RM2HW8289–A Young Woman Feeding her Infant, from Premier Livre de Sujets et Pastorales (First Book of Subjects and Pastorals), plate 1, 18th century, Etching and engraving, Plate: 10 9/16 x 8 1/16 in. (26.8 x 20.5 cm), Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris)
RM2HW8290–Calais and Zetes led by Boreas and Oreithyia (Calai e Zeti condotti da Borea et Oritia), with female-headed sea creatures at the prow and stern, and a tree at shipdeck center, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 9/16 x 5 1/8 in. (9 x 13 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8EF8–The Virgin with the Blessing Child in a Landscape, Engraving, Sheet: 6 7/8 × 4 11/16 in. (17.5 × 11.9 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg)
RM2HW8EF6–La Sainte Famille (The Holy Family), 19th century, Etching, Sheet: 6 7/8 × 5 3/8 in. (17.4 × 13.6 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres)
RM2HW828K–Plate 2: The Argonaut Amphion led by Mercury (Anfione Argon. condotto da Mercurio), with a fantastic beast head at the prow and Amphion seated at the stern, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 11/16 x 5 1/4 in. (9.4 x 13.4 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8EHT–Life in Camp, Part 1: Hard Tack, 1864, Color lithograph, Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine)
RM2HW828N–Plate 9: Argonauts Hicleus and Naucleus led in the float of Neptune (Hicleo e Naucleo Argon. condotti nel carro di Nattunno), with male sea creatures blowing horns from the water below, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 9/16 x 5 in. (9 x 12.7 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8EF1–Saint Christopher Carrying the Christ Child, Engraving, Sheet: 2 3/4 × 2 9/16 in. (7 × 6.5 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg)
RM2HW8294–Plate 11: Idmon and Mopsus guided by Apollo (Idmone ea Mopso Argonoti guidati da Apollo), with an aureole around Apollo's head, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 5/8 x 5 1/16 in. (9.2 x 12.9 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8EFW–The Virgin and Child with Saint Anne at the Cradle, Engraving, Sheet: 2 1/2 × 2 1/4 in. (6.4 × 5.7 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg)
RM2HW8EJ6–La Sainte Famille (The Holy Family), 19th century, Etching, Mount: 12 5/8 × 9 5/8 in. (32 × 24.4 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres)
RM2HW8EJ3–Cyrus, King of Persia, from Four Illustrious Rulers of Antiquity, 1590s, Engraving, Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp)
RM2HW828M–The Argonauts led by Minerva (Reale dell armata di Argonuti con da Minerves), from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 3/4 x 5 1/8 in. (9.6 x 13 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8291–Plate 15: Rivers and goddesses, with floating islands guided by pole bearers, female figures seated on a dolphin and a tortoise, and three female musicians seated on a floating scallop shell , from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 5/8 x 5 1/16 in. (9.2 x 12.9 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8298–Plate 12: Atalanta led by Diana (Atalata condoti da Diana), accompanied by warriors bearing shields and spears, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 3/4 x 5 1/16 in. (9.5 x 12.9 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8EFT–La Sainte Famille (The Holy Family), 19th century, Etching; first state of two (Van Gelder), Mount: 12 × 8 11/16 in. (30.5 × 22.1 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres)
RM2HW829B–Plate 16: The Argonaut Asterion led by a young figure of lightning (Asterione argonote condoti da Giove fulmina), with two female figures seated between Asterion and the figure of lightning, and a horse enveloped in clouds at the ship's prow, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 9/16 x 5 1/16 in. (9 x 12.8 cm), After Remigio Cantagallina (I
RM2HW828W–Plate 13: Argonauts Meleager and Tydeus led by Cupid (Meleagro et Tideo Argonotes condotti da Cupido), from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 11/16 x 5 1/16 in. (9.4 x 12.9 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8EJ7–Intérieur de Paysans (Peasant interior), 1850, Etching; second state of two (Van Gelder), Mount: 4 5/16 × 6 in. (11 × 15.3 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres)
