International studio . authoritative article on Zuloaga in the December]anily Fair, but do not neglect Mr. Bellowsmasterly picture in the Winter .Academy. Or letus take the work of Mr. Childe Hassam as ex-hibited during the last month at the MontrossGallery. One may argue not unreasonably thatMr. Hassam is neither a unique nor an indis-pensable note in our painting; surely one cannotgainsay the superior and delightful craftsman-ship of the man. .Allow me also to call yourattention to the work of Mr. Henry GoldenDearth, work of a singular and enigmaticalcharm, work that for all its rare and rec

International studio . authoritative article on Zuloaga in the December]anily Fair, but do not neglect Mr. Bellowsmasterly picture in the Winter .Academy. Or letus take the work of Mr. Childe Hassam as ex-hibited during the last month at the MontrossGallery. One may argue not unreasonably thatMr. Hassam is neither a unique nor an indis-pensable note in our painting; surely one cannotgainsay the superior and delightful craftsman-ship of the man. .Allow me also to call yourattention to the work of Mr. Henry GoldenDearth, work of a singular and enigmaticalcharm, work that for all its rare and rec Stock Photo
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Contributor:

The Reading Room / Alamy Stock Photo

Image ID:

2AXHG32

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7.1 MB (294.5 KB Compressed download)

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Dimensions:

1761 x 1419 px | 29.8 x 24 cm | 11.7 x 9.5 inches | 150dpi

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International studio . authoritative article on Zuloaga in the December]anily Fair, but do not neglect Mr. Bellowsmasterly picture in the Winter .Academy. Or letus take the work of Mr. Childe Hassam as ex-hibited during the last month at the MontrossGallery. One may argue not unreasonably thatMr. Hassam is neither a unique nor an indis-pensable note in our painting; surely one cannotgainsay the superior and delightful craftsman-ship of the man. .Allow me also to call yourattention to the work of Mr. Henry GoldenDearth, work of a singular and enigmaticalcharm, work that for all its rare and rec-ondite quality is yet, I believe, on theverge 6f that kind of recognition that isaccorfied what is best in our painting. .And I, for my part, believe we have not yet touched atrue and final estimate of the collective and in-dividual worth of this kind of painting, a paint-ing that adheres to the ideals of the past withoutpatterning it.self upon its methods or stultifyingits own measure of originality. The Drama of Life. THE DRAMA OK LIKK: THb EVOLL TIUN uF MANPENCIL STUDY BY GEORGE ALFRED WILLIAMS

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