. International studio. for every pair of colors that arejoined together in indissoluble union, and whatseemed at first so easy to criticise and commentupon turns out to be the wedded theory and prac-tice of a theorist and executant so armed and in-vulnerable that our comments dissolve in weak-ness in the presence of so much knowledge. There is, however, a great deal of pleasure to behad from studying the arrangement of any of thedesigns without the idea of discoursing upon them,with merely the idea of learning from them. Inlooking at one of the decorations of which wealready have spoken, for

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. International studio. for every pair of colors that arejoined together in indissoluble union, and whatseemed at first so easy to criticise and commentupon turns out to be the wedded theory and prac-tice of a theorist and executant so armed and in-vulnerable that our comments dissolve in weak-ness in the presence of so much knowledge. There is, however, a great deal of pleasure to behad from studying the arrangement of any of thedesigns without the idea of discoursing upon them,with merely the idea of learning from them. Inlooking at one of the decorations of which wealready have spoken, for Stock Photo
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https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/international-studio-for-every-pair-of-colors-that-arejoined-together-in-indissoluble-union-and-whatseemed-at-first-so-easy-to-criticise-and-commentupon-turns-out-to-be-the-wedded-theory-and-prac-tice-of-a-theorist-and-executant-so-armed-and-in-vulnerable-that-our-comments-dissolve-in-weak-ness-in-the-presence-of-so-much-knowledge-there-is-however-a-great-deal-of-pleasure-to-behad-from-studying-the-arrangement-of-any-of-thedesigns-without-the-idea-of-discoursing-upon-themwith-merely-the-idea-of-learning-from-them-inlooking-at-one-of-the-decorations-of-which-wealready-have-spoken-for-image370543859.html
. International studio. for every pair of colors that arejoined together in indissoluble union, and whatseemed at first so easy to criticise and commentupon turns out to be the wedded theory and prac-tice of a theorist and executant so armed and in-vulnerable that our comments dissolve in weak-ness in the presence of so much knowledge. There is, however, a great deal of pleasure to behad from studying the arrangement of any of thedesigns without the idea of discoursing upon them,with merely the idea of learning from them. Inlooking at one of the decorations of which wealready have spoken, for
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. International studio. for every pair of colors that arejoined together in indissoluble union, and whatseemed at first so easy to criticise and commentupon turns out to be the wedded theory and prac-tice of a theorist and executant so armed and in-vulnerable that our comments dissolve in weak-ness in the presence of so much knowledge. There is, however, a great deal of pleasure to behad from studying the arrangement of any of thedesigns without the idea of discoursing upon them,with merely the idea of learning from them. Inlooking at one of the decorations of which wealready have spoken, for example, that called TheRelation of the Individual to the State, it is in-teresting to see how suave a curv^e is described bythe arrangement of the figures within the arc of acircle which was the shape designed for them tofill, and how the dignity of the perpendicular linesprovided by the standing figures is emphasized bythe stiff little statue in the background of whichonly the lower portion is seen. It is interesting. By Courtesy of M. KnoedUr fif Co. SEATED SIVA DANCE OR PANTOMINE, SAMOA, 1891 BY JOHNLA FARGE LXXXIX John La Farge we see the purple of the distant mountains, andhow well the comers of the difficult space are filledand made attractive by the tambourine girl at oneend, who has just happened into the episodebut who serves so many useful purposes, and atthe other end the glowing leafage of a luxuriantvine. And for a single detail that adds to theimpression of a definite mood portrayed in thepicture, what a feeling of repose and leisure anduncontentious converse is given by the long armsof the two seated figures spread with relaxedmuscles on the low wall of the exedra. In theentire arrangement we feel, rather than perceive,that the thrust and weight of the color is adequatelysustained by the framework of the design. In the South Sea studies there is a distinctpleasure in observing the depth and cjuantity ofcolor the artist has wrested from pigment, a ma-terial which

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