.4 x 14 cm (1 3,16 x 4 1,8 x 5 1,2 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Lamp, South Italy, 5th century B.C, Terracotta, 3 x 10.4 x 14 cm (1 3,16 x 4 1,8 x 5 1,2 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/lamp-south-italy-5th-century-bc-terracotta-3-x-104-x-14-cm-1-316-x-4-18-x-5-12-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350030670.html
Cushion Pine Tree at Aoyama (Aoyama Enza no matsu), from the series 'Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)'. Katsushika Hokusai ?? ??; Japanese, 1760-1849; Publisher: Hibino Yohachi; Japanese, unknown. Date: 1825-1837. Dimensions: 25.5 x 37.5 cm (10 x 14 3/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute.
Cushion Pine Tree at Aoyama (Aoyama Enza no matsu), from the series 'Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)'. Katsushika Hokusai ?? ??; Japanese, 1760-1849; Publisher: Hibino Yohachi; Japanese, unknown. Date: 1825-1837. Dimensions: 25.5 x 37.5 cm (10 x 14 3/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cushion-pine-tree-at-aoyama-aoyama-enza-no-matsu-from-the-series-thirty-six-views-of-mount-fuji-fugaku-sanjurokkei-katsushika-hokusai-japanese-1760-1849-publisher-hibino-yohachi-japanese-unknown-date-1825-1837-dimensions-255-x-375-cm-10-x-14-34-in-color-woodblock-print-oban-origin-japan-museum-the-chicago-art-institute-image240168956.html
View of Cassel; United States, 1832 Drawings Ink wash Sheet: 4 1/8 x 6 3/4 in. (10.48 x 17.15 cm) Gift of Sandra and Jacob Terner (M.79.231.14) Prints and Drawings; 1832date QS:P571,+1832-00-00T00:00:00Z/9;
View of Cassel; United States, 1832 Drawings Ink wash Sheet: 4 1/8 x 6 3/4 in. (10.48 x 17.15 cm) Gift of Sandra and Jacob Terner (M.79.231.14) Prints and Drawings; 1832date QS:P571,+1832-00-00T00:00:00Z/9; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/view-of-cassel-united-states-1832-drawings-ink-wash-sheet-4-18-x-6-34-in-1048-x-1715-cm-gift-of-sandra-and-jacob-terner-m7923114-prints-and-drawings-1832date-qsp5711832-00-00t000000z9-image257224805.html
. English: Accession Number: 1975.83 Display Artist: Yoshida Hiroshi Display Title: Northern Imperial Tombs Series Title: Korea and Manchuria Suite Name: Chosen manshu Creation Date: 1937 Height: 9 5/8 in. Width: 14 3/4 in. Display Dimensions: 9 5/8 in. x 14 3/4 in. (24.45 cm x 37.47 cm) Publisher: Yoshida Credit Line: Gift of Mr. Ralph E. and Mrs. Evelyn E. Kreps in memory of Evelyn R. Patrick Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 4 July 2007, 10:03:46. English: thesandiegomuseumofartcollection 933 Northern Im
. English: Accession Number: 1975.83 Display Artist: Yoshida Hiroshi Display Title: Northern Imperial Tombs Series Title: Korea and Manchuria Suite Name: Chosen manshu Creation Date: 1937 Height: 9 5/8 in. Width: 14 3/4 in. Display Dimensions: 9 5/8 in. x 14 3/4 in. (24.45 cm x 37.47 cm) Publisher: Yoshida Credit Line: Gift of Mr. Ralph E. and Mrs. Evelyn E. Kreps in memory of Evelyn R. Patrick Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 4 July 2007, 10:03:46. English: thesandiegomuseumofartcollection 933 Northern Im https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-accession-number-197583-display-artist-yoshida-hiroshi-display-title-northern-imperial-tombs-series-title-korea-and-manchuria-suite-name-chosen-manshu-creation-date-1937-height-9-58-in-width-14-34-in-display-dimensions-9-58-in-x-14-34-in-2445-cm-x-3747-cm-publisher-yoshida-credit-line-gift-of-mr-ralph-e-and-mrs-evelyn-e-kreps-in-memory-of-evelyn-r-patrick-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-4-july-2007-100346-english-thesandiegomuseumofartcollection-933-northern-im-image185823657.html
Piece. Date: 18th-19th century; Culture: Japan; Medium: Silk, metallic thread; Dimensions: 4 1/4 x 5 3/4 in. (10.80 x 14.61 cm); Classification:
Piece. Date: 18th-19th century; Culture: Japan; Medium: Silk, metallic thread; Dimensions: 4 1/4 x 5 3/4 in. (10.80 x 14.61 cm); Classification: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-piece-date-18th-19th-century-culture-japan-medium-silk-metallic-thread-168421663.html
