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Acanthus leaves Stock Photos and Images
RMKC84XG–Rear View of an Elaborate Design for a Carriage with Acanthus Leaves and a Putto and Lion on top of a Ball
RFT5X252–Acanthus Leaves Roman acanthus constitutes a type a particular form of leaf more minutely modeled its suggests a larger vintage line drawing or engrav
RMB8XXBE–Detail of acanthus leaves carved in stone part of a sculpture in the gardens at Mottisfont Abbey
RM2GE379J–Giulio Romano (Giulio Pippi), Design for a Frieze with a Putto and Acanthus Leaves, drawing, circa 1520
RM2R773XC–The interior of the baroque church of Santa Caterina d'Alessandria with the baroque style altar with acanthus leaves and twisted stucco columns.Sicily
RM2CEPRYJ–Medieval Stone Carving, Bas-Relief or Carved Acanthus Leaves of the c12th Romanesque Salagon Abbey or Salagon Priory Mane Provence France
RF2AN6Y5A–Corinthian order is the most ornate of the classical orders of ancient Greek and Roman architecture with slender columns and elaborate capitals decorated with acanthus leaves and scrolls
RF2HK9ETE–Inspired by Ornament with acanthus leaves, after Jac van Looij, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPT5FG1–Acanthus leaf: 1st leaf of Acanthus mollis. (Jacobsthal). 2. Acanthus goblet with leaves and inflorescence of Acanthus mollis. (Jacobsthal). 3rd leaf of Acanthus mollis. (Raguenet). 4. Leaf of Acanthus spinosus. (Gewerbehalle). 5. Acanthus goblet, from a Greek stele coronation. (Raguenet). 6. Overfall of an acanthus leaf, from a Roman ornamental candelabrum, in the Museum of the Vatican. 7. Greek acanthus leaf. (Jacobsthal). 8. Roman acanthus leaf. The prototype is borrowed from a pillar capitol of the Pantheon in Rome. Characteristic and calculated on the effect of the long-range effect are t
RFT6WD9F–Detail of an ornate cartouche in St John's Co-Cathedral, Valletta, with two gilded lions flanking an elaborate urn with acanthus leaves & other motifs
RMK6MN88–The Union defenders certificate in support & defense of the government, the Union and the Constitution of the United States against the Great Rebellion. A colorful printed certificate for soldiers serving in the Union Army against the 'Great Rebellion.' At the top center is a seal with acanthus leaves spreading out from it, framing the title below. Two small military scenes appear in the upper corners. In the upper left is an armed soldier guarding a Union camp, and on the right soldiers charge into battle carrying the American flag. Below, Columbia, holding a large flag and with a bald eagle
RMHTE90P–Corinthian capital decorated with acanthus leaves. Roman theatre. 1st century AD. Stone of Medol/Soldo. Tarragona, Spain. National Archaeological Museum. Tarragona. Spain.
RMDYEATP–Pair of candlesticks by Johannes Schlotling (1730-1799), Amsterdam, 1785, silver. These candlesticks with acanthus leaves, medallions and festoons were inspired by a design by Paris artist Jean Francois Forty that was published around 1780. This type of short candlestick was probably intended for a dressing or gaming table.
RM2GGAA3X–Mary with Child, Adriaen Isenbrant (attributed to) 1530 - 1540 Dutch, The Netherlands . modern (renaissance style. Pilasters and balusters, round niches, ram's heads, cornucopias and curly acanthus leaves new style, based on the architecture of classical antiquity.)
RM2M45MCP–The inspiration for Callimachus' Corinthian capital. A woven basket surrounded by Acanthus leaves in front of a child's tomb. The Greek architect and sculptor Callimachus, 5th century BC, used this as inspiration to embellish the capitals of columns. Copperplate engraving from Francis Fitzgerald’s The Artist’s Repository and Drawing Magazine, Charles Taylor, London, 1785.
RFPCWWWA–Corinthian order capital with acanthus leaves and scrolls, monument of Lysicrates at Athen.Corinthian was the most ornate order of Greek and Roman architecture, vintage engraving
RF2HK9ETX–Inspired by German scroll with acanthus leaves, after Jac van Looij, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RF2A6NCMF–Acanthus mollis leaves at Diggers Club's historic Heronswood estate, Mornington Peninsula, Victoria, Australia
RF2D89DM3–Ornate gilt fleur-de-lis and acanthus leaves decorate a black street lamp by the EPA's Clinton Building on Constitution Avenue in Washington DC.
