. Programme. The following description of the ballet is taken from an article onCasella by Guido M. Gatti, pubHshed in that excellent magazine TheMusical Quarterly (April, 1920).-— Its music was written to a graceful plot in a seventeenth-centuryambient by the poet Vaudoyer. In it appear tenuous, powdered, lan-guid figures, against a scenic back-ground of parks, canals, and marble,moonht palaces. Its dances are whimsical, vertiginous. A slight lovestory supphes incidental embelhshment and is rounded out, thanks tothe kindly intervention of Terpsichore and her nymphs, with whom thegoddess dance

. Programme. The following description of the ballet is taken from an article onCasella by Guido M. Gatti, pubHshed in that excellent magazine TheMusical Quarterly (April, 1920).-— Its music was written to a graceful plot in a seventeenth-centuryambient by the poet Vaudoyer. In it appear tenuous, powdered, lan-guid figures, against a scenic back-ground of parks, canals, and marble,moonht palaces. Its dances are whimsical, vertiginous. A slight lovestory supphes incidental embelhshment and is rounded out, thanks tothe kindly intervention of Terpsichore and her nymphs, with whom thegoddess dance Stock Photo
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. Programme. The following description of the ballet is taken from an article onCasella by Guido M. Gatti, pubHshed in that excellent magazine TheMusical Quarterly (April, 1920).-— Its music was written to a graceful plot in a seventeenth-centuryambient by the poet Vaudoyer. In it appear tenuous, powdered, lan-guid figures, against a scenic back-ground of parks, canals, and marble, moonht palaces. Its dances are whimsical, vertiginous. A slight lovestory supphes incidental embelhshment and is rounded out, thanks tothe kindly intervention of Terpsichore and her nymphs, with whom thegoddess dances against a Titianesque canvas. The comedy is one inwhich choreography predominates; yet here and there sound accents ofcahn sorrow and sustained joy, one and the other felt by seventeenth-century hearts and voiced by masked and powdered figures. Casella [ARTIMEZ PREPARES FOR ORATORIO. CHURCH. OPERA AND CONCERT TONE EMISSION. DICTION. AND DRAMATIC GESTURE THE COPLEY 18 HUNTINGTON AVENUE Tel. Copley 9158-M. PENNELL. GIBBS & QUIRINGCOMPANY, INC.. DECORATORS203 CLARENDON STREETBOSTON. MASSACHUSETTS Mare ni VIOLAS and CELLOS of exquisite toneand splendid condition ITALIAN VIOLIN STRINGS lUSICIANS SUPPLY 218 Tremont Street and 60LaCrange Street. Boston, Mass. Telephone, Beach 1882 ESlTIKil RODMAN CORSETIERE Custom Made Corsets Special Attention Given Surgical Cases The Original Goodwin and other smart Corsets, Ready-to-Wear KENSINGTON BUILDING, ROOM 215 687 BOYLSTON STREET : : : BOSTON, MASS.