International studio . ore that fateful day. Mr. Cameron is a Scotsman who, while loyalto a Scottish residence—his beautiful home nearKippen, in Stirlingshire, is an ideal residence for apainter—is as well known to the English people ashe is to his own countrymen ; though his loyaltyto his Alma Mater, the Royal Scottish Academy,ensures that notable body having the first callupon the products of his genius. But at theInternational, the Old Water-Colour Society,the Society of Twelve, the Goupil and othergalleries his work always finds an adequate repre-sentation, as it did at the lately deceased
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International studio . ore that fateful day. Mr. Cameron is a Scotsman who, while loyalto a Scottish residence—his beautiful home nearKippen, in Stirlingshire, is an ideal residence for apainter—is as well known to the English people ashe is to his own countrymen ; though his loyaltyto his Alma Mater, the Royal Scottish Academy, ensures that notable body having the first callupon the products of his genius. But at theInternational, the Old Water-Colour Society, the Society of Twelve, the Goupil and othergalleries his work always finds an adequate repre-sentation, as it did at the lately deceased NewGallery, and now that he is an Associate of theRoyal Academy further opportunity will be affordedthe public of knowing what manner of man Mr.Cameron is as revealed in his work. An olim civis of that most eclectic group, theGlasgow School of Painters, Mr. Cameron canhardly be said to possess any characteristicpeculLarly diagnostic of that influential phase of ourmodern artistic expression. Indeed, from the first. THK EH.DO.N Illl.I, XLVI. Xo. 1S4.- (In the possession of Waller Keid, Es, /. ) June 1912. :ameron, a.r.a., />.r.s.a. D. ]. Cameron s Paintings Mr. Cameron, though a powerful influence, wasmore than any other member of The Schoolpersonally eclectic. True he painted under theinfluence of Whistler, which had so marked aneffect on Guthrie and one or two of his colleagues.Yet it is clear, not only from a study of bio-graphical material, but also from a considerationof the p.iinters art itself, that Mr. Cameron isprobably the most self-developed worker of thegroup. If we look for influences which haveaffected his essays in colour, we shall find them inthose masters whose ideals are reflected in his etch-ings, Rembrandt, Meryon, Whistler, and .SeymourHaden. The influence of .Matthew Maris can betraced in some of his earlier drawings, but so far ashis later work is concerned, it seems to be thelogical outcome of his experience as an etcher andhis earlier training as a