Art inspired by Drawings and Prints, Drawing, Design for the Capitol of Ohio, Columbus, Artist, Alexander Jackson Davis, American, New York 1803, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HWAAWFArt inspired by Drawings and Prints, Drawing, Design for the Capitol of Ohio, Columbus, Artist, Alexander Jackson Davis, American, New York 1803, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Second Premium Design for the Capitol of Ohio, Columbus, ca. 1839, Watercolor, ink and graphite, sheet: 16 7/8 x 12 7/8 in. (42.8 x 32.7 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW78KPArt inspired by The Second Premium Design for the Capitol of Ohio, Columbus, ca. 1839, Watercolor, ink and graphite, sheet: 16 7/8 x 12 7/8 in. (42.8 x 32.7 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Plan by T. Cole, Esq. for the Capitol of Ohio, ca. 1839, Watercolor, ink and graphite, sheet: 16 7/8 x 12 3/8 in. (42.8 x 31.5 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW78M1Art inspired by Plan by T. Cole, Esq. for the Capitol of Ohio, ca. 1839, Watercolor, ink and graphite, sheet: 16 7/8 x 12 3/8 in. (42.8 x 31.5 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by First Premium Design for the Capitol of Ohio at Columbus by Walter of Cincinnati, ca. 1839, Watercolor, ink and graphite, sheet: 16 3/4 x 12 13/16 in. (42.5 x 32.6 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW78KRArt inspired by First Premium Design for the Capitol of Ohio at Columbus by Walter of Cincinnati, ca. 1839, Watercolor, ink and graphite, sheet: 16 3/4 x 12 13/16 in. (42.5 x 32.6 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Inspired by A group of British soldiers waiting at Pretoria railway station, Railway Station of Uncle Paul's lost Capitol, June 5th, 1900, day of the British entry, South Africa, publisher: Underwood and Underwood, Pretoria, publisher: New York (city), 5-Jun-1900, paper, albumen print, height 88 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RF2HKEEYWInspired by A group of British soldiers waiting at Pretoria railway station, Railway Station of Uncle Paul's lost Capitol, June 5th, 1900, day of the British entry, South Africa, publisher: Underwood and Underwood, Pretoria, publisher: New York (city), 5-Jun-1900, paper, albumen print, height 88 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Art inspired by A group of British soldiers waiting at Pretoria railway station, Railway Station of Uncle Paul's lost Capitol, June 5th, 1900, day of the British entry, South Africa, publisher: Underwood and Underwood, Pretoria, publisher: New York (city), 5-Jun-1900, cardboard, paper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HM0F9WArt inspired by A group of British soldiers waiting at Pretoria railway station, Railway Station of Uncle Paul's lost Capitol, June 5th, 1900, day of the British entry, South Africa, publisher: Underwood and Underwood, Pretoria, publisher: New York (city), 5-Jun-1900, cardboard, paper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The New Capitol, Columbia, South Carolina, George N. Barnard (American, 1819 - 1902), New York, United States, negative about 1865, print 1866, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RF2B9EJGBThe New Capitol, Columbia, South Carolina, George N. Barnard (American, 1819 - 1902), New York, United States, negative about 1865, print 1866, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Civilization. A group by Greenough, at the eastern entrance of the Capitol, Washington, D.C., New York Stereoscopic Company, 1860s, Hand-colored albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RF2B97WHJCivilization. A group by Greenough, at the eastern entrance of the Capitol, Washington, D.C., New York Stereoscopic Company, 1860s, Hand-colored albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Nashville from the Capitol, George N. Barnard (American, 1819 - 1902), New York, United States, negative 1865, print 1866, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RF2B9EJE9Nashville from the Capitol, George N. Barnard (American, 1819 - 1902), New York, United States, negative 1865, print 1866, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Columbia from the Capitol, George N. Barnard (American, 1819 - 1902), New York, United States, negative about 1865, print 1866, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RF2B9EJGAColumbia from the Capitol, George N. Barnard (American, 1819 - 1902), New York, United States, negative about 1865, print 1866, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Capitol Nashville, Tennessee, George N. Barnard (American, 1819 - 1902), New York, United States, negative about 1865, print 1866, Albumen silver print, 25.6 x 35.4 cm (10 1/16 x 13 15/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RF2B9885KThe Capitol Nashville, Tennessee, George N. Barnard (American, 1819 - 1902), New York, United States, negative about 1865, print 1866, Albumen silver print, 25.6 x 35.4 cm (10 1/16 x 13 15/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Equestrian statue of Marcus Aurelius on Piazza del Campidoglio in Rome, The renowned statue of Marcus Aurelius and the Capitol-Rome, Italy. (title on object), equestrian statue, façade (or house or building), Piazza del Campidoglio, anonymous, New York (city), 1902, cardboard, photographic paper, albumen print, h 85 mm × w 170 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RF2B9BKBGEquestrian statue of Marcus Aurelius on Piazza del Campidoglio in Rome, The renowned statue of Marcus Aurelius and the Capitol-Rome, Italy. (title on object), equestrian statue, façade (or house or building), Piazza del Campidoglio, anonymous, New York (city), 1902, cardboard, photographic paper, albumen print, h 85 mm × w 170 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.