RFK3HT4R–Old illustration of a acanthus leaves growing around a covered basket, so creating the idea of Corinthian capital. By unidentified author, published on Magasin Pittoresque, Paris, 1838
RF2GAHD0X–Part of a large carved stone lying on the ground in the Ancient Roman city of Leptis Magna in Northern Libya. The carving has acanthus leaves trailin
RMP28759–. English: Drawing, Design for a Crosier . English: Design for a crosier with acanthus leaves curling to the right. . before 1901 (acquired date) 100 Drawing, Design for a Crosier (CH 18108261)
RM2WKMD1T–Capital decorated with acanthus leaves. Marble. 7th century. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.
RM2JWF6CA–Funerary lebes kalpe ,350 BC, National Archaeological Museum in Athens, Found at the end of Acharnon Street, column base vessel surrounded acanthus leaves palmettes stands a, lebes kalpe, relief decoration guilloche and fluting, surmounted by busts and griffins, symbols of immortality, Athens Greece, ( cinerary urn)
RMKDTE4P–Corinthian columns along the Cardo with acanthus leaf decoration, Roman city of Jerash, ancient Gerasa, archeological site Jordan, Middle East
RM2RWTX9A–Corinthian order capital with acanthus leaves and scrolls, was the most ornate order of Greek and Roman architecture, vintage engraving
RF2HKWF8E–Art inspired by Ornament with acanthus leaves, after Jac van Looij, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A51RJA–Pair of Candle Stands (torchères), c. 1773. Inspired by discoveries of ancient ruins at Herculaneum and Pompeii in the 1730s, fashionable aristocratic architecture and interiors reflected a taste for neoclassical decoration. Thomas Chippendale, the most recognizable, influential London cabinetmaker of this era made these candle stands as part of a larger suite of four for the grand drawing room of Brocket Hall, the country seat of Sir Peniston Lamb, a recently knighted English lord. Their design is modeled on an ancient Roman marble candlestick decorated with carved acanthus leaves, swags
RF2A6NCMP–Acanthus mollis leaves at Diggers Club's historic Heronswood estate, Mornington Peninsula, Victoria, Australia
RF2RAYXPF–An Corinthian capital from the Terrace houses in the Ancient City of Ephesus. Acanthus leaves. Izmir, Turkey
RM2F38TH9–Print, Ornament Design with Wheat and Acanthus Leaves over Shell, from Livre des Legumes (Series of Vegetable Ornament), pl. 17 in Oeuvre de Juste-Aurèle Meissonnier, 1748
![Bronze hand bell, c1530-c1570, (1881). Etching of a small bell with the arms of the Lippomani family of Venice, made in Italy (probably the Veneto), in the mid 16th century. The Latin inscription: '[with] my ring I call your servants, o Lippomano', indicates that it was used for summoning domestic staff. The decoration features a row of downward-facing, overlapping acanthus leaves on the sound bow. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known Stock Photo](https://c8.alamy.com/comp/WX0YX3/bronze-hand-bell-c1530-c1570-1881-etching-of-a-small-bell-with-the-arms-of-the-lippomani-family-of-venice-made-in-italy-probably-the-veneto-in-the-mid-16th-century-the-latin-inscription-with-my-ring-i-call-your-servants-o-lippomano-indicates-that-it-was-used-for-summoning-domestic-staff-the-decoration-features-a-row-of-downward-facing-overlapping-acanthus-leaves-on-the-sound-bow-from-quotthe-south-kensington-museumquot-a-book-of-engraved-illustrations-with-descriptions-of-the-works-of-art-in-the-collection-of-the-victoria-amp-albert-museum-in-london-formerly-known-WX0YX3.jpg "Bronze hand bell, c1530-c1570, (1881). Etching of a small bell with the arms of the Lippomani family of Venice, made in Italy (probably the Veneto), in the mid 16th century. The Latin inscription: '[with] my ring I call your servants, o Lippomano', indicates that it was used for summoning domestic staff. The decoration features a row of downward-facing, overlapping acanthus leaves on the sound bow. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known Stock Photo")
RMWX0YX3–Bronze hand bell, c1530-c1570, (1881). Etching of a small bell with the arms of the Lippomani family of Venice, made in Italy (probably the Veneto), in the mid 16th century. The Latin inscription: '[with] my ring I call your servants, o Lippomano', indicates that it was used for summoning domestic staff. The decoration features a row of downward-facing, overlapping acanthus leaves on the sound bow. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known
RMP2BXFY–. English: Sidewall (USA), 1895 . English: Art nouveau design with large-scale tulips and scrolling acanthus leaves. Printed in shades of yellow and olive green. . 1895 290 Sidewall (USA), 1895 (CH 18482321)
RMM5N996–Detail of the left jamb of a monumental door decorated with acanthus leaves, a squirrel and a snake. Limestone and marble. Roman-Germanic Museum. Cologne. Germany.