'Osaka Actor Nakamura Shikan in the Role of the Daimyō Fujiwara no Tokihira; English: circa early 1840s Prints; woodcuts Color woodblock print Image and Sheet: 14 3/8 x 10 in. (37 x 25.4 cm) The Joan Elizabeth Tanney Bequest (M.2006.136.235) Japanese Art; Circa early 1840s; '
'Osaka Actor Nakamura Shikan in the Role of the Daimyō Fujiwara no Tokihira; English: circa early 1840s Prints; woodcuts Color woodblock print Image and Sheet: 14 3/8 x 10 in. (37 x 25.4 cm) The Joan Elizabeth Tanney Bequest (M.2006.136.235) Japanese Art; Circa early 1840s; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/osaka-actor-nakamura-shikan-in-the-role-of-the-daimy-fujiwara-no-tokihira-english-circa-early-1840s-prints-woodcuts-color-woodblock-print-image-and-sheet-14-38-x-10-in-37-x-254-cm-the-joan-elizabeth-tanney-bequest-m2006136235-japanese-art-circa-early-1840s-image349770020.html
. Bulletin. Agriculture -- New Hampshire. FIG. 1—Egg in Situ, X 4. FIG. 4—Adult, X 14. FIG. 2—Larva, x 10. FIG. 3—Pupa, x lO.S.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. New Hampshire Agricultural Experiment Station. [Hanover, N. H. ] : New Hampshire Agricultural Experiment Station
. Bulletin. Agriculture -- New Hampshire. FIG. 1—Egg in Situ, X 4. FIG. 4—Adult, X 14. FIG. 2—Larva, x 10. FIG. 3—Pupa, x lO.S.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. New Hampshire Agricultural Experiment Station. [Hanover, N. H. ] : New Hampshire Agricultural Experiment Station https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bulletin-agriculture-new-hampshire-fig-1egg-in-situ-x-4-fig-4adult-x-14-fig-2larva-x-10-fig-3pupa-x-los-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-new-hampshire-agricultural-experiment-station-hanover-n-h-new-hampshire-agricultural-experiment-station-image234193095.html
Behind the Back of the Gods MET DP111634 265277 Behind the Back of the Gods, 1928, Gelatin silver print, 36.0 x 27.4 cm (14 3/16 x 10 13/16 in.). The Metropolitan Museum of Art, New York. Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987 (1987.1100.23)
Behind the Back of the Gods MET DP111634 265277 Behind the Back of the Gods, 1928, Gelatin silver print, 36.0 x 27.4 cm (14 3/16 x 10 13/16 in.). The Metropolitan Museum of Art, New York. Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987 (1987.1100.23) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-behind-the-back-of-the-gods-met-dp111634-265277-behind-the-back-of-168302603.html
Nikon D1X 4/11/2007 10:14:58.5 AM Color Data Format: RAW (12-bit) Compression: None Image Size: Large (3008 x 1960) Lens: 35-70mm f/2.8-2.8 Focal Length: 48mm Exposure Mode: Manual Metering Mode: Multi-Pattern 1/60 sec - f/5.6 Exposure Comp.: 0 EV Exposure Difference: +1 1/3 EV Flash Sync Mode: Not Attached Sensitivity: ISO 125 Color Mode: Mode II (Adobe RGB) Hue Adjustment: 0 White Balance: Incandescent Tone Comp: Normal Sharpening: None
Nikon D1X 4/11/2007 10:14:58.5 AM Color Data Format: RAW (12-bit) Compression: None Image Size: Large (3008 x 1960) Lens: 35-70mm f/2.8-2.8 Focal Length: 48mm Exposure Mode: Manual Metering Mode: Multi-Pattern 1/60 sec - f/5.6 Exposure Comp.: 0 EV Exposure Difference: +1 1/3 EV Flash Sync Mode: Not Attached Sensitivity: ISO 125 Color Mode: Mode II (Adobe RGB) Hue Adjustment: 0 White Balance: Incandescent Tone Comp: Normal Sharpening: None https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/nikon-d1x-4112007-1014585-am-color-data-format-raw-12-bit-compression-none-image-size-large-3008-x-1960-lens-35-70mm-f28-28-focal-length-48mm-exposure-mode-manual-metering-mode-multi-pattern-160-sec-f56-exposure-comp-0-ev-exposure-difference-1-13-ev-flash-sync-mode-not-attached-sensitivity-iso-125-color-mode-mode-ii-adobe-rgb-hue-adjustment-0-white-balance-incandescent-tone-comp-normal-sharpening-none-image397215524.html
Dreer's garden calendar : 1896 . dreersgardencale1896henr Year: 1896 Spain's Patent. 1, 23 x 36 inches. 2, 20 x 36 ' 3, 17 x 27 ' 4, 14 x 23 ' Capacity 50 ' ' 30 27 10 lbs., .ssoo . 6 50 . 5.50 . 4.50 Reid's Improved Butter Shipping- Box. Patented. These boxes are specially suited for square or oblong prints. Nearly all the recent inven- tions in Butter Print- ing Machines have adopted this shape, and it is generally conceded to be the best for transporta- tion. lb. . §3.50 . 3.75 . 4 25 . 4.75 . 5 00 . 5.50
