Around the clock in Europe; a travel-sequence .

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• Around the clock in Europe; a travel-sequence (1912)
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• Around the clock in Europe; a travel-sequence . 4 IF. ^ ^ .^4 T
• Around the clock in Europe; a travel-sequence (1912)
• Around the clock in Europe; a travel-sequence (1912) (14756821186)
• Around the clock in Europe; a travel-sequence . ot strike back were I to raise ahand of destruction against the halls they reared andloved and guarded with such might.^^ The fate ofevery man, said the Koran, have We bound abouthis neck. It is depressing to think that such glory, power, andbeauty as once were here should have flourished sowonderfully and come to so little. Was all this mag-nificence created merely for destruction? Could no-thing less suffice grim Time to build him an eyrie forbats and swallows? Was Von Matthisson right in thejudgment he expressed in the sad and sympatheticElegi
• Around the clock in Europe; a travel-sequence (1912)
• Around the clock in Europe; a travel-sequence (1912) (14777476064)
• Around the clock in Europe; a travel-sequence . Sacer is clear, and Tivoli andthe Sabine Farm of Horace. Like the Archangel Michaelon the Castle of Sant Angelo, the sun, too, begins tosheathe his sword, and its glitter throws a warm mantleover the shoulders of the marble angels on the bridge.Most conspicuously, as is proper, it lingers on the paledome of St. Peters, touches into life the sculpturedsaints of the portico, and floods obelisk, fountains, andall that vast elliptical piazza toward which are extendedthe sheltering arms of Berninis colonnade. How fair,beneath that roof, are the dazzli
• Around the clock in Europe; a travel-sequence (1912)
• Around the clock in Europe; a travel-sequence (1912) (14777445584)
• Around the clock in Europe; a travel-sequence . PRAGUE, THE CASTLE FROM THE OLD BRIDGE PRAGUE 100 then the profoundest stirring of the Slavic nature andthe moving of emotional depths beyond the conceptionof the reserved and impassive Anglo-Saxon. Especiallyis this so when the music is of a national character, suchas the Ma Vlast symphonic poems of Smetana, ora Slavic dance of Dvoraks. These Bohemian masters,with their fellow countryman, Fibich, constitute atrinity that is reverenced in their native land to an extentthat almost passes belief, and that has done so much inmaking Prague one of the