RM2HW8EHM–L'Ermite à la Tête de Mort (The Hermit with Skull), 19th century, Etching; first state of two (Van Gelder), Mount: 14 × 10 9/16 in. (35.5 × 26.8 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres)
RM2HW828J–The Martyrdom of Saint Andrew, ca. 1595, Oil (brunaille) on paper; framing line in pen and brown ink, probably by a later hand, Sheet: 11 1/4 x 7 5/8 in. (28.6 x 19.3 cm), Drawings, Otto van Veen (Netherlandish, Leiden 1556–1629 Brussels), This oil sketch on paper is the earliest surviving preparatory work for Otto van Veen's painting for the high altar of Antwerp's church of Saint Andrew, still in situ. Depicted is the crucifixion of the apostle Andrew, ordered by proconsul Aegeus, on horseback at right
RM2HW8296–Plate 6: Ship of Castor and Pollux (Barcha de Castor et Poluce), from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 9/16 x 5 1/4 in. (9 x 13.4 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW6W69–Ornamental Design with Putto and Skulls, 17th century, Pen and brown ink, brush and brown wash, highlighted with white gouache, sheet: 9 1/2 x 5 1/4 in. (24.2 x 13.3 cm), Drawings, Anonymous, Italian, 17th century
RM2HW828H–Plate 8: Polyphemus and Palemonius led by Ceres (Polifemo e Palemonio Argonauti condotti da Cerere), with sterncastle in the form of a volcano, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 7/16 x 5 3/16 in. (8.8 x 13.1 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8EFP–The Rest on the Flight into Egypt, Engraving, Sheet: 3 3/4 × 1 7/8 in. (9.5 × 4.8 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg)
RM2HW8295–Plate 10: Agamemnon and Menelaus seated in a boat accompanied by other figures including Vulcan (Agamennone et Menelao Argn. condoti da Vulcano), from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 11/16 x 5 1/8 in. (9.4 x 13 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW828X–Touch, from The Five Senses, 18th century, Etching and engraving, Sheet: 148 13/16 x 10 15/16 in. (378 x 27.8 cm), François Boucher (French, Paris 1703–1770 Paris)
RM2HW8299–Title Page, from Barberinae aulae fornix, ca. 1677, Engraving, Mount: 15 7/8 in. × 21 3/8 in. (40.3 × 54.3 cm), Anonymous, Italian, 17th century, After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome), This print is from a series of plates loosely stitched together representing Pietro da Cortona's ceiling frescoes 'Allegory of Divine Providence and Barberini Power' for the salone of Palazzo Barberini, Rome painted 1630-33
RM2HW8EG0–La Sainte Famille et Les Bergers (The Holy Family and the Shepherds), 1839, Etching, Mount: 4 1/8 × 3 7/16 in. (10.4 × 8.8 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres)
RM2HW8EFX–Copy of The Virgin and Child with Saint Anne at the Cradle, Engraving, Sheet: 2 1/2 × 2 5/16 in. (6.4 × 5.8 cm), Prints, after Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg)
RM2HW8EFC–Vieillard Assis Dans un Intérieur (Old Man Seated in an Interior), ca. 1841, Etching, Mount: 7 3/8 × 5 1/2 in. (18.7 × 14 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres)
RM2HW827Y–Shepherd tickling a sleeping Shepherdess with a piece of straw, from Troisieme Livre de Sujets et Pastorales (Third Book of Subjects and Pastorals), plate 3, 18th century, Etching and engraving, Sheet: 13 3/8 x 9 5/8 in. (34 x 24.4 cm), Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770 Paris)
RM2HW828G–Plate 14: The Argonauts Eurytus, Echion, and Aethalides (Eurito Echione e Etalide Argonote), led by Mercury in the form of a peacock, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 11/16 x 5 1/16 in. (9.4 x 12.8 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8EHA–La Crucifixion (The Crucifixion), 19th century, Etching, Mount: 14 1/16 × 10 9/16 in. (35.7 × 26.8 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres), Van Gelder dates the print to 1839; the inscription appears to read 1889, which was after Bresdin's death. The date of the print is most likely ca. 1839.