Dreer's garden calendar : 1896 . dreersgardencale1896henr Year: 1896 Spain's Patent. 1, 23 x 36 inches. 2, 20 x 36 ' 3, 17 x 27 ' 4, 14 x 23 ' Capacity 50 ' ' 30 27 10 lbs., .ssoo . 6 50 . 5.50 . 4.50 Reid's Improved Butter Shipping- Box. Patented. These boxes are specially suited for square or oblong prints. Nearly all the recent inven- tions in Butter Print- ing Machines have adopted this shape, and it is generally conceded to be the best for transporta- tion. lb. . §3.50 . 3.75 . 4 25 . 4.75 . 5 00 . 5.50 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/dreers-garden-calendar-1896-dreersgardencale1896henr-year-1896-spains-patent-1-23-x-36-inches-2-20-x-36-3-17-x-27-4-14-x-23-capacity-50-30-27-10-lbs-ssoo-6-50-550-450-reids-improved-butter-shipping-box-patented-these-boxes-are-specially-suited-for-square-or-oblong-prints-nearly-all-the-recent-inven-tions-in-butter-print-ing-machines-have-adopted-this-shape-and-it-is-generally-conceded-to-be-the-best-for-transporta-tion-lb-350-375-4-25-475-5-00-550-image241000955.html
. Gray's new manual of botany. A handbook of the flowering plants and ferns of the central and northeastern United States and adjacent Canada. Botany. GRAMINEAB (GEASS FAMILY) 169. 198. E. virgrinicus. Two spikelets X 1, Spikelet with glumes detached x 2. Floret X 2. * Glumes as long as the lemmas or nearly so. *- Glumes and le.mmas rigid, all or only the latter awned. ++ Glumes bowed out, the base yellow and indurated for 1-2 mm, 1. E. virginicus L, Green or glaucous ; culms stout, 6-10 dm. high; sheaths smooth or hairy; blades 1.5-3 dm. long, 4-8 mm. wide, scabrous ; spike 4-14 cm. long, 12
. Gray's new manual of botany. A handbook of the flowering plants and ferns of the central and northeastern United States and adjacent Canada. Botany. GRAMINEAB (GEASS FAMILY) 169. 198. E. virgrinicus. Two spikelets X 1, Spikelet with glumes detached x 2. Floret X 2. * Glumes as long as the lemmas or nearly so. *- Glumes and le.mmas rigid, all or only the latter awned. ++ Glumes bowed out, the base yellow and indurated for 1-2 mm, 1. E. virginicus L, Green or glaucous ; culms stout, 6-10 dm. high; sheaths smooth or hairy; blades 1.5-3 dm. long, 4-8 mm. wide, scabrous ; spike 4-14 cm. long, 12 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/grays-new-manual-of-botany-a-handbook-of-the-flowering-plants-and-ferns-of-the-central-and-northeastern-united-states-and-adjacent-canada-botany-gramineab-geass-family-169-198-e-virgrinicus-two-spikelets-x-1-spikelet-with-glumes-detached-x-2-floret-x-2-glumes-as-long-as-the-lemmas-or-nearly-so-glumes-and-lemmas-rigid-all-or-only-the-latter-awned-glumes-bowed-out-the-base-yellow-and-indurated-for-1-2-mm-1-e-virginicus-l-green-or-glaucous-culms-stout-6-10-dm-high-sheaths-smooth-or-hairy-blades-15-3-dm-long-4-8-mm-wide-scabrous-spike-4-14-cm-long-12-image216352224.html
shirt panel (mola), Kuna people, about 1950s, appliqued cotton, 10-3/4 x 14-1/2 in., Textile and Fashion Arts
shirt panel (mola), Kuna people, about 1950s, appliqued cotton, 10-3/4 x 14-1/2 in., Textile and Fashion Arts https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/shirt-panel-mola-kuna-people-about-1950s-appliqued-cotton-10-34-x-14-12-in-textile-and-fashion-arts-image328784706.html
Mount Grohman, Thomas Moran (American, 1837-1926), date unknown, oil on academy board, 11-1/2 x 10-1/4 in. (board) 15-3/4 x 14-1/2 x 1 in. (framed), American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Mount Grohman, Thomas Moran (American, 1837-1926), date unknown, oil on academy board, 11-1/2 x 10-1/4 in. (board) 15-3/4 x 14-1/2 x 1 in. (framed), American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mount-grohman-thomas-moran-american-1837-1926-date-unknown-oil-on-academy-board-11-12-x-10-14-in-board-15-34-x-14-12-x-1-in-framed-american-painting-and-sculpture-to-1945-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349845832.html
Poem by Chunagon Yakamochi, from the series 'One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)'. Katsushika Hokusai ?? ??; Japanese, 1760-1849. Date: 1830-1841. Dimensions: 10 x 14 3/4 in. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute.