RMB479A2–Pope Pius X - a personal seal., Ivory and silver with the handle in the shape of a medieval rampant lion holding a tablet in his forepaws and standing on a base of acanthus leaves. Stepped silver seal, bearing the papal coat of arms with tiara and crossed keys engraved into the surface of the seal. The shield of the coat of arms bears the Venetian lion of St. Mark and a fouled anchor. Height 10 cm. Comes from the possessions of Prince Ludwig of Saxe-Coburg-Gotha (1870 Ebenthal - 1942 Innsbruck). There is also a handwritten Papal blessing from Pope Pius X on the,
RFKCGG1N–The Fountain of Sultan Ahmed III (Turkish: III. Ahmet Cesmesi) is a fountain located in the great square in front of the Imperial Gate of Topkapi.
RMKDTBTN–Corinthian acanthus detail of Hadrian's Arch gate, Roman city of Jerash, ancient Gerasa, archaeological site in northern Jordan, Middle East
RM2WMFRHM–Originating in ancient Greece, the Corinthian order is distinguished by its slender fluted columns and elaborate capitals adorned with acanthus leaves. This order represents the zenith of Greek architectural refinement and was later adopted and adapted by the Romans, who added their own flair to its decorative potential. Its use in temples, public buildings, and monuments across the Mediterranean basin underscores a legacy of beauty and grandeur, making it a timeless symbol of architectural achievement
RF2HKBTKY–Inspired by Capitals with acanthus leaves and an owl, Europe, c. 1875 - c. 1900, albumen print, height 213 mm × width 159 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![Single Leaf Excised from a Choir Psalter: Initial E[xultate Deo] with King David Playing the Lute (Psalm 80), c. 1408. This leaf once formed part of a deluxe choir psalter produced for the Franciscan convent of Bologna (founded 1229). The initial E with a portrait of King David illustrates the introduction to Psalm 80: Exultate Deo (Rejoice to God). King David, as the author of the Psalms, is prominently illustrated in psalter initials. An abundant spray of colourful acanthus leaves with clambering Franciscan friars provides decoration for the lower left margins and confirmation that it wa Stock Photo](https://c8.alamy.com/comp/2A5269G/single-leaf-excised-from-a-choir-psalter-initial-e-xultate-deo-with-king-david-playing-the-lute-psalm-80-c-1408-this-leaf-once-formed-part-of-a-deluxe-choir-psalter-produced-for-the-franciscan-convent-of-bologna-founded-1229-the-initial-e-with-a-portrait-of-king-david-illustrates-the-introduction-to-psalm-80-exultate-deo-rejoice-to-god-king-david-as-the-author-of-the-psalms-is-prominently-illustrated-in-psalter-initials-an-abundant-spray-of-colourful-acanthus-leaves-with-clambering-franciscan-friars-provides-decoration-for-the-lower-left-margins-and-confirmation-that-it-wa-2A5269G.jpg "Single Leaf Excised from a Choir Psalter: Initial E[xultate Deo] with King David Playing the Lute (Psalm 80), c. 1408. This leaf once formed part of a deluxe choir psalter produced for the Franciscan convent of Bologna (founded 1229). The initial E with a portrait of King David illustrates the introduction to Psalm 80: Exultate Deo (Rejoice to God). King David, as the author of the Psalms, is prominently illustrated in psalter initials. An abundant spray of colourful acanthus leaves with clambering Franciscan friars provides decoration for the lower left margins and confirmation that it wa Stock Photo")
RM2A5269G–Single Leaf Excised from a Choir Psalter: Initial E[xultate Deo] with King David Playing the Lute (Psalm 80), c. 1408. This leaf once formed part of a deluxe choir psalter produced for the Franciscan convent of Bologna (founded 1229). The initial E with a portrait of King David illustrates the introduction to Psalm 80: Exultate Deo (Rejoice to God). King David, as the author of the Psalms, is prominently illustrated in psalter initials. An abundant spray of colourful acanthus leaves with clambering Franciscan friars provides decoration for the lower left margins and confirmation that it wa
RF2F9E63J–A lion surrounded by acanthus leaves on the top of a capital on bristol City Museum and Art Gallery.