RM2HW6W6C–Ornamental Design with Putto and Skulls, 17th century, Pen and brown ink, brush and brown wash, highlighted with white gouache, sheet: 9 1/2 x 5 1/4 in. (24.2 x 13.3 cm), Drawings, Anonymous, Italian, 17th century
RM2HW8293–Frontispiece for 'Instructions for Chancellors' (Instruzione a' Cancellieri): Medici coat of arms at top center, below two allegorical females, between them a dove holding olive branches in its mouth, Florentine landscape at bottom center, 1635, Etching, Sheet: 8 9/16 x 5 5/8 in. (21.8 x 14.3 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)
RM2HW8292–Plate 16: Ship of musicians with the sea god Claucus and tritons (Barcha di musici rapra Clauco dio marino e Tritoni), from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 1/4 x 4 13/16 in. (8.3 x 12.2 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8EFK–The Rest on the Flight into Egypt, Engraving, Sheet: 3 7/8 × 2 1/16 in. (9.8 × 5.2 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg)
RM2HW8EHJ–L'Arrestation du Christ (The Arrest of Christ), 19th century, Etching, Mount: 5 11/16 × 7 7/8 in. (14.5 × 20 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres)
RM2HW828P–Plate 18: Orpheus led by Bacchus (Orfeo condotto da Bacco), from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 7/16 x 5 1/8 in. (8.8 x 13 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8EHB–Saint en Prière (Saint in Prayer), 1839, Etching, Mount: 11 7/8 × 8 11/16 in. (30.2 × 22 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres)
RM2HW828T–Title page from 'The magnificent pageant on the Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc); two figures holding a curtain inscribed with title and other details, 1664, Etching, Sheet: 3 3/4 x 5 1/16 in. (9.6 x 12.8 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8EHD–St. Joseph Charpentier (St. Joseph, Carpenter), 19th century, Etching, Mount: 6 1/8 × 9 3/8 in. (15.5 × 23.8 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres)
RM2HW8EH9–La Mort d'Uncas (The Death of Uncas), 1839, Etching, Mount: 9 3/8 × 12 3/8 in. (23.8 × 31.5 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres)
RM2HW8EHP–L'Escalier (The Staircase), 19th century, Etching, Mount: 6 3/16 × 4 5/8 in. (15.7 × 11.8 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres)
RM2HW8282–Plate 3: Captain of the army of Chalchis (Capitana del armata de Colco), from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 11/16 x 5 1/8 in. (9.4 x 13 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW828C–Plate 1: Ship of Hercules (Barcha del Hercole), with dragon-headed prow and Hercules on platform behind oarsmen and standing soldiers, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1664, Etching, Sheet: 3 5/8 x 5 1/8 in. (9.2 x 13 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW82AX–Plate 7: Peleo et Talamone Argonauti condotti da Tetide, from The magnificent pageant on the Arno in Florence for the marriage of the Grand Duke (Le Manifique Carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du grand Duc), 1664, Etching, Sheet: 3 9/16 x 5 1/8 in. (9.1 x 13 cm), After Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)
RM2HW8EFG–Saint Christopher Carrying the Christ Child, Engraving, Sheet: 2 3/4 × 2 5/8 in. (7 × 6.6 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg)
RM2HTXDKH–Dancer, ca. 1880, Pastel and charcoal on blue-gray wove paper, sheet: 19 1/4 x 12 1/2 in. (48.9 x 31.8 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris)
RM2HTXDK0–La fidelité, 17th century, Pen and brown ink, brush and gray wash, graphite., 5 3/8 x 2 11/16 in. (13.7 x 6.8 cm), Drawings, Anonymous, French, 17th century
RM2HTXDK1–Aedes Barberinae, 1642, Printed book with engraved illustrations., 14 x 9 1/4 in. (35.6 x 23.5 cm), Books
RM2HTXDJG–New York and Brooklyn Bridge Entrance, after 1885, Wood engraving, hand colored, 11 x 8 1/2 in. (27.9 x 21.6 cm), Prints
RM2HTXDJW–Antique Subject, 17th century, Pen and brown ink, brush and brown and gray wash. Framing lines in pen and brown ink, graphite., 6 9/16 x 3 7/8 in. (16.7 x 9.9 cm), Drawings, Anonymous, French, 17th century