Poem by Chunagon Yakamochi, from the series 'One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)'. Katsushika Hokusai ?? ??; Japanese, 1760-1849. Date: 1830-1841. Dimensions: 10 x 14 3/4 in. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/poem-by-chunagon-yakamochi-from-the-series-one-hundred-poems-explained-by-the-nurse-hyakunin-isshu-uba-ga-etoki-katsushika-hokusai-japanese-1760-1849-date-1830-1841-dimensions-10-x-14-34-in-color-woodblock-print-oban-origin-japan-museum-the-chicago-art-institute-image239838912.html
Osaka Actor Nakamura Shikan in the Role of the DaimyÅ Fujiwara no Tokihira; circa early 1840s Prints; woodcuts Color woodbk print Image and Sheet: 14 3/8 x 10 in. (37 x 25.4 cm) The Joan Elizabeth Tanney Bequest (M.2006.136.235) Japanese Art; Circa early 1840s;
Osaka Actor Nakamura Shikan in the Role of the DaimyÅ Fujiwara no Tokihira; circa early 1840s Prints; woodcuts Color woodbk print Image and Sheet: 14 3/8 x 10 in. (37 x 25.4 cm) The Joan Elizabeth Tanney Bequest (M.2006.136.235) Japanese Art; Circa early 1840s; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/osaka-actor-nakamura-shikan-in-the-role-of-the-daimy-fujiwara-no-tokihira-circa-early-1840s-prints-woodcuts-color-woodbk-print-image-and-sheet-14-38-x-10-in-37-x-254-cm-the-joan-elizabeth-tanney-bequest-m2006136235-japanese-art-circa-early-1840s-image257166527.html
. English: Farrukh Beg (attributed), Sultan Ibrahim Adil Shah II Riding His Prized Elephant, Atash Khan, ca. 1600 (14.3 x 10.3 cm) Private coll. 4 March 2012. Farrukh Beg 203 Farrukh Beg (attributed), Sultan Ibrahim Adil Shah II Riding His Prized Elephant, Atash Khan, ca. 1600 (14.3 x 10.3 cm) Private coll.
. English: Farrukh Beg (attributed), Sultan Ibrahim Adil Shah II Riding His Prized Elephant, Atash Khan, ca. 1600 (14.3 x 10.3 cm) Private coll. 4 March 2012. Farrukh Beg 203 Farrukh Beg (attributed), Sultan Ibrahim Adil Shah II Riding His Prized Elephant, Atash Khan, ca. 1600 (14.3 x 10.3 cm) Private coll. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-farrukh-beg-attributed-sultan-ibrahim-adil-shah-ii-riding-his-prized-elephant-atash-khan-ca-1600-143-x-103-cm-private-coll-4-march-2012-farrukh-beg-203-farrukh-beg-attributed-sultan-ibrahim-adil-shah-ii-riding-his-prized-elephant-atash-khan-ca-1600-143-x-103-cm-private-coll-image188258691.html
Piece. Period: Edo period (1615-1868); Date: 18th-19th century; Culture: Japan; Medium: Silk; Dimensions: 5 3/4 x 4 1/4 in. (14.61 x 10.80 cm);
Piece. Period: Edo period (1615-1868); Date: 18th-19th century; Culture: Japan; Medium: Silk; Dimensions: 5 3/4 x 4 1/4 in. (14.61 x 10.80 cm); https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-piece-period-edo-period-1615-1868-date-18th-19th-century-culture-japan-168421574.html
'Hodono yoki; English: Japan, late 1830s-early 1840s Prints; woodcuts Color woodblock print Sheet: 14 3/4 x 10 in. (37.47 x 25.4 cm) Gift of Chuck Bowdlear, Ph.D., and John Borozan, M.A. (M.2003.67.23) Japanese Art; Late 1830s-early 1840s; '
'Hodono yoki; English: Japan, late 1830s-early 1840s Prints; woodcuts Color woodblock print Sheet: 14 3/4 x 10 in. (37.47 x 25.4 cm) Gift of Chuck Bowdlear, Ph.D., and John Borozan, M.A. (M.2003.67.23) Japanese Art; Late 1830s-early 1840s; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hodono-yoki-english-japan-late-1830s-early-1840s-prints-woodcuts-color-woodblock-print-sheet-14-34-x-10-in-3747-x-254-cm-gift-of-chuck-bowdlear-phd-and-john-borozan-ma-m20036723-japanese-art-late-1830s-early-1840s-image349588772.html
. Transactions of the Royal Scottish Arboricultural Society. Ground Plan 1. Kiichen IS 15 2. Parlour IZ 15 3. Bedroom 8 8 4. Dairy 7 6 6 ss^^sss First Floor PlanNAMES OF ROOMS Etc. AND DIMENSIONS- 6. Bedroom 14 6 >^ 12 8. Calves 7. Bedroom 14 6 x 13 9. Two Cows 10. Horse. 11. Barn. 19 135. Scullery 7x7 12, Carts with Granary over. 14 6. FsoNT Elev.t^o
