Faust Johann Wolfgang von Goethe A tragedy 1870 period costume magical magic tale legend myth story drama theatre act character

Faust  Johann Wolfgang von Goethe A tragedy 1870 period costume magical magic tale legend myth story drama theatre act character Stock Photo
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Contributor:

SOTK2011 / Alamy Stock Photo

Image ID:

CF8230

File size:

30.2 MB (2.9 MB Compressed download)

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Dimensions:

4192 x 2518 px | 35.5 x 21.3 cm | 14 x 8.4 inches | 300dpi

Date taken:

2012

More information:

This illustration is from the ‘Faust A tragedy by Goethe Translated by Theodore Martin Illustrated by Prof August von Kreling’ Johann Wolfgang von Goethe's Faust is a tragic play in two parts: Faust. Der Tragödie erster Teil (translated as: Faust: The First Part of the Tragedy) and Faust. Der Tragödie zweiter Teil (Faust: The Second Part of the Tragedy). Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. Faust is Goethe's most famous work and considered by many to be one of the greatest works of German literature. Goethe completed a preliminary version of Part One in 1806. The 1808 publication was followed by the revised 1828–29 edition, which was the last to be edited by Goethe himself. Prior to these appeared a partial printing in 1790 of Faust, a Fragment. The earliest forms of the work, known as the Urfaust, were developed between 1772 and 1775; however, the details of that development are no longer entirely clear. Goethe finished writing Faust Part Two in 1831. In contrast to Faust Part One, the focus here is no longer on the soul of Faust, which has been sold to the devil, but rather on social phenomena such as psychology, history and politics, in addition to mystical and philosophical topics. The second part formed the principal occupation of Goethe's last years. It appeared only posthumously in 1832. Faust Part One is a complex story. It takes place in multiple settings, the first of which is heaven. Mephistopheles makes a bet with God: he says that he can lure God's favourite human being (Faust), who is striving to learn everything that can be known, away from righteous pursuits. The next scene takes place in Faust's study where Faust, despairing at the vanity of scientific, humanitarian and religious learning, turns to magic for the showering of infinite knowledge.