10 January 2022, Brandenburg, Eisenhüttenstadt: Sabrina Kotzian, an employee of the Museum Utopia and Everyday Life, stands in the permanent exhibition with a laptop containing the homepage of the digital participation platform. Last year, the Museum Utopia and Everyday Life in Eisenhüttenstadt designed a new digital participation platform for sharing memories and object stories. It provides an insight into the collections of everyday culture and art from the GDR. The platform invites people to share experiences, memories and stories that visitors associate with the things on display. Photo: P
RM2HG31C410 January 2022, Brandenburg, Eisenhüttenstadt: Sabrina Kotzian, an employee of the Museum Utopia and Everyday Life, stands in the permanent exhibition with a laptop containing the homepage of the digital participation platform. Last year, the Museum Utopia and Everyday Life in Eisenhüttenstadt designed a new digital participation platform for sharing memories and object stories. It provides an insight into the collections of everyday culture and art from the GDR. The platform invites people to share experiences, memories and stories that visitors associate with the things on display. Photo: P
Museum Utopia and Everyday Life in Eisenhüttenstadt. The exhibition shows facets of everyday life in the GDR in family and work, reports on consumption, education and communication possibilities. Here cameras. Eisenhüttenstadt, Germany
RF2PD38YYMuseum Utopia and Everyday Life in Eisenhüttenstadt. The exhibition shows facets of everyday life in the GDR in family and work, reports on consumption, education and communication possibilities. Here cameras. Eisenhüttenstadt, Germany
10 January 2022, Brandenburg, Eisenhüttenstadt: Sabrina Kotzian, an employee of the Museum Utopia and Everyday Life, stands next to a Schwalbe-type moped in the permanent exhibition with a laptop containing the homepage of the digital participation platform. Last year, the Museum Utopia and Everyday Life in Eisenhüttenstadt designed a new digital participation platform for sharing memories and object stories. It provides an insight into the collections of everyday culture and art from the GDR. The platform invites people to share experiences, memories and stories that visitors associate with t
RM2HG31CA10 January 2022, Brandenburg, Eisenhüttenstadt: Sabrina Kotzian, an employee of the Museum Utopia and Everyday Life, stands next to a Schwalbe-type moped in the permanent exhibition with a laptop containing the homepage of the digital participation platform. Last year, the Museum Utopia and Everyday Life in Eisenhüttenstadt designed a new digital participation platform for sharing memories and object stories. It provides an insight into the collections of everyday culture and art from the GDR. The platform invites people to share experiences, memories and stories that visitors associate with t
Coveted goods purchased in transit between the GDR, Poland and the CSSR. Such as wickerwork, Bunszlau tableware or crayons from Poland or color films and music cassettes from the GDR. Eisenhüttenstadt, Germany. Museum Utopia and Everyday Life in Eisenhüttenstadt. The exhibition shows facets of everyday life in the GDR in family and work, reports on consumption, education and communication possibilities. Here enclosed goods in transit with friendly countries in communism such as CSSR and Poland.
RF2PD4X3WCoveted goods purchased in transit between the GDR, Poland and the CSSR. Such as wickerwork, Bunszlau tableware or crayons from Poland or color films and music cassettes from the GDR. Eisenhüttenstadt, Germany. Museum Utopia and Everyday Life in Eisenhüttenstadt. The exhibition shows facets of everyday life in the GDR in family and work, reports on consumption, education and communication possibilities. Here enclosed goods in transit with friendly countries in communism such as CSSR and Poland.
10 January 2022, Brandenburg, Eisenhüttenstadt: Sabrina Kotzian, an employee of the Museum Utopia and Everyday Life, shows a star camping radio from GDR times, matryoshka (matryoshka) and a laptop with the start page of the digital participation platform. The Museum Utopia and Everyday Life in Eisenhüttenstadt had designed a new digital participatory platform last year, for sharing memories and object stories. It provides an insight into the collections of everyday culture and art from the GDR. The platform invites people to share experiences, memories and stories that visitors associate with
RM2HG31B710 January 2022, Brandenburg, Eisenhüttenstadt: Sabrina Kotzian, an employee of the Museum Utopia and Everyday Life, shows a star camping radio from GDR times, matryoshka (matryoshka) and a laptop with the start page of the digital participation platform. The Museum Utopia and Everyday Life in Eisenhüttenstadt had designed a new digital participatory platform last year, for sharing memories and object stories. It provides an insight into the collections of everyday culture and art from the GDR. The platform invites people to share experiences, memories and stories that visitors associate with
A house for the everyday culture of the GDR. Andrea Wieloch, left, director of the museum and Axel Driescher, curator at the museum Utopia and Everyday Life, Everyday Culture and Art from the GDR in Eisenhüttenstadt, Germany
RF2PD38X3A house for the everyday culture of the GDR. Andrea Wieloch, left, director of the museum and Axel Driescher, curator at the museum Utopia and Everyday Life, Everyday Culture and Art from the GDR in Eisenhüttenstadt, Germany
10 January 2022, Brandenburg, Eisenhüttenstadt: Sabrina Kotzian, an employee of the Museum Utopia and Everyday Life, stands next to a Schwalbe-type moped in the permanent exhibition with a laptop containing the homepage of the digital participation platform. Last year, the Museum Utopia and Everyday Life in Eisenhüttenstadt designed a new digital participation platform for sharing memories and object stories. It provides an insight into the collections of everyday culture and art from the GDR. The platform invites people to share experiences, memories and stories that visitors associate with t