. Transactions of the Royal Scottish Arboricultural Society. Ground Plan 1. Kiichen IS 15 2. Parlour IZ 15 3. Bedroom 8 8 4. Dairy 7 6 6 ss^^sss First Floor PlanNAMES OF ROOMS Etc. AND DIMENSIONS- 6. Bedroom 14 6 >^ 12 8. Calves 7. Bedroom 14 6 x 13 9. Two Cows 10. Horse. 11. Barn. 19 135. Scullery 7x7 12, Carts with Granary over. 14 6. FsoNT Elev.t^o https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/transactions-of-the-royal-scottish-arboricultural-society-ground-plan-1-kiichen-is-15-2-parlour-iz-15-3-bedroom-8-8-4-dairy-7-6-6-sssss-first-floor-plannames-of-rooms-etc-and-dimensions-6-bedroom-14-6-gt-12-8-calves-7-bedroom-14-6-x-13-9-two-cows-10-horse-11-barn-19-135-scullery-7x7-12-carts-with-granary-over-14-6-fsont-elevto-image370444424.html
Behind the Back of the Gods MET DP111634 265277 Behind the Back of the Gods, 1928, Gelatin silver print, 36.0 x 27.4 cm (14 3/16 x 10 13/16 in.). The Metropolitan Museum of Art, New York. Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987 (1987.1100.23)
Behind the Back of the Gods MET DP111634 265277 Behind the Back of the Gods, 1928, Gelatin silver print, 36.0 x 27.4 cm (14 3/16 x 10 13/16 in.). The Metropolitan Museum of Art, New York. Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987 (1987.1100.23) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-behind-the-back-of-the-gods-met-dp111634-265277-behind-the-back-of-168469909.html
Economic implications for management of Economic implications for management of structural retention on harvest units at the Blue River Ranger District, Willamette National Forest, Oregon economicimplicat510weig Year: 1992 14 12 »10 i_ 0) S« «^ o o 6 X! E 3 Z 4 2 0 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 Year Figure 2—Average number of bidders per timber sale, 1980-90, for sales with more than 2 million board feet, Blue River Ranger District, Willamette National Forest. Purchaser Response Perceptions by timber purchasers of the results of management for retention of green trees
Economic implications for management of Economic implications for management of structural retention on harvest units at the Blue River Ranger District, Willamette National Forest, Oregon economicimplicat510weig Year: 1992 14 12 »10 i_ 0) S« «^ o o 6 X! E 3 Z 4 2 0 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 Year Figure 2—Average number of bidders per timber sale, 1980-90, for sales with more than 2 million board feet, Blue River Ranger District, Willamette National Forest. Purchaser Response Perceptions by timber purchasers of the results of management for retention of green trees https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/economic-implications-for-management-of-economic-implications-for-management-of-structural-retention-on-harvest-units-at-the-blue-river-ranger-district-willamette-national-forest-oregon-economicimplicat510weig-year-1992-14-12-10-i-0-s-o-o-6-x!-e-3-z-4-2-0-1980-1981-1982-1983-1984-1985-1986-1987-1988-1989-1990-year-figure-2average-number-of-bidders-per-timber-sale-1980-90-for-sales-with-more-than-2-million-board-feet-blue-river-ranger-district-willamette-national-forest-purchaser-response-perceptions-by-timber-purchasers-of-the-results-of-management-for-retention-of-green-trees-image239822415.html
. The fungi which cause plant disease . Plant diseases; Fungi. 546 THE FUNGI WHICH CAUSE PLANT DISEASE liypophyllous, numerous, 75-150 m; spores allantoid, continuous, 7-10 X 1.5-2 fi. On Carya. G. berberidis Cke. Hypophyllous; acervuli collected, numerous; spores ovoid, 5x3/1- On Barberry. G. tamarindi Hem. is on tamarinds, in Africa. G. canadense E. & E. Spots amphigenous, center pale, border brownish; acervuli few,. Fig. 368.—M. corticolum, on apple twig. After Edgerton. 180-200 m; spores ovate-oblong, hyaline, 10-14 x 3.5-4.5. On white oak. Myxosporium Link (p. 538) Acervuli immersed o
