Female Costume in the time of Edward IV - Britsh engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-costume-in-the-time-of-edward-iv-britsh-engraving-image65854239.htmlRMDR3WN3–Female Costume in the time of Edward IV - Britsh engraving
Costume of a Man & a Woman in the time of Edward II, (1909). Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-of-a-man-a-woman-in-the-time-of-edward-ii-1909-artist-unknown-image262779442.htmlRMW7EHT2–Costume of a Man & a Woman in the time of Edward II, (1909). Artist: Unknown
Blanch de la Tour, daughter of Edward III, from her monument in the Chapel of St. Edward, Westminster. Background figure from manuscript of the time. Handcolored engraving from 'Civil Costume of England from the Conquest to the Present Period' drawn by Charles Martin and etched by Leopold Martin, London, Henry Bohn, 1842. The costumes were drawn from tapestries, monumental effigies, illuminated manuscripts and portraits. Charles and Leopold Martin were the sons of the romantic artist and mezzotint engraver John Martin (1789-1854). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blanch-de-la-tour-daughter-of-edward-iii-from-her-monument-in-the-chapel-of-st-edward-westminster-background-figure-from-manuscript-of-the-time-handcolored-engraving-from-civil-costume-of-england-from-the-conquest-to-the-present-period-drawn-by-charles-martin-and-etched-by-leopold-martin-london-henry-bohn-1842-the-costumes-were-drawn-from-tapestries-monumental-effigies-illuminated-manuscripts-and-portraits-charles-and-leopold-martin-were-the-sons-of-the-romantic-artist-and-mezzotint-engraver-john-martin-1789-1854-image209726579.htmlRMP55TAY–Blanch de la Tour, daughter of Edward III, from her monument in the Chapel of St. Edward, Westminster. Background figure from manuscript of the time. Handcolored engraving from 'Civil Costume of England from the Conquest to the Present Period' drawn by Charles Martin and etched by Leopold Martin, London, Henry Bohn, 1842. The costumes were drawn from tapestries, monumental effigies, illuminated manuscripts and portraits. Charles and Leopold Martin were the sons of the romantic artist and mezzotint engraver John Martin (1789-1854).