RM2HTXDJB–La fourberie, 17th century, Pen and brown ink, brush and gray wash, graphite., 5 9/16 x 2 3/4 in. (14.2 x 7 cm), Drawings, Anonymous, French, 17th century
RM2HTXDK4–View of Rome, 1724, Red chalk, 9 11/16 x 14 3/4 in. (24.6 x 37.5 cm), Drawings, François Le Moyne (French, Paris 1688–1737 Paris)
RM2HTXDKW–Livret Emblemes de maistre Andre Alciati, 1536, woodcut, 6 3/8 x 4 1/4 x 5/8 in. (16.2 x 10.8 x 1.6 cm), Books
RM2HTXDJ9–Vita Aesopi, March 27, 1492, Printed book with woodcut illustrations., Books
RM2HTXDKM–Design for a Monument, 1764–1850, Pen, brown ink with brown, blue-green, purple and yellowish washes, 17 x 10 in. (43.2 x 25.4 cm), Pietro Fancelli (Italian, Bologna, 1764–1850)
RM2HTXDK2–Apocalypsis cu Figuris, 1511, Woodcut, 20 1/16 × 15 3/8 × 5/8 in. (51 × 39.1 × 1.6 cm), Books
RM2HTXDKK–Stanze di M. Pietro Aretino, January 23, 1537, Printed book with woodcut illustrations, 7 5/8 x 5 13/16 x 5/16 in. (19.4 x 14.7 x 0.8 cm), Books, Rosand and Muraro (1976, pp. 191; 194-45, no. 42), plausibly attribute the cutting to Britto, who produced another woodcut for Marcolini in1536 and is known to have had associations with both Titian and Aretino
RM2HTXDJD–Le Sourire, 1899, Woodcut on china paper, block: 4 x 7 1/4 in. (10.2 x 18.4 cm), Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands)
RM2HTXDJT–The Music Master, 1855, Illustrations: wood engraving, 6 7/8 x 4 1/2 in. (17.5 x 11.5 cm), Books, Rossetti’s first published illustration was made for this volume to accompany the poem The Maids of Elfin-mere. Characteristically, the image focuses on a vision of three maidens who appear nightly to spin and chant, entrancing a pastor’s son who, “listening to their gentle singing, felt his heart go from him clinging, round these maids of Elfen-Mere
RM2HTXDK8–Last Supper, late 1650s, Pen and brown ink, brush and brown wash, over traces of red chalk, heightened with white gouache, with framing line in pen and brown ink. Laid down., 7 11/16 x 11 1/2 in. (19.5 x 29.2 cm), Drawings, Philips Koninck (Dutch, Amsterdam 1619–1688 Amsterdam)
RM2HTXDJF–Belisarius, 17th century, Pen and brown ink, brush and brown and gray wash. Framing lines in pen and brown ink, graphite., 6 9/16 x 3 7/8 in. (16.7 x 9.9 cm), Drawings, Anonymous, French, 17th century
RM2HTXDKJ–Labyrinte de Versailles, 1677, Etching, Overall: 8 7/16 x 5 13/16 x 3/4 in. (21.5 x 14.7 x 1.9 cm)
RM2HTXDJ2–Broadway at 42nd Street, New York, 1850–1900, Wood engraving, hand colored, 11 x 8 1/2 in. (27.9 x 21.6 cm), Prints
RM2HTXDJ8–Vita et Fabulae, February 13, 1485, Printed book with metalcut or woodcut illustrations, 11 1/4 x 8 1/4 x 7/8 in. (28.5 x 21 x 2.3 cm), Books, This popular book of moralized tales, most of which involve animals, was among the standard texts used to teach young children (mainly boys) to read. At least four different illustrated editions appeared in Italy in the fifteenth century, of which the most remarkable is that published by the jurist and humanist Francesco del Tuppo in 1485
RM2HTXDJ4–Groupe d'enfans, 17th century, Pen and brown ink, brush and gray wash, graphite, 5 1/16 x 3 11/16 in. (12.9 x 9.3 cm), Drawings, Anonymous, French, 17th century
RM2HTXDJY–Three Studies of a Lion, 1815–63, Graphite on tracing paper (mounted on wove paper), 4 5/16 x 5 5/16 in. (11 x 13.5 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris)
RM2HTXDKN–Catalogue of Gas Fixtures and Fittings, after 1870, Illustrations: lithography and color lithography, Books
RM2HTXDKR–Apocalypsis cu Figuris, 1511, Woodcuts, 18 1/8 × 12 5/8 × 1/2 in. (46 × 32 × 1.3 cm), Books
RM2HTXDJ1–Libro de Geometría, Práctica y Traça, 1589, plates: woodcut, Overall: 11 13/16 x 8 7/16 x 9/16 in. (30 x 21.5 x 1.5 cm), Books
RM2HTXDJ0–Aesopi Fabulas, June 26, 1479, Woodcuts, some hand colored, Overall: 8 1/4 x 6 1/4 x 7/8 in. (21 x 15.8 x 2.2 cm), Books
RM2HTTDKM–Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Murrhina agate with green jadeite stopper, H. 2 3/4 in. (7 cm), Snuff Bottles
RM2HTTDKX–Snuff Bottle, Qing dynasty (1644–1911), late 19th century, China, Porcelain, H. 3 1/8 in. (7.9 cm), Snuff Bottles