. The fungi which cause plant disease . Plant diseases; Fungi. 546 THE FUNGI WHICH CAUSE PLANT DISEASE liypophyllous, numerous, 75-150 m; spores allantoid, continuous, 7-10 X 1.5-2 fi. On Carya. G. berberidis Cke. Hypophyllous; acervuli collected, numerous; spores ovoid, 5x3/1- On Barberry. G. tamarindi Hem. is on tamarinds, in Africa. G. canadense E. & E. Spots amphigenous, center pale, border brownish; acervuli few,. Fig. 368.—M. corticolum, on apple twig. After Edgerton. 180-200 m; spores ovate-oblong, hyaline, 10-14 x 3.5-4.5. On white oak. Myxosporium Link (p. 538) Acervuli immersed o https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-fungi-which-cause-plant-disease-plant-diseases-fungi-546-the-fungi-which-cause-plant-disease-liypophyllous-numerous-75-150-m-spores-allantoid-continuous-7-10-x-15-2-fi-on-carya-g-berberidis-cke-hypophyllous-acervuli-collected-numerous-spores-ovoid-5x31-on-barberry-g-tamarindi-hem-is-on-tamarinds-in-africa-g-canadense-e-amp-e-spots-amphigenous-center-pale-border-brownish-acervuli-few-fig-368m-corticolum-on-apple-twig-after-edgerton-180-200-m-spores-ovate-oblong-hyaline-10-14-x-35-45-on-white-oak-myxosporium-link-p-538-acervuli-immersed-o-image216451247.html
Piece, Japan, 18th–19th century, Japan, Silk, 4 x 5 3/4 in. (10.16 x 14.61 cm), Textiles-Woven
Piece, Japan, 18th–19th century, Japan, Silk, 4 x 5 3/4 in. (10.16 x 14.61 cm), Textiles-Woven https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/piece-japan-18th19th-century-japan-silk-4-x-5-34-in-1016-x-1461-cm-textiles-woven-image344612578.html
Kikijidô (The Chrysanthemum Boy), Utagawa Kunitora (Japanese), Edo, 19c, ink on paper, color woodblock print, 10-1/8 x 14-3/4 in., Signature: Utagawa Kunitora ga Seal: Kiwame Publisher's mark: Yamamoto-ya Heikichi (Eikyūdō), Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Kikijidô (The Chrysanthemum Boy), Utagawa Kunitora (Japanese), Edo, 19c, ink on paper, color woodblock print, 10-1/8 x 14-3/4 in., Signature: Utagawa Kunitora ga Seal: Kiwame Publisher's mark: Yamamoto-ya Heikichi (Eikyūdō), Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/kikijid-the-chrysanthemum-boy-utagawa-kunitora-japanese-edo-19c-ink-on-paper-color-woodblock-print-10-18-x-14-34-in-signature-utagawa-kunitora-ga-seal-kiwame-publishers-mark-yamamoto-ya-heikichi-eikyd-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349856682.html
The Sound of the Lake at Rinkai (Rinkai kosei), from the series 'Eight Views of the Ryukyu Islands (Ryukyu hakkei)'. Katsushika Hokusai ?? ??; Japanese, 1760-1849. Date: 1827-1837. Dimensions: 10 x 14 3/4 in. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute.
The Sound of the Lake at Rinkai (Rinkai kosei), from the series 'Eight Views of the Ryukyu Islands (Ryukyu hakkei)'. Katsushika Hokusai ?? ??; Japanese, 1760-1849. Date: 1827-1837. Dimensions: 10 x 14 3/4 in. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-sound-of-the-lake-at-rinkai-rinkai-kosei-from-the-series-eight-views-of-the-ryukyu-islands-ryukyu-hakkei-katsushika-hokusai-japanese-1760-1849-date-1827-1837-dimensions-10-x-14-34-in-color-woodblock-print-oban-origin-japan-museum-the-chicago-art-institute-image239842128.html
Hodono yoki; Japan, late 1830s-early 1840s Prints; woodcuts Color woodbk print Sheet: 14 3/4 x 10 in. (37.47 x 25.4 cm) Gift of Chuck Bowdlear, Ph.D., and John Borozan, M.A. (M.2003.67.23) Japanese Art; Late 1830s-early 1840s;
Hodono yoki; Japan, late 1830s-early 1840s Prints; woodcuts Color woodbk print Sheet: 14 3/4 x 10 in. (37.47 x 25.4 cm) Gift of Chuck Bowdlear, Ph.D., and John Borozan, M.A. (M.2003.67.23) Japanese Art; Late 1830s-early 1840s; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hodono-yoki-japan-late-1830s-early-1840s-prints-woodcuts-color-woodbk-print-sheet-14-34-x-10-in-3747-x-254-cm-gift-of-chuck-bowdlear-phd-and-john-borozan-ma-m20036723-japanese-art-late-1830s-early-1840s-image257052035.html
. English: Farrukh Beg (attributed), Sultan Ibrahim Adil Shah II Riding His Prized Elephant, Atash Khan, ca. 1600 (14.3 x 10.3 cm) Private coll. 4 March 2012. Farrukh Beg 175 Farrukh Beg (attributed), Sultan Ibrahim Adil Shah II Riding His Prized Elephant, Atash Khan, ca. 1600 (14.3 x 10.3 cm) Private coll.