RMWX0BFX–'Athens', late 19th-early 20th century. Decorative coat of arms for the city of Athens, capital of Greece. Above a panel bearing the Greek key pattern design is the owl which traditionally represents or accompanies the goddess Athena, here standing on a pedestal. Below is an animal skull embellished with acanthus leaves and strips of cloth.
RMP287ND–. English: Drawing, Design for Candelabra . English: A baluster form candelabra with acanthus leaves, masks and gadrooning. At the bottom, a coat-of-arms, cherubim, and masks. . before 1901 (acquired date) 101 Drawing, Design for Candelabra (CH 18129005)
RMH45B6C–Embossed column decorated with acanthus leaves, vine tendrils and bunches of grapes. Remains of red polychrome. Marble. Early Christian Period. 5th century. Museum of Mediterranean and Near Eastern Antiquities. Stockholm. Sweden.
RM2B0J61E–Fragment of Frieze with Acanthus Leaves Encircling Fruit and Flowers, Fragment, 6th century, Found Egypt, Saqqara, Limestone, Sculpture
RMB4799X–Pope Pius X - a personal seal., Ivory and silver with the handle in the shape of a medieval rampant lion holding a tablet in his forepaws and standing on a base of acanthus leaves. Stepped silver seal, bearing the papal coat of arms with tiara and crossed keys engraved into the surface of the seal. The shield of the coat of arms bears the Venetian lion of St. Mark and a fouled anchor. Height 10 cm. Comes from the possessions of Prince Ludwig of Saxe-Coburg-Gotha (1870 Ebenthal - 1942 Innsbruck). There is also a handwritten Papal blessing from Pope Pius X on the,
RF2F7NREH–Traditional damask featuring hockey equipment: a helmet, two sticks, a puck, a net with distinctive elaborated symmetrical florals, acanthus leaves.
RMKK6FJ6–Close up of carved acanthus leaf detail of a ruined Corinthian column at the Great Temple, Petra, Jordan, Middle East, with blue sky
RFHG5THE–Architectural detail, elaborated Corinthian capital with acanthus leaves and scrolls,vintage engraving. Corinthian was the most ornate order of Greek and Roman architecture,
RF2HKCRTM–Inspired by Cap with acanthus leaves and an owl, Europe, c. 1875 - c. 1900, albumen print, height 213 mm × width 159 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2A530M5–Bracket with Two Musicians, 100s. This vaulted bracket, with acanthus leaves on the side, is decorated with a musician-couple who stand on a lotus pedestal. The bearded male plays a sitar-like instrument, while his companion holds a clapper-type percussion instrument similar to the kartal (still used today to accompany dancing in some parts of India, such as Orissa). Both figures are clad in heavily draped robes that consist of two garments: an outer one---like the Classical himation---and the inner one, ankle length on the male and floor length on the female. The man's head is covered with a
RM2RN36FF–France, Herault, the Causses and the Cevennes, La Vacquerie et Saint Martin de Castries, Cardabelle (Carline with acanthus leaves) stylized on an activist sticker from Larzac
![Print, Ornament Design with Wheat and Acanthus Leaves over Shell, from Livre des Legumes [Series of Vegetable Ornament], pl. 17 in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Pierre-Quentin Chedel (1705 – 1763); Published by Gabriel Huquier (French, 1695–1772); France; etching on off-white laid paper; 16 x 11.2 cm (6 5/16 x 4 7/16 in.) Stock Photo](https://c8.alamy.com/comp/2PMC931/print-ornament-design-with-wheat-and-acanthus-leaves-over-shell-from-livre-des-legumes-series-of-vegetable-ornament-pl-17-in-oeuvre-de-juste-aurle-meissonnier-designed-by-juste-aurle-meissonnier-french-b-italy-16951750-engraved-by-pierre-quentin-chedel-1705-1763-published-by-gabriel-huquier-french-16951772-france-etching-on-off-white-laid-paper-16-x-112-cm-6-516-x-4-716-in-2PMC931.jpg "Print, Ornament Design with Wheat and Acanthus Leaves over Shell, from Livre des Legumes [Series of Vegetable Ornament], pl. 17 in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Pierre-Quentin Chedel (1705 – 1763); Published by Gabriel Huquier (French, 1695–1772); France; etching on off-white laid paper; 16 x 11.2 cm (6 5/16 x 4 7/16 in.) Stock Photo")
RM2PMC931–Print, Ornament Design with Wheat and Acanthus Leaves over Shell, from Livre des Legumes [Series of Vegetable Ornament], pl. 17 in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Pierre-Quentin Chedel (1705 – 1763); Published by Gabriel Huquier (French, 1695–1772); France; etching on off-white laid paper; 16 x 11.2 cm (6 5/16 x 4 7/16 in.)
