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Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. Centauress carrying a young man, playing the lyre with one hand and clashing cymbals with the other. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.
Italy. Rome. Villa of Livia. Painted Garden, removed from the triclinium (dining room). 20-30BC.
Wall painting on black ground: supports with entrablature, from the imperial villa at Boscotrecase. Period: Early Imperial; Date: last decade of the
Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. Centauress carrying a young man, playing the lyre with one hand and clashing cymbals with the other. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.
Wall painting on black ground: supports with entablature, from the imperial villa at Boscotrecase. Period: Early Imperial; Date: last decade of the
Wall painting on black ground: pair of supports, from the imperial villa at Boscotrecase. Period: Early Imperial; Date: last decade of the 1st
Wall painting on black ground: landscape, from the imperial villa at Boscotrecase. Period: Early Imperial; Date: last decade of the 1st century B.C;
Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows Venus, or a young dancer or bacchant representing her, gracefully dancing at a banquet of the gods. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.
Italy. Rome. Villa of Livia. Painted Garden, removed from the triclinium (dining room) . 20-30 BC.
Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows two dancers in fine transparent robes of green and yellow, elegantly dancing together touching thumb and index fingers. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.
Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows two dancers in fine transparent robes of green and yellow, elegantly dancing together touching thumb and index fingers. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.
Italy. Rome. Villa of Livia. Painted Garden, removed from the triclinium (dining room) .30-20 BC.