. English: Farrukh Beg (attributed), Sultan Ibrahim Adil Shah II Riding His Prized Elephant, Atash Khan, ca. 1600 (14.3 x 10.3 cm) Private coll. 4 March 2012. Farrukh Beg 175 Farrukh Beg (attributed), Sultan Ibrahim Adil Shah II Riding His Prized Elephant, Atash Khan, ca. 1600 (14.3 x 10.3 cm) Private coll. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-farrukh-beg-attributed-sultan-ibrahim-adil-shah-ii-riding-his-prized-elephant-atash-khan-ca-1600-143-x-103-cm-private-coll-4-march-2012-farrukh-beg-175-farrukh-beg-attributed-sultan-ibrahim-adil-shah-ii-riding-his-prized-elephant-atash-khan-ca-1600-143-x-103-cm-private-coll-image189019237.html
Grave relief fragment, votive. Culture: Cypriot; Medium: Limestone; Dimensions: Overall: 4 1/4 x 5 5/8 x 2 1/4 in. (10.8 x 14.3 x 5.7 cm);
Grave relief fragment, votive. Culture: Cypriot; Medium: Limestone; Dimensions: Overall: 4 1/4 x 5 5/8 x 2 1/4 in. (10.8 x 14.3 x 5.7 cm); https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-grave-relief-fragment-votive-culture-cypriot-medium-limestone-dimensions-168230148.html
'Trestle Bridge At Whiteside; English: United States, 1866, printed 1866 Photographs Albumen print Image: 10 x 14; Mount: 16 x 20; Mat: 19 1/2 x 21 3/4 The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation, acquired from Carol Vernon and Robert Turbin (M.2008.40.187) Photography; Printed 1866; '
'Trestle Bridge At Whiteside; English: United States, 1866, printed 1866 Photographs Albumen print Image: 10 x 14; Mount: 16 x 20; Mat: 19 1/2 x 21 3/4 The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation, acquired from Carol Vernon and Robert Turbin (M.2008.40.187) Photography; Printed 1866; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/trestle-bridge-at-whiteside-english-united-states-1866-printed-1866-photographs-albumen-print-image-10-x-14-mount-16-x-20-mat-19-12-x-21-34-the-marjorie-and-leonard-vernon-collection-gift-of-the-annenberg-foundation-acquired-from-carol-vernon-and-robert-turbin-m200840187-photography-printed-1866-image349852211.html
Journal and proceedings of the Royal Society of New South Wales . s^ ua^s^ 3. 4. 5. Calcite n.s. 6. Chabazite n.s 7. Phacolite x 2. 8.9.BEYRL x 3.13.Molybdenite n.s.. 14. Zircon x 6 10. Stilbite x 12.!!. Laumoinite x 12. /^ 12, Vesuvianite x30. Journal Royal Society, N.S.W., 1888. Vol XXII. Part I. Plate % % V i Vl
Journal and proceedings of the Royal Society of New South Wales . s^ ua^s^ 3. 4. 5. Calcite n.s. 6. Chabazite n.s 7. Phacolite x 2. 8.9.BEYRL x 3.13.Molybdenite n.s.. 14. Zircon x 6 10. Stilbite x 12.!!. Laumoinite x 12. /^ 12, Vesuvianite x30. Journal Royal Society, N.S.W., 1888. Vol XXII. Part I. Plate % % V i Vl https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/journal-and-proceedings-of-the-royal-society-of-new-south-wales-s-uas-3-4-5-calcite-ns-6-chabazite-ns-7-phacolite-x-2-89beyrl-x-313molybdenite-ns-14-zircon-x-6-10-stilbite-x-12!!-laumoinite-x-12-12-vesuvianite-x30-journal-royal-society-nsw-1888-vol-xxii-part-i-plate-v-i-vl-image343403690.html
Bell (Ekure) MET DP-812-003 684576 Edo peoples, Bell (Ekure), early 19th?mid 19th century, Brass, L.14 15/16 x D. 4 3/16 x W. ?6 11/16 in. (37.9 x 10.6 x ?17 cm). The Metropolitan Museum of Art, New York. Purchase, Amati Gifts, 2015 (2015.450)
Bell (Ekure) MET DP-812-003 684576 Edo peoples, Bell (Ekure), early 19th?mid 19th century, Brass, L.14 15/16 x D. 4 3/16 x W. ?6 11/16 in. (37.9 x 10.6 x ?17 cm). The Metropolitan Museum of Art, New York. Purchase, Amati Gifts, 2015 (2015.450) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-bell-ekure-met-dp-812-003-684576-edo-peoples-bell-ekure-early-19thmid-168086303.html
Archive image from page 52 of Descriptive catalogue of seeds . Descriptive catalogue of seeds : garden, field and flower, fertilizers, &c., agricultural and horticultural implements descriptivecatal1889reev Year: 1889 FOR THE FARM AND GARDEN. 61 PRICES. No 1, size of platform, 3 ft. x 2 ft $10 00 I No. 4, size of platform, 3 It. 6 x2 ft. 6 $15 00 ' 2 ' ' 3 ' 2 ' 2 ' 2 .. .. 12 00 ' 5, ' ' 3 ' 8 ' 2 ' 8 ... . 18 00 ' 3, ' ' 3 '4 '2 ' 4 14 00 I ' 6, ' ' 3 '10'-2 '10. 18 00 Special Siaes Made to Order. HAND TRUCKS.