RMC27PY7–A closeup of a capital from an original sandstone column of the Capitol on display in the National Arboretum, Washington, DC.
RF2F9E63M–A pair of wolve's heads, surrounded by acanthus leaves carved on the top of a stone capital outside Bristol's City Museum and Art Gallery.
![Bronze vase, 16th or 19th century, (1881). Etching of a vase with handles in the form of acanthus leaves, made in northern Italy, possibly Venice. The dating of this object has not been problematic. It may have been made c1520-c1560 by the Alberghetti foundry, or it could have been manufactured in the first half of the 19th century. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle and Stock Photo](https://c8.alamy.com/comp/WX0YT9/bronze-vase-16th-or-19th-century-1881-etching-of-a-vase-with-handles-in-the-form-of-acanthus-leaves-made-in-northern-italy-possibly-venice-the-dating-of-this-object-has-not-been-problematic-it-may-have-been-made-c1520-c1560-by-the-alberghetti-foundry-or-it-could-have-been-manufactured-in-the-first-half-of-the-19th-century-from-quotthe-south-kensington-museumquot-a-book-of-engraved-illustrations-with-descriptions-of-the-works-of-art-in-the-collection-of-the-victoria-amp-albert-museum-in-london-formerly-known-as-the-south-kensington-museum-sampson-low-marston-searle-and-WX0YT9.jpg "Bronze vase, 16th or 19th century, (1881). Etching of a vase with handles in the form of acanthus leaves, made in northern Italy, possibly Venice. The dating of this object has not been problematic. It may have been made c1520-c1560 by the Alberghetti foundry, or it could have been manufactured in the first half of the 19th century. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle and Stock Photo")
RMWX0YT9–Bronze vase, 16th or 19th century, (1881). Etching of a vase with handles in the form of acanthus leaves, made in northern Italy, possibly Venice. The dating of this object has not been problematic. It may have been made c1520-c1560 by the Alberghetti foundry, or it could have been manufactured in the first half of the 19th century. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle and
RM2B6139D–Marble Acroterium (roof ornament) decorated with acanthus leaves. Beth Shean, 2nd century CE placed in front of the Shrine of the Book or the House of the Dead Sea scrolls in Israel Museum complex, West Jerusalem Israel
RMFDMD2X–Wall mirror, 1675, of ebony, decorated with floral marquetry in various woods and ivory, some of which is stained green, at Ham House, Surrey. It has a convex frame decorated with floral marquetry of scrolling acanthus leaves. The elaborately shaped crest
RMP29WMT–. English: Sidewall (England), ca. 1890 . English: Very stylized blue tulips, white tulips and acanthus leaves forming cartouche. Light blue design in background. Appears to be printed on ungrounded paper. Art nouveau in style. . circa 1890 288 Sidewall (England), ca. 1890 (CH 18615667)
RMH45B65–Embossed column decorated with acanthus leaves, vine tendrils and bunches of grapes. Remains of red polychrome. Marble. Early Christian Period. 5th century. Museum of Mediterranean and Near Eastern Antiquities. Stockholm. Sweden.
RM2DMXWKE–Mount, fire-gilt bronze, foliage; acanthus leaves, with seeds in the center., ca. 1780, metalwork, Decorative Arts, Mount
RMB4799Y–Pope Pius X - a personal seal., Ivory and silver with the handle in the shape of a medieval rampant lion holding a tablet in his forepaws and standing on a base of acanthus leaves. Stepped silver seal, bearing the papal coat of arms with tiara and crossed keys engraved into the surface of the seal. The shield of the coat of arms bears the Venetian lion of St. Mark and a fouled anchor. Height 10 cm. Comes from the possessions of Prince Ludwig of Saxe-Coburg-Gotha (1870 Ebenthal - 1942 Innsbruck). There is also a handwritten Papal blessing from Pope Pius X on the,
Search Results for Acanthus leaves Stock Photos and Images (4,658)
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