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Alfred Stieglitz, and his wife, Georgia O'Keeffe, 1936. Courtesy: CSU Archives/Everett Collection Image details File size:
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2400 x 2999 px | 20.3 x 25.4 cm | 8 x 10 inches | 300dpi
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Alfred Stieglitz, and his wife, Georgia O'Keeffe, 1936. Courtesy: CSU Archives/Everett Collection
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Similar stock images Alfred Stieglitz photo portrait of his wife artist Georgia O'Keeffe. Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/alfred-stieglitz-photo-portrait-of-his-wife-artist-georgia-okeeffe-image414412112.html RF 2F262TG – Alfred Stieglitz photo portrait of his wife artist Georgia O'Keeffe. Alfred Stieglitz. Georgia O'Keeffe—Hands and Thimble. 1919. United States. Palladium print Alfred Stieglitz campaigned throughout the first half of the twentieth century to legitimize photography and modern art. He founded an exhibiting organization, the Photo-Secession, then the periodical Camera Work, and finally a series of galleries. The most influential of these, the gallery known simply as 291, operating from 1908 until 1917, introduced the work of such leaders of the European avant-garde as Paul Cézanne, Henri Matisse, and Pablo Picasso. Georgia O’Keeffe, who became Stieglitz’s wife in Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/alfred-stieglitz-georgia-okeeffehands-and-thimble-1919-united-states-palladium-print-alfred-stieglitz-campaigned-throughout-the-first-half-of-the-twentieth-century-to-legitimize-photography-and-modern-art-he-founded-an-exhibiting-organization-the-photo-secession-then-the-periodical-camera-work-and-finally-a-series-of-galleries-the-most-influential-of-these-the-gallery-known-simply-as-291-operating-from-1908-until-1917-introduced-the-work-of-such-leaders-of-the-european-avant-garde-as-paul-czanne-henri-matisse-and-pablo-picasso-georgia-okeeffe-who-became-stieglitzs-wife-in-image337984031.html RM 2AHTE27 – Alfred Stieglitz. Georgia O'Keeffe—Hands and Thimble. 1919. United States. Palladium print Alfred Stieglitz campaigned throughout the first half of the twentieth century to legitimize photography and modern art. He founded an exhibiting organization, the Photo-Secession, then the periodical Camera Work, and finally a series of galleries. The most influential of these, the gallery known simply as 291, operating from 1908 until 1917, introduced the work of such leaders of the European avant-garde as Paul Cézanne, Henri Matisse, and Pablo Picasso. Georgia O’Keeffe, who became Stieglitz’s wife in GEORGIA O'KEEFFE, and ALFRED STIEGLITZ, 1936. Photo courtesy: Everett/CSU Archives. Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/stock-photo-georgia-okeeffe-and-alfred-stieglitz-1936-photo-courtesy-everettcsu-50026003.html RM CWATJY – GEORGIA O'KEEFFE, and ALFRED STIEGLITZ, 1936. Photo courtesy: Everett/CSU Archives. Alfred Stieglitz. Georgia O'Keeffe. 1918. United States. Platinum print The photographer Alfred Stieglitz sought to bring to America examples of the revolutionary developments of modern art in Europe and to provide support as well for progressive artists and photographers who lived and worked in the United States. His New York gallery “291” exhibited work by such artists as Picasso, Matisse, Marin, Hartley, and O’Keeffe, who would become Stieglitz’s wife. He photographed her hundreds of times over the years, varying the poses and focusing on parts of her body in a totally modern approach to th Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/alfred-stieglitz-georgia-okeeffe-1918-united-states-platinum-print-the-photographer-alfred-stieglitz-sought-to-bring-to-america-examples-of-the-revolutionary-developments-of-modern-art-in-europe-and-to-provide-support-as-well-for-progressive-artists-and-photographers-who-lived-and-worked-in-the-united-states-his-new-york-gallery-291-exhibited-work-by-such-artists-as-picasso-matisse-marin-hartley-and-okeeffe-who-would-become-stieglitzs-wife-he-photographed-her-hundreds-of-times-over-the-years-varying-the-poses-and-focusing-on-parts-of-her-body-in-a-totally-modern-approach-to-th-image337984013.html RM 2AHTE1H – Alfred Stieglitz. Georgia O'Keeffe. 1918. United States. Platinum print The photographer Alfred Stieglitz sought to bring to America examples of the revolutionary developments of modern art in Europe and to provide support as well for progressive artists and photographers who lived and worked in the United States. His New York gallery “291” exhibited work by such artists as Picasso, Matisse, Marin, Hartley, and O’Keeffe, who would become Stieglitz’s wife. He photographed her hundreds of times over the years, varying the poses and focusing on parts of her body in a totally modern approach to th Alfred Stieglitz. From My Window at An American Place, North. 1930–1931. United States. Gelatin silver print “My first memory of Alfred Stieglitz,” recalled the photographer’s wife, the painter Georgia O’Keeffe, “was on a day in 1908 when … I went with two or three other students to see the Rodin drawings at ‘291.’ … where a new kind of art was shown—and it was the only place in New York you could see anything like it.” O’Keeffe’s reminiscence suggests the influential character of the work Stieglitz promoted, and of his gallery itself. The photographer operated galleries throughout his life, u Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/alfred-stieglitz-from-my-window-at-an-american-place-north-19301931-united-states-gelatin-silver-print-my-first-memory-of-alfred-stieglitz-recalled-the-photographers-wife-the-painter-georgia-okeeffe-was-on-a-day-in-1908-when-i-went-with-two-or-three-other-students-to-see-the-rodin-drawings-at-291-where-a-new-kind-of-art-was-shownand-it-was-the-only-place-in-new-york-you-could-see-anything-like-it-okeeffes-reminiscence-suggests-the-influential-character-of-the-work-stieglitz-promoted-and-of-his-gallery-itself-the-photographer-operated-galleries-throughout-his-life-u-image337984160.html RM 2AHTE6T – Alfred Stieglitz. From My Window at An American Place, North. 1930–1931. United States. Gelatin silver print “My first memory of Alfred Stieglitz,” recalled the photographer’s wife, the painter Georgia O’Keeffe, “was on a day in 1908 when … I went with two or three other students to see the Rodin drawings at ‘291.’ … where a new kind of art was shown—and it was the only place in New York you could see anything like it.” O’Keeffe’s reminiscence suggests the influential character of the work Stieglitz promoted, and of his gallery itself. The photographer operated galleries throughout his life, u 