RM2HTTDJ2–Snuff Bottle, Qing dynasty, 19th century, China, Porcelain, H. 4 11/16 in. (11.9 cm), Snuff Bottles
RM2HTTDJR–Miniature Vase, Qing dynasty (1644–1911), Yongzheng period (1723–35), China, Soft paste porcelain with tinted ivory stopper, H. 2 3/4 in. (7 cm), Snuff Bottles
RM2HTTDJA–Snuff Bottle with One Hundred Children, Qing dynasty (1644–1911), Qianlong mark and period (1736–95, China, Porcelain with overglaze enamel colors, coral stopper, H. 2 1/4 in. (5.7 cm), Snuff Bottles
RM2HTTDJ7–Snuff Bottle with Horse Rider, Qing dynasty (1644–1911), Daoguang mark and period (1821–50), China, Porcelain with overglazed enamel colors, coral stopper, H. 2 5/8 in. (6.7 cm), Snuff Bottles
RM2HTTDKP–Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Blue agate with red glass stopper, H. 3 3/4 in. (9.5 cm), Snuff Bottles
RM2HTTDJ4–Snuff Bottle with Immortal and Crane, Qing dynasty (1644–1911), Daoguang period (1821–50), China, Porcelain with underglaze blue, coral stopper, H. 2 1/2 in. (6.4 cm), Snuff Bottles
RM2HTTDJC–Snuff Bottle, Qing dynasty (1644–1911), Jiaqing period (1796–1820), 19th century, China, Porcelain, H. 2 9/16 in. (6.5 cm), Snuff Bottles
RM2HTTDJK–Snuff Bottle with Dragons Chasing Pearl, Qing dynasty (1644–1911), Daoguang mark and period (1821–50), China, Porcelain with coral stopper, H. 2 11/16 in. (6.8 cm), Snuff Bottles
RM2HTTDJY–Snuff bottle with boys at play, Qing dynasty (1644–1911), 19th century, China, Porcelain painted with cobalt blue under a transparent glaze (Jingdezhen ware), H. 2 5/8 in. (6.7 cm), Snuff Bottles
RM2HTTDK3–Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Murrhina agate with green jade and pink tourmaline stopper, H. 3 1/4 in. (8.3 cm), Snuff Bottles
RM2HTTDMK–Snuff bottle with boys at play, Qing dynasty (1644–1911), Daoguang period (1821–50), China, Porcelain painted with colored enamels over a transparent glaze (Jingdezhen ware), H. 3 3/4 in. (9.5 cm), Snuff Bottles
RM2HTTDMG–Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Jadeite, L. 3 1/8 in. (7.9 cm), Snuff Bottles
RM2HTTDK1–Snuff Bottle with Scene of Dragon-Boat Festival, Qing dynasty (1644–1911), Qianlong mark and period (1736–95), China, Porcelain with overglaze enamel colors, malachite stopper, H. 2 5/8 in. (6.7 cm), Snuff Bottles
RM2HTTDM5–Snuff Bottle, Qing dynasty (1644–1911), late 18th–early 19th century, China, Smoky quartz with jadeite stopper, H. 3 1/4 in. (8.3 cm), Snuff Bottles
RM2HTTDJJ–Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, White crystal with silver stopper inlaid with stones, H. 2 3/8 in. (6 cm), Snuff Bottles
RM2HTTDJ9–Snuff Bottle with Dragon, Qing dynasty (1644–1911), Qianlong mark and period (1736–95), China, Porcelain with jadeite stopper, H. 2 7/16 in. (6.2 cm), Snuff Bottles
RM2HTTDJP–Snuff Bottle with Scene of a Lotus Pond, Qing dynasty (1644–1911), Daoguang mark and period (1821–50), China, Porcelain with overglazed enamel colors, ivory stopper, H. 2 1/2 in. (6.4 cm), Snuff Bottles, CDAG snuff IDs ceramics REPRO.indd 5 7/10/13 8:08 AM Snuff Bottle with Scene of a Lotus Pond Qing dynasty (1644–1911), Daoguang mark and period (1821–50) Porcelain with overglazed enamel colors, ivory stopper. Bequest of Benjamin Altman, 1913
RM2HTTDK7–Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Porcelain, H. 3 1/4 in. (8.3 cm), Snuff Bottles
RM2HTTDKD–Snuff Bottle, Qing dynasty, 19th century, China, Porcelain, H. 2 15/16 in. (7.5 cm), Snuff Bottles
RM2HTTDJW–Miniature Vase, Qing dynasty (1644–1911), late 19th century, China, Porcelain, H. 2 11/16 in. (6.8 cm), Snuff Bottles
RM2HTTDKE–Snuff bottle with European figures, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Painted enamel, H. 2 7/8 in. (7.3 cm); W. 1 1/2 in. (3.8 cm); D. 1 in. (2.5 cm), Snuff Bottles, This snuff bottles illustrates the frequent contact between China and the West during the Qing dynasty (1644–1911), when not only the technique, painted enamel, but also the decorative motifs, Western figures in a landscape setting, were introduced from Europe
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