RM2HG31BM10 January 2022, Brandenburg, Eisenhüttenstadt: Sabrina Kotzian, an employee of the Museum Utopia and Everyday Life, stands next to a Schwalbe-type moped in the permanent exhibition with a laptop containing the homepage of the digital participation platform. Last year, the Museum Utopia and Everyday Life in Eisenhüttenstadt designed a new digital participation platform for sharing memories and object stories. It provides an insight into the collections of everyday culture and art from the GDR. The platform invites people to share experiences, memories and stories that visitors associate with t
The Museum Utopia and Everyday Life in the Plan City Eisenhüttenstadt. It is housed in the former daycare center 2. The representative building with columns, surrounding balcony and dominant porch should emphasize the importance of family and children in socialism. Eisenhüttenstadt, Germany
RF2PD38EDThe Museum Utopia and Everyday Life in the Plan City Eisenhüttenstadt. It is housed in the former daycare center 2. The representative building with columns, surrounding balcony and dominant porch should emphasize the importance of family and children in socialism. Eisenhüttenstadt, Germany
23 June 2022, Brandenburg, Eisenhüttenstadt: Florentine Nadolni, director of the Museum Utopia and Everyday Life, looks at racing bikes from the 1970s and 1980s at the press preview of the exhibition 'Borders of Friendship. Tourism between the GDR, CSSR and Poland' at the Documentation Center for Everyday Culture of the GDR. The 'Iron Curtain' ran through Europe during the Cold War, but the borders between the socialist 'friendship countries' were also a political issue and passable only to a limited extent. In the 1960s, they became somewhat more permeable, but 1972 marked a real breakthrough
RM2JDT1BH23 June 2022, Brandenburg, Eisenhüttenstadt: Florentine Nadolni, director of the Museum Utopia and Everyday Life, looks at racing bikes from the 1970s and 1980s at the press preview of the exhibition 'Borders of Friendship. Tourism between the GDR, CSSR and Poland' at the Documentation Center for Everyday Culture of the GDR. The 'Iron Curtain' ran through Europe during the Cold War, but the borders between the socialist 'friendship countries' were also a political issue and passable only to a limited extent. In the 1960s, they became somewhat more permeable, but 1972 marked a real breakthrough
Museum Utopia and Everyday Life in Eisenhüttenstadt. The exhibition shows facets of everyday life in the GDR in family and work, reports on consumption, education and communication possibilities. Here map with the home towns of the museum visitors as interaction. Eisenhüttenstadt, Germany
RF2PD4X49Museum Utopia and Everyday Life in Eisenhüttenstadt. The exhibition shows facets of everyday life in the GDR in family and work, reports on consumption, education and communication possibilities. Here map with the home towns of the museum visitors as interaction. Eisenhüttenstadt, Germany
23 June 2022, Brandenburg, Eisenhüttenstadt: Florentine Nadolni, director of the Museum Utopia and Everyday Life, is available for a press preview of the exhibition 'Borders of Friendship. Tourism between the GDR, CSSR and Poland' at the Documentation Center Everyday Culture of the GDR. The 'Iron Curtain' ran through Europe during the Cold War, but the borders between the socialist 'friendship countries' were also a political issue and passable only to a limited extent. In the 1960s, they became somewhat more permeable, but 1972 marked a real breakthrough: in the GDR, CCSR and Poland, regulati
RM2JDT1B923 June 2022, Brandenburg, Eisenhüttenstadt: Florentine Nadolni, director of the Museum Utopia and Everyday Life, is available for a press preview of the exhibition 'Borders of Friendship. Tourism between the GDR, CSSR and Poland' at the Documentation Center Everyday Culture of the GDR. The 'Iron Curtain' ran through Europe during the Cold War, but the borders between the socialist 'friendship countries' were also a political issue and passable only to a limited extent. In the 1960s, they became somewhat more permeable, but 1972 marked a real breakthrough: in the GDR, CCSR and Poland, regulati
PRODUCTION - 14 February 2023, Brandenburg, Eisenhüttenstadt: The building of the Museum Utopia and Everyday Life - Everyday Culture and Art in the GDR, was a kindergarten in GDR times. Eisenhüttenstadt has been a mecca for visitors interested in architecture for years. The first three residential complexes from the 1950s and 1960s are considered to be one of the largest landmarks in Germany. They are also used time and again as film sets, and guided tours of the locations are in demand. (to dpa-KORR Eisenhüttenstadt as a film set - film locations interest visitors) Photo: Patrick Pleul/dpa
RM2P0JX0GPRODUCTION - 14 February 2023, Brandenburg, Eisenhüttenstadt: The building of the Museum Utopia and Everyday Life - Everyday Culture and Art in the GDR, was a kindergarten in GDR times. Eisenhüttenstadt has been a mecca for visitors interested in architecture for years. The first three residential complexes from the 1950s and 1960s are considered to be one of the largest landmarks in Germany. They are also used time and again as film sets, and guided tours of the locations are in demand. (to dpa-KORR Eisenhüttenstadt as a film set - film locations interest visitors) Photo: Patrick Pleul/dpa
Museum Utopia and Everyday Life in Eisenhüttenstadt. The exhibition shows facets of everyday life in the GDR in family and work, reports on consumption, education and communication possibilities. Coveted goods purchased in transit between the GDR, Poland and the CSSR. Such as wickerwork, Bunszlau tableware or crayons from Poland or color films and music cassettes from the GDR. Eisenhüttenstadt, Germany
RF2PD4X40Museum Utopia and Everyday Life in Eisenhüttenstadt. The exhibition shows facets of everyday life in the GDR in family and work, reports on consumption, education and communication possibilities. Coveted goods purchased in transit between the GDR, Poland and the CSSR. Such as wickerwork, Bunszlau tableware or crayons from Poland or color films and music cassettes from the GDR. Eisenhüttenstadt, Germany