Leonardo da Vinci, artist, thinker and man of science; . modelsof the end of the fifteenth century, and consequently involves themore or less direct intervention of Leonardo. We must retrace our steps for a moment to mention a commis-sion received by Leonardo in 1510, from the authorities of MilanCathedral. They asked him to furnish designs for the choir stalls,conjointly with various distinguished artists—G. A. Omodei, Andreada Fusina, and Cristoforo Solari. Such a proceeding at least showsthe esteem in which the Milanese held their quasi-compatriot.Understanding his superiority, mingled with
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