RELEASE DATE: August 6, 2004. MOVIE TITLE: Code 46. STUDIO: Revolution Films. PLOT: Code 46 is a love story set in a Brave New World-type near-future where cities are heavily controlled and only accessible through checkpoints. People cannot travel unless they havepapeles (papers in Spanish; words and sentences in many languages, especially Spanish, French and Chinese are mixed with English in this new world), a special travel permit issued by the totalitarian government, theSphinx. Outside these cities, the desert has taken over and shanty towns are jammed with non-citizens - people with

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RELEASE DATE: August 6, 2004. MOVIE TITLE: Code 46. STUDIO: Revolution Films. PLOT: Code 46 is a love story set Stock Photo
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RELEASE DATE: August 6, 2004. MOVIE TITLE: Code 46. STUDIO: Revolution Films. PLOT: Code 46 is a love story set in a Brave New World-type near-future where cities are heavily controlled and only accessible through checkpoints. People cannot travel unless they havepapeles (papers in Spanish; words and sentences in many languages, especially Spanish, French and Chinese are mixed with English in this new world), a special travel permit issued by the totalitarian government, theSphinx. Outside these cities, the desert has taken over and shanty towns are jammed with non-citizens - people with
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Image ID: F6JM46
RELEASE DATE: August 6, 2004. MOVIE TITLE: Code 46. STUDIO: Revolution Films. PLOT: Code 46 is a love story set in a Brave New World-type near-future where cities are heavily controlled and only accessible through checkpoints. People cannot travel unless they havepapeles (papers in Spanish; words and sentences in many languages, especially Spanish, French and Chinese are mixed with English in this new world), a special travel permit issued by the totalitarian government, theSphinx. Outside these cities, the desert has taken over and shanty towns are jammed with non-citizens - people without IDs forced to live primitive lives. William is a family man who works as a government investigator. PICTURED: TIM ROBBINS, director MICHAEL WINTERBOTTOM, and SAMANTHA MORTON rehearse on the set.

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