RMFFMB32–allegories, April, tapestry, detail, falconer on horse, by Hans van der Biest, after design by Peter Candid, Munich, Germany, 1612 / 1615, residence museum, Munich, Germany, Artist's Copyright has not to be cleared
RF2MN4KWE–François de La Planche and Marc de Comans: 'Captain on horseback'. Museo Nacional de Bellas Artes, Buenos Aires, Argentina
RMFFMB2D–Maximilian II Emanuel, 11.7.1662 - 26.2.1726, Prince-Elector of Bavaria 26.5.1679 - 26.2.1726, full length, as commander on horse, tapestry, of J.LeClerk, G.van der Bocht, after design by Lambert de Hondt, Bruxelles, before 1696, Bavarian National Museum, Munich, Germany, Artist's Copyright has not to be cleared
![French Renaissance Gobelins tapestries, (1898). 'Figs 1-3: Borders on a tapestry carpet after [Charles] Le Brun (made 1665-72). Figs 4-6: Border from a tapestry after Noel Coypel (made 1670-80). Fig 7: Border from a tapestry of the 16th century...since the 16th century such wall-decorating carpets again found favour in the houses of the wealthy, all the more since the hangings of wool, woven in the Netherlands, and embellished with various figural representations, were sold all over the world and quite superseded the silk or linen tapestry. Also in France, under Louis XIV such a manufactory of](https://l450v.alamy.com/450v/2ag0g16/french-renaissance-gobelins-tapestries-1898-figs-1-3-borders-on-a-tapestry-carpet-after-charles-le-brun-made-1665-72-figs-4-6-border-from-a-tapestry-after-noel-coypel-made-1670-80-fig-7-border-from-a-tapestry-of-the-16th-centurysince-the-16th-century-such-wall-decorating-carpets-again-found-favour-in-the-houses-of-the-wealthy-all-the-more-since-the-hangings-of-wool-woven-in-the-netherlands-and-embellished-with-various-figural-representations-were-sold-all-over-the-world-and-quite-superseded-the-silk-or-linen-tapestry-also-in-france-under-louis-xiv-such-a-manufactory-of-2ag0g16.jpg "French Renaissance Gobelins tapestries, (1898). 'Figs 1-3: Borders on a tapestry carpet after [Charles] Le Brun (made 1665-72). Figs 4-6: Border from a tapestry after Noel Coypel (made 1670-80). Fig 7: Border from a tapestry of the 16th century...since the 16th century such wall-decorating carpets again found favour in the houses of the wealthy, all the more since the hangings of wool, woven in the Netherlands, and embellished with various figural representations, were sold all over the world and quite superseded the silk or linen tapestry. Also in France, under Louis XIV such a manufactory of")
RM2AG0G16–French Renaissance Gobelins tapestries, (1898). 'Figs 1-3: Borders on a tapestry carpet after [Charles] Le Brun (made 1665-72). Figs 4-6: Border from a tapestry after Noel Coypel (made 1670-80). Fig 7: Border from a tapestry of the 16th century...since the 16th century such wall-decorating carpets again found favour in the houses of the wealthy, all the more since the hangings of wool, woven in the Netherlands, and embellished with various figural representations, were sold all over the world and quite superseded the silk or linen tapestry. Also in France, under Louis XIV such a manufactory of
RMP2T8DG–'The Spinners, or The Fable of Arachne', ca. 1657, Spanish Baroque, Oil on canvas, 220 cm x 289 cm, P01173. Author: Diego Velázquez (1599-1660). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN.
RM2D9Y6K2–Title: The Spinners, or The Fable of Arachne Creator: Diego Rodriguez de Silva y Velazquez Date: 1657 Medium: Oil on canvas Dimension: 220 x 289 cm Location: Prado, Madrid
RFP02958–COPENHAGEN, DENMARK - MAY 17, 2018 Detail of the king Christian V's Hall in Rosenborg castle in Copenhagen with a Japanes lacquered cabinet on gilded
RM2A52N8R–The Triumph of the Church, after 1628. This work is likely a copy after Rubens’s oil sketch for the Triumph of the Eucharist tapestry series. Isabella, daughter of King Phillip II of Spain, commissioned the tapestries for a royal monastery in Madrid. The finished tapestries still hang there today, and the original oil sketch is in the Museo del Prado, Madrid.
RF2MN4NCR–François de La Planche and Marc de Comans: 'Captain on horseback'. Museo Nacional de Bellas Artes, Buenos Aires, Argentina
RMFFMB2E–Maximilian II Emanuel, 11.7.1662 - 26.2.1726, Prince-Elector of Bavaria 26.5.1679 - 26.2.1726, full length, as commander on horse, tapestry, of J.LeClerk, G.van der Bocht, after design by Lambert de Hondt, Bruxelles, before 1696, Bavarian National Museum, Munich, Germany, Artist's Copyright has not to be cleared
RMPAMA9Y–Realm of Juno. Artist: after Adam Elsheimer (German, Frankfurt 1578-1610 Rome); Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 3 5/16 × 6 7/16 in. (8.4 × 16.4 cm). Series/Portfolio: The Three Realms of the World, NH 842-844. Date: 1646. Juno seated on tall throne with tapestry behind, wearing embroidered dress and fur-trimmed mantle and holding sceptre in her right hand, leaning slightly to left; men at work under vaults in the background; after Elsheimer. The painting was in the Arundel collection but is now lost (see K. Andrews, 'Adam Elsheimer:Paintings-Drawings