Archive image from page 52 of Descriptive catalogue of seeds . Descriptive catalogue of seeds : garden, field and flower, fertilizers, &c., agricultural and horticultural implements descriptivecatal1889reev Year: 1889 FOR THE FARM AND GARDEN. 61 PRICES. No 1, size of platform, 3 ft. x 2 ft $10 00 I No. 4, size of platform, 3 It. 6 x2 ft. 6 $15 00 ' 2 ' ' 3 ' 2 ' 2 ' 2 .. .. 12 00 ' 5, ' ' 3 ' 8 ' 2 ' 8 ... . 18 00 ' 3, ' ' 3 '4 '2 ' 4 14 00 I ' 6, ' ' 3 '10'-2 '10. 18 00 Special Siaes Made to Order. HAND TRUCKS. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/archive-image-from-page-52-of-descriptive-catalogue-of-seeds-descriptive-catalogue-of-seeds-garden-field-and-flower-fertilizers-c-agricultural-and-horticultural-implements-descriptivecatal1889reev-year-1889-for-the-farm-and-garden-61-prices-no-1-size-of-platform-3-ft-x-2-ft-10-00-i-no-4-size-of-platform-3-it-6-x2-ft-6-15-00-2-3-2-2-2-12-00-5-3-8-2-8-18-00-3-3-4-2-4-14-00-i-6-3-10-2-10-18-00-special-siaes-made-to-order-hand-trucks-image258650085.html
. Minnesota mushrooms ... Botany; Mushrooms. 138 MINNESOTA MUSHROOMS Morchella hybrida Cap morel Cap 2-3 cm. tall, 2-4 cm, wide, tan or brownish, free from the stem except at tcip, the ribs mostlv longitudinal, making long pits or grooves, pointed bell-shaped or broadly conic; stem 5-10 cm. by 2-5 cm., white or whitish, grainy, bulbous at the base, hollow; spores clear, elliptic, smooth, 18-20 X 10-14/t, The name refers to the resemblance to A' e r p a. This species belongs almost equally well in V e r p a. ("In ground in woodland or grassland ; delicious.. P'iGURE 102. McikcHELLA hSCC I.
. Minnesota mushrooms ... Botany; Mushrooms. 138 MINNESOTA MUSHROOMS Morchella hybrida Cap morel Cap 2-3 cm. tall, 2-4 cm, wide, tan or brownish, free from the stem except at tcip, the ribs mostlv longitudinal, making long pits or grooves, pointed bell-shaped or broadly conic; stem 5-10 cm. by 2-5 cm., white or whitish, grainy, bulbous at the base, hollow; spores clear, elliptic, smooth, 18-20 X 10-14/t, The name refers to the resemblance to A' e r p a. This species belongs almost equally well in V e r p a. ("In ground in woodland or grassland ; delicious.. P'iGURE 102. McikcHELLA hSCC I. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/minnesota-mushrooms-botany-mushrooms-138-minnesota-mushrooms-morchella-hybrida-cap-morel-cap-2-3-cm-tall-2-4-cm-wide-tan-or-brownish-free-from-the-stem-except-at-tcip-the-ribs-mostlv-longitudinal-making-long-pits-or-grooves-pointed-bell-shaped-or-broadly-conic-stem-5-10-cm-by-2-5-cm-white-or-whitish-grainy-bulbous-at-the-base-hollow-spores-clear-elliptic-smooth-18-20-x-10-14t-the-name-refers-to-the-resemblance-to-a-e-r-p-a-this-species-belongs-almost-equally-well-in-v-e-r-p-a-quotin-ground-in-woodland-or-grassland-delicious-pigure-102-mcikchella-hscc-i-image216455305.html
Unknown Artist, The Penitent Saint Peter, n.d., bronze, 5 11/16 in. x 3 15/16 in. (14.4 cm. x 10 cm.)
Unknown Artist, The Penitent Saint Peter, n.d., bronze, 5 11/16 in. x 3 15/16 in. (14.4 cm. x 10 cm.) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/unknown-artist-the-penitent-saint-peter-nd-bronze-5-1116-in-x-3-1516-in-144-cm-x-10-cm-image344476971.html
Still Life, Barton Stone Hays (American, 1826-1914), date unknown, oil on canvas, 10-1/4 x 12-1/4 in. (canvas) 14-1/2 x 16-1/2 x 1-3/4 in. (framed), Signed, l.r.: B. S. Hays., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Still Life, Barton Stone Hays (American, 1826-1914), date unknown, oil on canvas, 10-1/4 x 12-1/4 in. (canvas) 14-1/2 x 16-1/2 x 1-3/4 in. (framed), Signed, l.r.: B. S. Hays., American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/still-life-barton-stone-hays-american-1826-1914-date-unknown-oil-on-canvas-10-14-x-12-14-in-canvas-14-12-x-16-12-x-1-34-in-framed-signed-lr-b-s-hays-american-painting-and-sculpture-to-1945-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349863119.html
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as the Great Wave, from the series 'Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)'. Katsushika Hokusai ?? ??; Japanese, 1760-1849. Date: 1825-1838. Dimensions: 25.4 x 37.6 cm (10 x 14 3/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute.
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as the Great Wave, from the series 'Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)'. Katsushika Hokusai ?? ??; Japanese, 1760-1849. Date: 1825-1838. Dimensions: 25.4 x 37.6 cm (10 x 14 3/4 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/under-the-wave-off-kanagawa-kanagawa-oki-nami-ura-also-known-as-the-great-wave-from-the-series-thirty-six-views-of-mount-fuji-fugaku-sanjurokkei-katsushika-hokusai-japanese-1760-1849-date-1825-1838-dimensions-254-x-376-cm-10-x-14-34-in-color-woodblock-print-oban-origin-japan-museum-the-chicago-art-institute-image240175778.html